On Thursday, June 12 at 5 p.m., Elizabeth Cronin, author of Heimat Photography in Austria (2015), explores Trude Fleischmann in relation to this aspect of 1930s visual culture. “In Austria, what is generally referred to as Heimat (home or homeland) photography featured local sights: peasants, churchgoers, skiers and rural alpine landscapes. As these traditional, romanticized images came to be identified with the idea of a nation, they were used by the Standestaat of 1930s Austria to promote a national identity that grew into fascism.”
About the Exhibition: Austrian-born Trude Fleischmann (1895-1990) was one of the most accomplished female photographers of the 20th century. After great success in Vienna in the 20s photographing artists, models, and performers, she fled the Anschluss in 1938, first to Paris and then New York. She opened a studio on Fifth Avenue in 1940 and photographed many of the artists and intellectuals of the day, including Eleanor Roosevelt and Albert Einstein. This exhibition will include loans from the Wien Museum in Vienna, Austria, private collections, and the New York Public Library, as well as never-before-exhibited works from family collections.
The event will also be livestreamed on here. Click here to register for a reminder.
Image: Trude Fleischmann, Upper Salzburg, At the Festival, ca. 1930, gelatin silver print. Lent by Peter Modley. © Trude Fleischmann
