Name: Three Structures Touching: An Immersive Live Performance
Start: 2021-09-11T13:00:00-07:00
End: 2021-09-11T17:00:00-07:00
Location: 18th Street Arts Center (Airport Campus)

Three Structures Touching: An Immersive Live Performance

Celebrating its 30th anniversary in 2018-2019, 18th Street Arts Center is one of the top 20 artist residency programs in the US, and the largest in Southern California. Conceived as a radical think tank in the shape of an artist community, 18th Street supports artists from around the globe to imagine, research, and develop significant, meaningful new artworks and share them with the public. We strive to provide artists the space and time to take risks, to foster the ideal environment for artists and the public to directly engage, and to create experiences and partnerships that foster positive social change.

18th Street Arts Center

Related to Maj Hasager’s exhibition Three Structures Touching
September 11, 2021 | 3 PM
3026 Airport Avenue, Santa Monica, CA, 90405

18th Street Arts Center (Airport Campus)

Three Structures Touching: An Immersive SoundscapeRelated to Maj Hasager’s exhibition Three Structures TouchingSeptember 11, 2021 | 1-5 PM3026 Airport Avenue, Santa Monica, CA, 90405An Open House to view the exhibition Three Structures Touching and experience the premiere of a new experimental soundscape installation by composer Ask Kaereby.This is a live, in-person event. Masks will be required and LA County social distancing guidelines will be followed. Note that capacity is limited to 12 people at a time in the gallery, first come first served.In this one-day immersive sound installation as part of Danish artist Maj Hasager’s solo exhibition Three Structures Touching, the composition by Ask Kaereby unfolds as an investigation of space, sound, and place—where community engagement is the starting point. The composition consists of sounds from the local surroundings in the 90404 area of Santa Monica, and some of the sound material was collected by ‘local ears’: members of the Santa Monica Youth Orchestra (SMYO) who recorded sounds in their neighborhood and later interpreted them through their acoustic instruments. These sounds will undergo severe processing so that new expressions and moods emerge, expanding our notions of time and space. The new experimental composition will be premiered as a one-day immersive spatial audio speaker set-up. Visitors are welcome to come experience the immersive soundscape on site at 18th Street’s Airport Campus throughout the afternoon of September 11 from 1-5 PM, and then view the exhibition in the Propeller Gallery.ABOUT THE ARTIST Maj Hasager is a Danish artist based in Copenhagen, Denmark. Her work deals with power structures, identity, memory, architecture, and the construction of history, looking at how these interlinked phenomena are interpreted and represented culturally and spatially. Her artistic approach is research based and she works predominantly with text, sound, video, and photography. Hasager uses oral history interview techniques as a method for accumulating and creating narratives that address personal stories in a sociopolitical context.Her work has been exhibited internationally in events and at institutions such as Lunds Konsthall; Fondazione Pastificio Cerere, Rome; Critical Distance, Toronto; GL STRAND, Copenhagen; Moderna Museet, Malmö; Cleveland Institute of Art; Laznia Centre for Contemporary Art, Gdańsk; Liverpool Biennial. Since 2011 she has been the Programme Director of Critical &amp; Pedagogical Studies at Malmö Art Academy (SE). She studied photography and fine art in Denmark, Sweden, and the UK, earning an MFA from Malmö Art Academy, Sweden.ABOUT THE COMPOSERAsk Kaereby is a Danish composer based in Copenhagen, Denmark.  His artistic practice is interdisciplinary and research-based, involving experimental composition, soundscapes and electroacoustic music. He’s interested in the presentation of narratives by means of sound – not through traditional musical gestures, but using different approaches such as musique concrète or the futurists’ brutism. By placing himself in an intersection between known formats, Kaereby wishes to challenge our ways of listening – to music (live as well as recorded), to our surroundings and to (sonic) art.

Three Structures Touching: An Immersive Live Performance

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Three Structures Touching: An Immersive Live Performance

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