Oneohtrix Point Never, Tyondai Braxton

For this live show, Oneohtrix Point Never brings Tranquilizer to the stage, accompanied by Freeka Tet’s singular live visual aesthetic.

Pioneer Works, in collaboration with Bang on a Can, is excited to present two nights with Oneohtrix Point Never, to open this year’s Long Play Festival. His only announced performances in the U.S. for this year, these New York shows are a rare opportunity to hear his widely celebrated album, Tranquilizer (2025). His set will be accompanied by multidisciplinary artist Freeka Tet’s singular live visual aesthetic. The evening will kick off with a performance by composer of electronic and notated music, Tyondai Braxton.

The Brooklyn-based musician, composer, and producer is most known for his boundary-pushing soundscapes that blend art, sci-fi, avant-garde techniques, and nostalgic pop culture, often using vintage synthesizers, digital chaos, and complex sampling. His latest album, Tranquilizer, has garnered much critical acclaim—Pitchfork named the album as "Best New Music" and describes Tranquilizer as “the most immediately pleasurable Oneohtrix Point Never album in some time.” Most recently, his score for Marty Supreme (2025) was nominated for the Critics' Choice Movie Award for Best Score, and shortlisted by the Academy Awards for Best Original Score.

About the artists

Daniel Lopatin aka Oneohtrix Point Never has constantly merged roles, starting with his first release, Betrayed in the Octagon, to his latest film score for Marty Supreme (2025). With 11 studio albums under his belt, including R Plus Seven, Garden of Delete, Age Of, MagicOPN, and Again, he most recently released his latest album, Tranquilizer, in 2025 to much critical acclaim.

An accomplished artist who moves effortlessly through musical genres, Daniel Lopatin is responsible for soundtracks to many films including those from his ongoing collaboration with the Safdie Brothers such as Uncut Gems (2019) and Good Time (2017), the latter for which he received the Best Soundtrack Award at Cannes Film Festival. In recent years he has collaborated with a diverse range of artists including James Blake, Charli XCX, Iggy Pop, Anohni, David Byrne and Nine Inch Nails. Notably, his relationship with The Weeknd has seen him act as the Musical Director for his 2021 Super Bowl Half-Time performance. Daniel was also an Executive Producer on The Weeknd's worldwide #1 charting albums Dawn FM and Hurry Up Tomorrow as well as a writer for the original score for the film of the same name.

Freeka Tet is a French-born, New York City-based digital artist and creative mercenary working in the realm of experimental art. His practice combines objects, prosthetics, animatronics, hacking, coding, electronics, audio & video plunderphonics, bricolage, and performance-based work. Taking inspiration from internet culture, memes, trolls, and irrational social human behaviour, Tet reinterprets the elements he comes into contact with, blurring creative expression with technical execution.

Tyondai Braxton is a musician and composer of electronic and notated music who has been writing and performing music since the mid-1990s. The former front man of experimental rock band Battles, Braxton has focused on his own work since 2010, including his critically acclaimed album Central Market, which has been performed by world-renowned orchestras such as London Sinfonietta, the Los Angeles Philharmonic, and the BBC Symphony Orchestra and HIVE, a multimedia project for three percussionists and two modular synthesizer performers which premiered at the Guggenheim in New York. Braxton has been commissioned to compose for various ensembles and organizations, including the BBC Concert Orchestra, the Finnish Radio Symphony Orchestra, Bang on a Can All Stars, Kronos Quartet, Alarm Will Sound, Yarn/Wire, Carnegie Hall, Black Mountain College, and many more. He has collaborated with the likes of legendary composer Philip Glass, and iconic visual artist Thomas Demand at the 2017 Venice Biennale. Most recently, he released the recording of his work Telekinesis for orchestra, choir, and electronics with Metropolis Ensemble, The Brooklyn Youth Chorus, and The Crossing.