Explore the world of “Lost and Found” in this four-session journaling series.
In this four-session immersive workshop, participants will curate their own collection of found natural objects gathered from nearby Brewster nature preserves and beaches. Through writing, photography, poetry, storytelling, and painting, we will explore how ordinary objects hold extraordinary stories. Together, we’ll uncover the ecological science, cultural meaning, artistic symbolism, and personal narratives hidden within what has been lost—and found. Each session blends field exploration with creative studio practice.
Explore the world of “Lost and Found” in this four-session journaling series.
In this four-session immersive workshop, participants will curate their own collection of found natural objects gathered from nearby Brewster nature preserves and beaches. Through writing, photography, poetry, storytelling, and painting, we will explore how ordinary objects hold extraordinary stories. Together, we’ll uncover the ecological science, cultural meaning, artistic symbolism, and personal narratives hidden within what has been lost—and found. Each session blends field exploration with creative studio practice.
Good to know
Highlights
- In person
Refund Policy
Location
Brewster Book Store
2648 Main Street
Brewster, MA 02631
How do you want to get there?
Agenda
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Session 1: The Art of Noticing — Gathering What Calls to You
We begin in the field. Participants visit a Brewster preserve or beach and practice intentional observation: slowing down, noticing texture, pattern, color, placement, and context. What is abandoned? What has traveled? What has endured? Participants will: 1. Collect a small, ethical selection of found objects (shells, driftwood, feathers, stones, seed pods, seaweed, etc.) 2. Photograph objects in situ before moving them 3. Create quick field sketches and sensory notes 4. Write short “first impressions” pieces — What might this object have witnessed? We’ll introduce the idea of a curated collection — not just gathering objects but choosing them with purpose. The session closes with a reflective conversation about why certain objects call to us.
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Session 2: The Science of the Found — Ecology, Time, and Place
In this session, we explore the natural history behind our collections. What processes created these objects? What ecological roles did they serve? How did tides, wind, animals, seasons, or time shape them? Participants will: 1. Research and identify their objects (species, material, origin) 2. Sketch structural details with scientific attention 3. Write a short natural history entry in their journal 4. Create macro or detail photographs highlighting the pattern and design We’ll discuss: 1. Coastal and woodland ecology in Brewster 2. Adaptation and survival 3. Cycles of growth, decay, and transformation Participants begin to see their objects not just as beautiful artifacts, but as part of a living system.
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Session 3: Cultural Memory & Symbol — What Objects Mean
Natural objects carry cultural symbolism and artistic history. Shells have been currency and ornament. Driftwood becomes sculpture. Stones mark memory. Feathers represent freedom, spirituality, or migration. Participants will: 1. Explore historical and cultural uses of natural materials 2. Read short examples of object-based poetry and storytelling 3. Write a poem, monologue, or short fictional narrative from the object’s perspective 4. Experiment with watercolor or mixed media to interpret emotional tone We’ll consider: 1. How artists have used found objects 2. The Japanese philosophy of wabi-sabi (beauty in imperfection) 3. How meaning is layered onto material This session invites participants to shift from observer to storyteller.