Book Talk: "The Oxford Handbook of Jewish Music Studies"

The Institute for Israel and Jewish Studies at CU

Join us for the first event of the spring semester, a discussion of the new Oxford Handbook of Jewish Music Studies.

Institute for Israel and Jewish Studies at Columbia University

<h2>Join us for the first event of the spring semester on Wednesday, January 31, at 12:00 PM, a discussion of the new Oxford Handbook of Jewish Music Studies. This event will take place in-person back in our permanent home at 617 Kent Hall!</h2><h2> </h2><a href="https://global.oup.com/academic/product/the-oxford-handbook-of-jewish-music-studies-9780197528624?cc=us&amp;lang=en" title="https://global.oup.com/academic/product/the-oxford-handbook-of-jewish-music-studies-9780197528624?cc=us&amp;lang=en" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">The Oxford Handbook of Jewish Music Studies</a> is a handbook of Jewish music that addresses the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type.Designed around eight distinct sections—Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction/Remembrance, and Spirit—the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Together the chapters form a truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world.Join select authors for a panel discussion of this new handbook, introduced and led by its editor Tina Frühauf. The discussion will center on the concept and content of the handbook and will be illustrated with musical examples.Tina Frühauf teaches at Columbia University and serves on the doctoral faculty of The Graduate Center, CUNY. She is the Executive Director of Répertoire International de Littérature Musicale (RILM) and Director of the Barry S. Brook Center for Music Research and Documentation at CUNY. Among her recent publications are Transcending Dystopia: Music, Mobility, and the Jewish Community in Germany, 1945-1989 and Dislocated Memories: Jews, Music, and Postwar German Culture (2014, with Lily E. Hirsch), which won the Ruth A. Solie Award and the Jewish Studies and Music Award of the American Musicological Society; as well as Postmodernity's Musical Pasts (2020). She has been serving on various committees of the American Musicological Society and as Council Member, and is on the board of the Louis Lewandowski Festival in Berlin and the DAAD Alumni Association USA.Jessica Roda is an Assistant Professor of Jewish Civilization at Georgetown University's Walsh School of Foreign Service, an anthropologist, and ethnomusicologist. She specializes in Jewish life in North America and France, and in international cultural policies. Her research interests include religion, performing arts, cultural heritage, gender, and media. Her articles on these topics have appeared in various scholarly journals, as well as edited volumes in French and English. The author of two books and the editor of a special issue of MUSICultures, her more recent book (Se réinventer au present, PUR 2018) was finalist for J. I. Segal Award for the best Quebec book on a Jewish theme. It also received the Prize UQAM-Respatrimoni in heritage studies. Her forthcoming monograph, For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age, investigates how music, films, and media made by ultra-Orthodox and former ultra-Orthodox women act as agents of social, economic, and cultural transformation and empowerment, and as spaces that challenge gender norms, orthodoxy, and liberalism.Samantha M. Cooper (she/her) is the Ariel and Joshua Weiner Family Visiting Fellow at the University of Pennsylvania’s Herbert D. Katz Center for Advanced Judaic Studies for the 2023-2024 academic year. Samantha Cooper is a historical musicologist specializing in American Jewish cultural history. Dr. Cooper is currently working on her first monograph, American Jews and the Making of the New York Opera Industry, which she began as a Harry Starr Postdoctoral Fellow in Judaica at Harvard University’s Center for Jewish Studies. Cooper received her Ph.D. in Historical Musicology at New York University in May 2022 for her dissertation, “Cultivating High Society: American Jews Engaging European Opera in New York, 1880–1940.” Cooper is the producer and host of “The Sounding Jewish Podcast,” and the associate executive director of the Jewish Music Forum, a project of the American Society for Jewish Music.Supported by the generosity of the Radov and Kaye families.While all IIJS events are free and open to the public, we do encourage a suggested <a href="https://www.givenow.columbia.edu/?_sa=05376&amp;_sd=386#" title="https://www.givenow.columbia.edu/?_sa=05376&amp;_sd=386#" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">donation</a> of $10.

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Book Talk: "The Oxford Handbook of Jewish Music Studies"

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Book Talk: "The Oxford Handbook of Jewish Music Studies"

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