Name: Dead Horses / Windoe
Start: 2022-12-03T20:00:00-08:00
Location: Lucky You Lounge

Dead Horses / Windoe

Lucky You Lounge is 21+ at all times.Restaurant hours are 3pm to 10pm Tues- Thurs,  3pm to 12am Fri/Sat and 10am-2pm for brunch on Sundays.There will be no food service available for shows on Sun/Mon evenings.Doors for shows generally open at 7pm and shows will start around 8pm.

Lucky You Lounge

All sales are final. Lucky You Lounge is 21+ with no exceptions. Show doors open at 7pm. Restaurant open at 3pm. Basement Lounge open at 6pm

Dead Horses

COVID-19 UPDATE:There are NO Covid restrictions for this show.We thank you for your cooperation and understanding. For any further questions, please email info@luckyyoulounge.com.Dead HorsesA bustling boulevard in the heart of Milwaukee provides a colorful backdrop for the latest album by folk duoDead Horses. Brady Street, which is due out on August 12, 2022, is Dead Horses’ first full-length release sincetheir arresting 2018 record, My Mother the Moon. The last album charted on the Americana Top 50 radiocharts for three consecutive months. The single “Turntable” accrued more than 35 million spins on Spotify andwas also featured on the Amazon and Apple Americana playlists. The pair’s select media highlights include aRolling Stone “Artist You Should Know” mention as well as profiles in Billboard, Noisey, and evenindependent global news publication Democracy Now!For their fourth full-length press, the pair decided to stick to their roots and record at Honeytone Studios inNeenah. “We wanted to produce something that seemed true to us, so we opted for a closer-to-homeapproach,” explains Daniel Wolff. “The experience allowed us to dive in and out of the studio and really workwith the individual songs and the overall feel of Brady Street. Because of this, I believe we created a set ofsongs that contain a wider variety of sounds and textures that we knew were possible for us but didn’t have thechance to accomplish yet based on our previous recording strategies.”The new record kicks off with its title track, “Brady Street,” a song that took many months to finish, but onethat Sarah Vos says she “never lost faith in because it seemed to really capture a mood I’ve never been able tothrough song.” The second and third tracks open to reveal Dead Horses’ evolution into more intricate placesrhythmically and sonically, only to pull away to the live recorded, sparsely beautiful, intimate “Bird Over theTrain.” Track 8, titled “You Are Who You Need to Be,” is a ballad meant to empower those who don’t fit intosociety’s gender and sexuality norms. The final tracks, “Under Grey Skies” and “Days Grow Longer,” leavethe listener with an unexpected sound from the band. “The sound is more fun and lighthearted than what weusually create, unless you’re looking too hard,” Vos observes.&quot;I feel that Brady Street is a coming-of-age record for us – both musically and thematically,” Vos shares. “Insome ways, Brady Street is an answer to My Mother the Moon. The latter was written and recorded in the midstof working through childhood traumas and first venturing out on my own. Brady Street is less naive, moregritty, more focused.” Brady Street takes the intimacy of nature and brings it into the oftentimes reckless citylife. Instead of walks through the forest, the songs take the audience on walks through the city, past all the oldchurches and bars with rich histories. Both records are filled with songs of hope and the search for beauty, aswell as compassion for others, especially strangers. Written primarily throughout the COVID lockdown, BradyStreet turns inward and reflects the introspection many of us encountered over the course of theoften-melancholy pandemic.Since the band’s early days, Dead Horses has been something of a fluid project centered around Sarah and Danbut has also welcomed other like minded musicians for recording and touring. The band&#x27;s seemingly darkname is a loving tribute to a former friend of the band who passed away due to struggles with opioid abuse. Tothis end, Vos says, “Our music is about hope and joy, all while sharing an important message that you’re neveralone in your battles.”The union of Sarah’s emotive songwriting and Dan’s intrepid bass playing transcends thesinger-songwriter-with-backup-musicians paradigm. Dan’s adventurous musicality equally shines alongsideSarah’s songwriting sensibility. To date, Dead Horses has released three albums, two of which have beenproduced by Ken Coomer of Uncle Tupelo and Wilco, an Audiotree Live Session, three singles, and afive-song EP.Touring has been essential to the group’s vitality. Choice live performance highlights include national tourswith Mandolin Orange and Trampled by Turtles, opening for The Who at Alpine Valley, appearances at RedRocks Amphitheater, and festivals such as Northwest String Summit, Red Wing Roots, Red Ants Pants, andBristol Rhythm and Roots.Sarah and Dan met during post-college crossroads moments. “Everything felt like this blank canvas back then,and we had these lifelong dreams of music,” Sarah recalls. “It all happened very organically.” Initially, Sarahand Dan resided in different musical spheres. Sarah was at a singer-songwriter vantage point, whereas Dan hadpreviously played in punk bands, but the two quickly bonded over their shared adoration of folk music andupbringings in the church.During those formative times, Sarah showed Dan songs she had been writing since high school. Inspired byher catalog of music, Dan decided to take on a new instrument, the upright bass, and set out to explore itsmelodic possibilities. Once together, the pair wasted no time in pursuing recording and touring opportunities,garnering a dedicated fanbase from the start.Dead Horses is thrilled to support Brady Street with tours across the United States. Over the years, the road hasbecome somewhat of a second home for Sarah and Dan. “Connecting with people at shows and being opentogether breathes new life into everything,” Sarah notes. “You can go somewhere and feel like a total strangeror a lost tourist at first,” as Dan perfectly describes the sensation of performing, “but once you hit the stage,you feel like you’re part of an all-too-familiar community.”

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Dead Horses / Windoe

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Dead Horses / Windoe

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