John Baumann

Eddie's Attic

John Baumann at Eddie's Attic in Decatur, GA!

John Baumann&quot;I could use a shot of confidence to get a word in edgewise, I need to see that silver lining, in those dark and stormy skies, and pray I catch that feeling that I used to know back when, back when I never knew I&#x27;d ever need a second wind,&quot; John Baumann sings on &quot;Second Wind,&quot; a deep cut from his forthcoming album, Country Shade. After having a conversation with the singer-songwriter, it&#x27;s evident that he tends to look at things with a glass-half-full mentality-complemented by a deeply-ingrained dose of ambition. He is curious how time passes in its unknowable and ever-interesting way, and he&#x27;s ready for what it&#x27;s bringing next for him.&quot;&#x27;Second Wind&#x27; is about digging deep and finding the next gear when you&#x27;ve lost interest or motivation,&quot; John says about the track. &quot;It&#x27;s about the times when I feel like nothing is moving forward, but ultimately really about anyone struggling to get up and get back on the horse.&quot;It&#x27;s a familiar sentiment to most anyone who&#x27;s felt like they&#x27;re teetering on the precipice of taking their next step, making their next leap out into the world. John has had a busy last few years - he&#x27;s a member of The Panhandlers, with fellow Texans Josh Abbott, William Clark Green and Cleto Cordero, and signed on with The Next Waltz, the Texas-based brainchild of legendary songwriter Bruce Robison, for management. He&#x27;s also continued to prove himself as a promising songwriter within his home state and beyond its borders, with Kenny Chesney recording &quot;Gulf Moon&quot; for 2018&#x27;s Songs for the Saints.Recorded at Modern Electric in Fort Worth, Texas, Country Shade offers a tried-and-true reverence for John&#x27;s influences, including Texas stalwarts like Guy Clark and Robert Earl Keen.But it&#x27;s distinctly his viewpoint: a steady-picked acoustic guitar accompanies the introduction to the album: &quot;The Country Doesn&#x27;t Sound the Same,&quot; a true-to-life account of changing scenery and soundtrack.&quot;I think there are two primary narratives on the album,&quot; he says. &quot;The primary one echoed in the first and final track, is about the changing state of rural America.&quot;&quot;My grandparents&#x27; ranch has been in our family for 100 years. It&#x27;s in Lockhart, Texas, on a rural patch where rolling plains meet Blackland prairie. There&#x27;s been so much development the past few years, with strip malls and a toll road moving in, to a potential landfill going in right behind the property. They&#x27;re protest songs, in a way.&quot;Otherwise, throughout its 12 tracks, Country Shade heavily focuses on comings and goings: of friends, loved ones, relationships. Time.&quot;Fool&#x27;s Crusade&quot; is extravagant in its examples of love-slaying a dragon, taming a beast, tearing down walls-but, that is what unconditional love is, after all. There are also the clearest hints of how John was influenced by &#x27;90s rock.&quot;Daylight&#x27;s Burning&quot; and &quot;If You Really Love Someone&quot; focus on the other side of things, the end of romantic relationships, from some that seem all-consuming and others that can take quite a while to finally tie up their loose ends.While both primary narratives find their writer taking a deeper look, the album is not all heavy by any means. &quot;We added a mellotron at the beginning of &#x27;Next Ride Around the Sun&#x27; and some amusement park sounds,&quot; John says. &quot;I hope it sheds light on how some of the chaos of life can be unimportant.&quot;&quot;Sunday Morning Going Up&quot; is a play on Kris Kristofferson&#x27;s &quot;Sunday Morning Coming Down,&quot; with an emphasis on celebrating hard work, enjoying the here and now, and appreciating what you have. &quot;I think of the Sunday mornings that are actually Saturday nights-the hours after midnight on Saturday, when you&#x27;re out with friends, reveling in and appreciating the good times.&quot;&quot;Homesick for the Heartland&quot; recalls a sunny summer day with the windows down, full of innocence and nostalgia. &quot;I always envisioned a little slice of heaven as a family that lives in rural Kansas, with warm summers, time spent outdoors counting stars, and tried to convey that homesickness for that idyllic time in this song.&quot;&quot;Flight Anxiety&quot; offers a dizzying account of -- well, exactly what it sounds like: &quot;I don&#x27;t love flying. I really don&#x27;t like flying in small planes, and I hate flying over the ocean, and I love writing in a tongue in cheek style.&quot;&quot;Here Today, Gone Tomorrow&quot; is a call for apologies when they&#x27;re necessary, echoing the album-wide importance of appreciating loved ones when you can and never leaving problems unresolved or a kind word left unsaid.&quot;Grandfather&#x27;s Grandson&quot; bookends the album, cementing John&#x27;s place in the world as someone who values hard work, building a future and loving the places and people in the world that really matter.&quot;I think one of the best feelings in the world is when you&#x27;ve made an impact on somebody&#x27;s life,&quot; he says of recording the album and its hopeful impact. &quot;It gave me encouragement to record some of these songs I&#x27;ve been playing live for a while. Time is fleeting, and how important it is to do what you can, while you can.&quot;

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John Baumann

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