Paper Sparrows with support from Einstein's Wardrobe.

"There’s a real emotional depth going on here plus an undeniably rich songwriting craft that can be heard throughout the sterling performances, all of which bodes well for the future of this Edinburgh-based acoustic three-piece." SHINDIG! MAGAZINE

Edinburgh’s David Hershaw, Ross Fairbairn and Colin Morris first got together in 2015, as Hershaw explains: “Ross started a great folk club in Edinburgh called Folksville, and I was lucky enough to play at one of the first ones, as was Colin. It was at the Waverley Bar in Edinburgh, a nice sort of room above a pub. And after the first time we played, Ross and me got chatting and I convinced him to come to my house so we could try to write some songs together.

And as Ross always likes to remind me, that first songwriting session was terrible! Nothing was working and we were just about to call it a day when I nipped out and when I came back he’d written a great guitar part and we turned that into a song called ‘Sunday Shoes’, which ended up being on the ‘Silver EP’ that we released in 2021. We got Colin to play double bass and we were complete.”

The trio was named slightly later, he recalls. “We had a list of names and I thought it’d be a good idea to have something that sounded quite organic so the initial suggestion was Paper Starling but Ross didn’t like Starling though he liked the idea. So we changed it to Sparrow and then we had an argument for about a week about whether it should be The Paper Sparrows or just Paper Sparrows singular! I think Colin said split the difference and go with Paper Sparrows. I think the collective noun for sparrows is a quarrel, so we thought that was kind of appropriate!”

Fast-forward a year or three and their debut album, Hiding Away From The Light, should have been released in 2020, but circumstances rather got in the way so it finally appeared in June 2023. It’s a classy mix of acoustic folk/pop with it’s ten songs all credited jointly to the trio, although apparently it’s not quite like that, as Hershaw explains: “Our PRS statement just came out this month and it doesn’t let you do decimal points on your percentages; someone had to get thirty-four percent rather than the thirty-three percent. And Ross kindly said to me, ‘You can have that because you wrote most of the lyrics and lyrics are only worth about one percent!’” This outrageous statement is followed by raucous laughter from all three.

“It’s actually very collaborative,” he goes on to explain. “It usually starts with a guitar part and then I’ll try and accompany it. If all three of us are in the room, I’ll join in and then go away and scribble some lyrics. But then there’s one great song on the album that Ross wrote start to finish and that’s one of my favourites. Then there’re old songs that I had kicking around for years that never got finished and Ross picked them up and had some ideas. And on a lot of the more recent stuff it’s all three of us, and some of the songs didn’t really work until the double bass part came in. There’s not a set formula.”

If you’re looking for influences, the Fairbairn suggests: “60s folk revival, especially the slightly experimental stuff – Bert Jansch, John Martyn – plus we all Beatles-type production. We think of the album as sort of folk music with a bit of a sort of 60s beat at times.” There is general nodding and assent. It’s clear that Paper Sparrows are three friends enjoying themselves making music together. They’re already thinking of another album in 2024 plus plenty of gigs. Both can’t come soon enough.

Jeremy Searle, RNR Magazine

The release of this debut album sees the band take their music across the UK (and beyond) to entertain both fresh and familiar audiences. The three bandmates’ friendship and humour, in addition to their musicianship and catalogue of great songs, make them a must-see live act that will live long in the memory.

Paper Sparrows have been picking up friends across the UK in the past few years, and have played shows such as Celtic Connections, Ely Folk Festival, Edinburgh Fringe, Folk East, Assembly Fringe Festival, Glasgow Americana, and Big Burns Supper amongst others. They have opened for acts like The Shee and The Often Herd.

Through Folksville, the band have collaborated and worked with folk legends such as Kris Drever and Rod Clements - and with the folk star of the future, Katherine Priddy.