FAWN

Charli Brissey

An interdisciplinary solo show by Charli Brissey about grief and desire (and how to hold both at the same time).

Ypsilanti Freighthouse

Choreographer and filmmaker Charli Brissey directs and performs in this hour-long performance created through interrelated experiments in dance, writing, video, and sound. While the word “fawn” is most commonly used to refer to a baby deer, another meaning of the word describes a trauma response in which someone tries to appease a threat and/or ensure survival through flattery or cringing. The word “fawn” is also commonly confused with “faun,” a human-animal deity and the protagonist of Nijinsky’s famously controversial ballet “Afternoon of a Faun.” This performance weaves these various etymological and mythological lineages of “fawn” and “faun” into an inherently queer dreamscape built at the intersections of grief, resilience, desire, power, and vulnerability in a precarious ecosystem. Friday March 13: 8pm (doors open at 7:30PM)Saturday March 14: 8pm (doors open at 7:30PM)Sunday March 15: 6pm (doors open at 5:30pm) Direction and Performance: Charli BrisseyLighting Design: Jess FialkoDramaturgical Support: Scott CrandallShow Duration: 1 hourAges: 14+ for language and references to sex/sexuality (please email cbrissey@umich.edu for further details regarding content and age appropriateness)The Ypsilanti Freighthouse is ADA AccessibleParking suggestions can be found <a href="https://ums.org/venue/ypsilanti-freighthouse/" title="https://ums.org/venue/ypsilanti-freighthouse/" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">here</a> This performance is made possible through generous support from the University of Michigan Arts Research: Incubation and Acceleration Grant (ARIA), the Institute for Research on Women and Gender (IRWG), the Research, Catalyst, and Innovation Program (RCI), and the Department of Dance.

ABOUT THE ARTISTSCharli Brissey (Director, Performer) is an interdisciplinary artist and teacher who works choreographically with various technologies and materials. This primarily includes bodies, cameras, soundwaves, language, genders, desires, instincts, and ecosystems. They make experimental video and performance work that continues to question how to stay alive and present in a world that is wild, unpredictable, and often brutal beyond measure. Most of their projects ask questions about power and the ways in which contradictory emotions and beliefs live individually and collectively alongside one another. Their work has been presented in various galleries, conferences, film festivals, and performance venues nationally and internationally. Their latest films Canis Major and Anything With a Switch have toured to over thirty countries and won multiple awards, including Best Experimental Film at OUTFEST and the Richmond International Film Festival. Charli is an Associate Professor of Dance at the University of Michigan where they have affiliations in the Center for World Performance Studies and the Institute for Research on Women and Gender. They teach courses in physical practice, composition, graduate pedagogy, improvisation, <a href="https://vimeo.com/295676567?share=copy#t=0" title="https://vimeo.com/295676567?share=copy#t=0" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">dance and technology</a>, and seminars integrating critical theory and art-making. FAWN follows two decades of Brissey’s research centering choreography and artmaking as critical methods for investigating social, political, and ecological phenomena. They often turn to non-human life—both scientifically and poetically—to complicate the stories we tell ourselves about the boundaries between “nature” and “culture.” They propose instead that what we think of as “nature” and “culture” are always co-producing one another; there is a nature to culture and culture within nature. Previous projects have included a multi-year science fiction dance project studying the choreography of oceans and benthic ecosystems (<a href="https://vimeo.com/693673865?share=copy#t=0" title="https://vimeo.com/693673865?share=copy#t=0" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Future Fish</a>), a study of deep time and eroticism inside of caves (<a href="https://vimeo.com/117019348?share=copy#t=0" title="https://vimeo.com/117019348?share=copy#t=0" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Limestone Erotics</a>), and ongoing writing and film projects about the strange unwavering love between queers and dogs (<a href="https://vimeo.com/354550485?share=copy#t=0" title="https://vimeo.com/354550485?share=copy#t=0" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">Canis Major</a>). Jess Fialko (Lighting Designer) is a lighting, costume, and scenic designer. Regional credits include: Colorado Springs Fine Arts Center, Theatreworks Colorado Springs, Penobscot Theatre Company, Promethean Theatre Ensemble, Riverside Theatre, Iowa Summer Repertory, Maples Repertory Theatre, Hollins University, University of Northern Iowa, Birmingham Children's Theatre, Davenport Junior Theatre, and Quad Cities Theatre Workshop. Jess is a clinical assistant professor of Theatre &amp; Drama at the University of Michigan, where they teach lighting design and theatre production

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FAWN

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