GONE WITH THE WIND - Jan 13 - 80th Anniversary Screening

The mission of the Film Society KC is to provide a social format for film enthusiasts to view and discuss films; to learn about and advance Kansas City's film legacy; and to encourage local film making from within the community.We usually have between 5-10 film screenings every month at local theatres, so check back often for new shows and times!Also, considering buying a membership. It's only $40 a year and you get some great benefits! Check out this link for more:http://filmsocietykc.com/join

Film Society KC

Film Society KC members and fans! Alamo Drafthouse Kansas City is holding a special 80th Anniversary screening of "Gone with the Wind." There are 10 FREE tickets reserved for Film Society KC members and fans! Reserve your ticket today as seating is limited and tickets are provided on a first-come-first-serve basis. 
ABOUT THE FILM
Based on Margaret Mitchell's bestseller, GONE WITH THE WIND was the most talked-about movie of its era. A sweeping epic on the grandest of scales, it quickly became both a blockbuster (it held the title of highest grossing film ever for 27 years) and an Oscar magnet, winning eight Academy Awards and two honorary awards, a record in its day. The combustible passion between Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable) was hotter than the flames of Atlanta and defined cinematic romance for generations to come. Its impact on American culture was enormous and enduring.
But even when it premiered, GONE WITH THE WIND attracted controversy, with some critics condemning its celebration of the Old South and its depictions of African-American characters. Walter Francis White, executive secretary for the National Association for the Advancement of Colored People, tried to shame actress Hattie McDaniel when she collected the Academy Award for Best Supporting Actress for her portrayal of Mammy. McDaniel, noting that her own grandmother had worked on a Tara-style plantation, famously responded, "I would rather make $700 a week playing a maid than being one." The NAACP also conferred with producer David O. Selznick to modify certain scenes and remove racially charged language. Even so, the film drew protesters in many cities.
How should we view GONE WITH THE WIND on its 80th anniversary? Can we appreciate it as a legendary and beloved movie while acknowledging its sometimes problematic themes and attitudes? What does its enduring popularity say about us? How has its rosy view of plantation life, slavery, and the pre-Civil War South affected the public perception of that culture? These are topics worth thinking about. 
Spectacular in scope and brimming with enormous emotions, GONE WITH THE WIND is very much a product of its time, and yet the same questions and concerns it raised decades ago are as relevant as ever today.

Alamo Drafthouse Cinema

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