Recording Arts

The Stanford Center for Computer Research in Music and Acoustics (CCRMA) is a multi-disciplinary facility where composers and researchers work together using computer-based technology both as an artistic medium and as a research tool.Pronouncing "CCRMA": CCRMA is an acronym for the Center for Computer Research in Music and Acoustics it is pronounced "karma" (the first "c" is silent).Areas of ongoing interest:CompositionApplications HardwareApplications SoftwareSynthesis Techniques and AlgorithmsPhysical ModelingP﻿hysical Interaction Design for MusicMusic and Mobile DevicesSensorsReal-Time ControllersSignal ProcessingDigital Recording and EditingPsychoacoustics and Musical AcousticsPerceptual Audio CodingMusic Information RetrievalAudio NetworkingAuditory Display of Multidimensional Data (Data Sonification)Real-Time Applications.The CCRMA community:Administrative and technical staff, faculty, research associates, graduate research assistants, graduate and undergraduate students, visiting scholars, visiting researchers and composers, and industrial associates. Departments actively represented at CCRMA include Music, Electrical Engineering, Mechanical Engineering, Computer Science, Physics, Art, Drama, and Psychology.Center activities:Academic courses, seminars, small interest group meetings, summer workshops and colloquia. Concerts of computer music are presented several times each year, including exchange concerts with area computer music centers. In-house technical reports and recordings are available, and public demonstrations of ongoing work at CCRMA are held periodically.Research results:Are published and presented at professional meetings, international conferences and in established journals including the Computer Music Journal, Journal of the Audio Engineering Society, the Journal of the Acoustical Society of America, and various transactions of the Institute of Electrical and Electronic Engineers (IEEE). Compositions are presented in new music festivals and radio broadcasts throughout the world and have been recorded on cassette, LP, compact disc, and in the cloud.

CCRMA Summer Workshops

High-quality recordings don't necessarily require expensive equipment and fancy studios if you maximize your skills and gear. Come learn!

The Knoll

The Stanford Recording Arts Workshop is back and better than ever! This year, by popular demand, we're expanding to two full weeks: Week 1 (July 22 - 26) is Producing, Arranging &amp; Recording; Week 2 (July 29 - August 2) is Mixing, Mastering &amp; Releasing. Enroll in one or both weeks. We will once again produce and release an entire album as a class ensemble in two weeks at Stanford’s state-of-the-art recording studio. <a href="http://corycullinan.com/teaching-learning/stanford-university-2/" title="http://corycullinan.com/teaching-learning/stanford-university-2/" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Click here to hear last summer's recording!</a>If you’re looking to learn how to record and release a high-end album efficiently, and/or produce a professional-level recording of that track you’ve always wanted to make with an established industry production team and talented collaborative musicians ready to help bring your vision to life — this workshop is for you. Students of this course, who range every year from gifted high school musicians to college students and music professionals and professors, have gone on to achieve international success with tracks they created at the Stanford Workshop.Here’s how it works...Each student will produce one or more collaborative tracks, assisted by the teaching team and fellow students. As we spend our days producing your recordings, teachers and special industry guests will instruct on things like running a recording a session, composing and arranging, microphone selection/polarity/placement, digital audio workstations (DAWs), tracking, comping multiple takes, effects, mixing, mastering, file and project management, branding, promotion, and digital distribution… all by a team who does this on a regular basis professionally (see bios below) but is 100% committed, in work and teaching, on fostering a fun and inclusive environment. That’s the best way to ensure a great recording or learning session, and there’s a reason why one of teacher Cory Cullinan’s most recent hits is called “Positive Energy."So come get your minds and hands wrapped around custom-tailored solutions for your dream musical projects on Stanford's beautiful campus at one of the world’s most renowned music creativity and technology centers, CCRMA (Stanford’s Center for Computer Research in Music and Acoustics). You’ll live and breathe music all day and all week with passionate collaborators in a beautiful, acoustically treated Control Room and acoustically adjustable Live Room. A grand piano, collection of high end microphones, revered studio gear, instruments, synthesizers, and a team of collabrators making sure you get the recording you’ve imagined will be at your disposal. Doing so at a professional studio with equivalent facilities and expertise would cost you thousands with none of the personal training, connections and camaraderie.Our Stanford Recording Arts Workshop ensemble has Stanford’s studio booked 24 hours a day for two weeks straight. The Workshop runs during the days, but students often spend the evenings — and early mornings — in the studio helping each other track and hone their dream creations. The group often goes to lunch and dinner together right on campus. Longterm friendships and music connections are built. Students who attend online may still collaborate with in-person students; we’ve had remote students contribute bass tracks, synths, mixes and more to the collective album, and we trade off holding the Zoom phone for remote ensemble members to keep you right in on the sessions.A weekly discount is given for students attending in person both weeks and helping create the album from start to finish; each week is $599 on its own, or $999 for both weeks. Favorite on-campus restaurants are a few minutes’ walk; rehearse together in other rooms at CCRMA, on the deck, under the trees, or for the adorable skunks in the back yard. (You think we’re joking…)We’ll close our unforgettable two weeks with a Listening Party of the album and songs we just created. This is the Workshop environment you’ve always dreamed of to learn more about recording, get your dream creative projects done, and rejuvenate your musical muse and collaborative spirit.

<h3>About the instructors...</h3> Cory Cullinan is the former Director of Music Technology &amp; Recording Arts at Regis University; former Recording Arts Professor at University of Colorado Denver; former Recording Academy (Grammy) Board Member; chart-topping recording and performing artist Doctor Noize; a member of Konshens &amp; The Earth Band; an oft-commissioned composer for stage, screen and orchestra; the owner of Reach Studios in CO; a regular teacher of Master Classes on college campuses and Workshops on Doctor Noize tours; a former award-winning high school Arts Department Head and Music Teacher; has Bachelors degrees in Music and Political Science from Stanford and CCRMA, graduating with Distinction &amp; Honors; and a Masters in Recording Arts from CU Denver. This course now has Teaching Assistants! Elizabeth Anaya is Cory’s former Recording Arts student at Regis University and current Business, Website, Production &amp; Studio Manager for his company Doctor Noize Inc.; and Riley Max is a recording artist with international acclaim and a current Music major at Harvard and Masters student at Berklee School of Music in a joint program by the two schools. Both are former students of the Stanford Recording Arts Workshop.Feel free to contact Cory Cullinan for questions at <a href="mailto:corycullinan@alumni.stanford.edu" title="mailto:corycullinan@alumni.stanford.edu" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">corycullinan@alumni.stanford.edu</a> or (303) 886-8826.

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Recording Arts

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Recording Arts

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