Practice Sessions: Part 2

Activist art has come to signify a particular emphasis on appropriated aesthetic forms whose political content does the work of both cultural analysis and cultural action. The art collaboration Ultra-red propose a political-aesthetic project that reverses this model. If we understand organizing as the formal practices that build relationships out of which people compose an analysis and strategic actions, how might art contribute to and challenge those very processes? How might those processes already constitute aesthetic forms?In the worlds of sound art and modern electronic music, Ultra-red pursue a fragile but dynamic exchange between art and political organizing. Founded in 1994 by two AIDS activists, Ultra-red have over the years expanded to include artists, researchers and organisers from different social movements including the struggles of migration, anti-racism, participatory community development, and the politics of HIV/AIDS.Collectively, the group have produced radio broadcasts, performances, recordings, installations, texts and public space actions (ps/o). Exploring acoustic space as enunciative of social relations, Ultra-red take up the acoustic mapping of contested spaces and histories utilising sound-based research (termed Militant Sound Investigations) that directly engage the organizing and analyses of political struggles.In 2014, Ultra-red was commissioned by Los Angeles Contemporary Exhibitions (LACE) to produce three instructional videos on the collective’s militant sound research process. These instructional videos form the basis of the three practice sessions. They can be found at:http://welcometolace.org/lace/practice-sessions/ultra- red/

Ultra-red

<P>Ultra-red’s three-part “Practice Sessions” introduces the basics of the sound art collective’s practice. The workshops walk participants through the steps in what the collective calls "militant sound research.” In many emancipatory political histories, political education gives a great deal of attention to how people in struggle listen to each other, to spaces and events, to experiences of oppression and liberation, to silence, and how we listen to resonances of commonality and contradiction. A militant sound investigation offers organizers, cultural workers, and community people an accessible process for practicing listening and developing collectivity within the context of ongoing and long-term struggle.</P>
<P>The second workshop walks viewers through the process of making audio recordings that catalyze the collective reflections of community members.</P>

41 Cooper Gallery

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Practice Sessions: Part 2

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Practice Sessions: Part 2

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