COLOR MANAGED WORKFLOW 

Dado Valentic is an award winning master colourist with over 17 yearsof industry experience.  Credited for several developments in the field of RAW camera processing, Dado Valentic is at the very forefront of colour grading technology, continually pushing the boundaries and bringing innovations within this field. His approach to colour training blurs the boundaries between the arts, science and technology.Dado Valentic’s approach to communicating colour science has won him a wide audience as ICA (International Colourist Academy) and  REDUCATION instructor.He is a prominent presenter at International Broadcasting Convention in Amsterdam, National Broadcasting Convention in Las Vegas, British Society of Cinematographers Expo, BAFTA and Creative Week in London. He has brought his method of teaching to TV GLOBO in Brazil and South Korean National Television Foundation. He is a regular lecturer at the Dutch Film Academy, London International Film School, Moscow International Film School, SAE Oxford, Edinburgh University of Arts and German film academy, Berlin- Up. Grade.Leading companies in the industry hired him to be a presenter on the subject of Colour and Colour Grading  at  the major international conferences and exhibitions such as International Broadcasting Convention in Amsterdam, National Broadcasting Convention in Las Vegas, British Society of Cinematographers Expo, BAFTA and Creative Week in London.Dado works as consultant and trainer for post production companies, fashion companies and state institutions in the following areas:  introduction of new technologies, development of digital workflow, and implementation of particular software and/or hardware installations.www.dadovalentic.comwww.colour.training

Dado Valentic for Colour Training

With this course, we have created the most comprehensive color training for digital cinematographer available today.  High impact techniques, taught in this course, will completely change your approach to digital cinematography and elevate your image quality to the next level. You will learn how to get most out of modern digital cameras and be able to take full control over your image. We will teach you how to create a whole spectrum of looks and how to emulate a variety of historic film stocks while working in SDR, HDR or ACES.
At the end of this two-day training, you will not only have full insider knowledge and techniques but will also gain full practical experience of how to use them.
Color Managed Workflow training was originally developed with the support of British Film Institute and since has established itself as a standard for modern Film and TV professionals working on top shows for Netflix, Amazon, and HBO.
Now in 2019, in collaboration with Abel Cine, and with access to the latest cameras, reference monitoring, and projection technology, we are making this great training accessible more than ever before. We recommend it to Cinematographers wanting to explore the possibilities that digital cinematography opens, and that go far beyond traditional techniques thought at film schools. DITs wanting to advance their career beyond data management tasks. Filmmakers who want to learn all about color and possibilities they have. Colorists wanting to expand their knowledge and learn how to work like a pro and be able to design some of the most beautiful looks in SDR, HDR, and ACES.
All attendees will be given full Colourlab Artist License that incorporates: Colourlab, ACES and HDR plugins for Davinci Resolve.
DAY 1
Introduction to Color Science
What is Color Science?
Light and the human visual system
Physics of Color Color Systems How do we see Color? The mysterious world of illusion Color and Emotion Color and Harmony
Introduction to Digital Cinematography
Digital camera sensors RAW processing pipeline Color spaces What is gamma, linear, log, PQ The truth about resolution, bit depth, and compression Common digital camera models
Red, Arri, Panasonic, Sony, BMD, Canon, Drone and mini Cameras
Colour Control and measurement
Understanding how to read
Waveforms, vectorscopes and histograms
Light Meters
Spectrometers
Color checker charts
Camera Test measurement
Calibrate Camera Using Color Checker Chart
Color Management Fundamentals Color Managed Workflow overview
 What is Look and how to create it?
Primary Color Correction and CDLs
3D LUT and Image DNA
CMW Step 1: Color Management On-set
CMW Step 2: Datalab, Dailies and Transcoding
CMW Step 3: Editorial, Avid, Premiere and VFX
CMW Step 3: Final Grade and ColorTrace
DAY2
Practical Color Management 
Colourlab interface overview Advanced color science and how this works in Colourlab
Look Design using Colourlab
Making a LUT and loading it into Camera or LUT box
Combining CDL and LUT
Creating ASC CDLs using Arri Look Tool or LiveGrade
Colourlab ACES Film Stock Emulation
Colourlab HDR and look translation
Advanced Color Management
ACES – Academy Color Encoding System Explained
Monitoring onset in ACEScct 
Grading in ACEScct with Davinci Resolve
Using Sony BVM X-300
HDR Explained
HDR10 and HDR10+
Dolby Vision
Advanced Look Design
 Advanced use of Secondaries
 Creative Palettes and Film Profiles and how to use them
 What can you do to protect image quality
Creative looks: Hipster looks Cross process on Kodak Vision 3 Sci-Fi looks Classic Kodak Print Look
Kodak Vision Camera Negative Look
Fuji for Action Film Look
Updated Fuji 16mm Noir
Classic black and white
Orange and Teal
Northern Flat look
Flashback looks
What’s popular now look

AbelCine / LA

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COLOR MANAGED WORKFLOW

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