活動預告｜一個文學編輯的精神歷程：從王小波到當代文化批評

Die Blaues Haus Stiftung ist eine gemeinnützige Stiftung. Zweck der Stiftung ist die Förderung von Kultur, Kunst, Bildung und Völkerverständigung.蓝书屋是德意志联邦共和国民法下拥有法人资格的公益基金会。我们支持不同地区的文化工作人士，推进不同文化与社会的接触、体验和人文交流，探索历史，记录当下，创造更加开放多元的未来。

Blaues Haus Stiftung 藍書屋基金會

文學不僅關乎寫作，也關乎閱讀、判斷，以及在一個時代中保持獨立思考的能力。當文學逐漸失去公共影響力，當批評越來越受到市場、媒體與權力的限制，為什麼我們仍然需要文學批評？

Blaues Haus Bibliothek 藍書屋圖書館

作家、評論家李靜的文學生涯始於1990年代的北京。年輕時，她曾是王小波的文學編輯，在擔任《北京文學》編輯期間發表過他的短篇小說和文學批評，並試圖推動《紅拂夜奔》的發表而未果。這段未能如願的編輯經歷，成為她理解文學體係與創作自由的重要起點，也深刻影響了她此後的批評與戲劇寫作。從文學期刊到報紙副刊，從文學評論到文化批評，李靜親歷了中國文學與公共文化近三十年的變遷。本場對談將從李靜與王小波的交往談起，回望1990年代中國文學的思想氛圍，討論王小波的自由精神、理性與幽默如何影響了一代寫作者，也探討編輯在文學制度中的角色與困境。在今天，批評是否仍能保持獨立？文學還能為個體提供怎樣的精神自由？我們又該如何重新理解知識分子在社會中的責任？講者介紹

李靜，劇作家，文學評論家。遼寧興城人，畢業於北京師範大學中文系。曾擔任文學雜誌、報紙副刊編輯。現居北京。著作有：戲劇劇本《大先生》（2016年首演，導演：王翀）、《聖女喜劇》（2017年首演，導演：易立明）、《戎夷之衣》（2024年首演，導演：黃龍斌），歌劇劇本《精衛波捕風手》，文藝批評《筆者》等《大書》的《小書》。話劇劇本被翻譯為英語、德語、義大利語、羅馬尼亞語和韓語。

吳琦，編輯、媒體人、譯者，播客《螺絲在擰緊》主播。畢業於北京大學新聞傳播學院，曾任職於《單讀》、《南方人物週刊》、《ACROSS穿越》。與項飆合著談話錄《把自己當作方法》，譯有《下一次將是烈火》《去山巔呼喊》《在門外談話》等書。也曾擔任單向街公益基金會「水手計畫」、瑞士「全球真實故事獎」、FIRST青年電影展、在場獎學金等獎助計畫評審。尤其關注當代創作者的思想與實踐。 活動資訊日期：2026年11月15日，星期日時間：15:00-17:00活動地點：藍書屋（具體位置資訊將在報名成功後發送）講座語言：中文（註：本場講座提供從中文到德文的AI即時翻譯，需觀眾手機掃碼並使用網路流量觀看即時字幕，無需安裝軟體，可能會有少量延遲或翻譯誤差）報名方式：免費入場，請在eventbrite報名。注意事項1. 成人及年滿12歲以上的兒童可以報名參加。 2. 若您在報名後臨時無法參加，請及時取消預約登記，以便讓其他人有機會參加。 3. 成功報名的參加者請在講座開始前最遲5分鐘到場。4. 活動期間禁止錄影，我們感謝您的體諒。 5. 活動期間將拍攝照片，這些照片將由藍書屋基金會內部使用。如果您有任何異議，請提前告知我們。

Literature is not only about writing, but also about reading, judgment, and the ability to think independently in one’s own time. As literature gradually loses its influence in public life, and criticism becomes increasingly constrained by the market, the media, and power, why do we still need literary criticism?Writer and critic Li Jing began her literary career in Beijing in the 1990s. As a young editor, she worked with important Chinese writer Wang Xiaobo. During her time at Beijing Literature, she published his short fiction and literary criticism and tried unsuccessfully to bring his novel Hongfu Yeben (Hongfu Flees at Night) into print. That unfulfilled editorial effort became a formative experience in her understanding of literary institutions and creative freedom, profoundly shaping her later criticism and playwriting. From literary journals to newspaper literary supplements, and from literary criticism to broader cultural commentary, Li Jing has witnessed nearly three decades of change in Chinese literature and public culture.This conversation begins with Li Jing’s encounters with Wang Xiaobo and looks back at the intellectual atmosphere of Chinese literature in the 1990s. It explores how Wang’s commitment to freedom, reason, and humor influenced a generation of writers, while considering the role and dilemmas of editors within literary institutions. Can criticism remain independent today? What kind of intellectual freedom can literature still offer individuals? And how might we rethink the responsibilities of intellectuals in society? Guest: Li Jing (playwright, literary critic, editor)Li Jing is a playwright and literary critic from Xingcheng, Liaoning Province. She graduated from the Department of Chinese Language and Literature at Beijing Normal University and has worked as an editor for literary magazines and newspaper literary supplements. She lives in Beijing. Her works include the plays Lu Xun(premiered in 2016, directed by Wang Chong), A Comedy of Qin (premiered in 2017, directed by Yi Liming), and Rong Yi’s Coat (premiered in 2024, directed by Huang Longbin); the opera libretto Jingwei Fills the Sea; the collections of arts criticism Catching the Wind and One Must Offend the Audience; and the essay collections Wang Xiaobo’s Legacy and To You. Her plays have been translated into English, German, Italian, Romanian, and Korean. Moderator: Wu Qi (editor, journalist, translator)Wu Qi is an editor, media professional, translator, and the host of the podcast The Turn of the Screw. He graduated from the School of Journalism and Communication at Peking University and has previously worked for One-Way Street Journal, Southern People Weekly, and ACROSS. He co-authored Self as Method with Pro. Xiang Biao, and has translated several books into Chinese, including The Fire Next Time, Go Tell It on the Mountain, and Talking at the Gates: A Life of James Baldwin. He has also served as a jury member for various cultural and artistic grant and award programs, including the Sailors Project of the One-Way Street Foundation, globally oriented journalism prize True Story Award in Switzerland, FIRST International Film Festival, and the Frontline Fellowships. His work and interests focus particularly on the ideas and practices of contemporary creators. Date: Sunday, November 15, 2026Time: 15:00–17:00Venue: Blaues Haus StiftungRegistration: Free admission. Please register at Eventbrite.

Bei dieser Veranstaltung steht eine KI-gestürtzte Echtzeitübersetzung vom Chinesischen ins Deutsche zur verfügung. Für die Nutzung werden ein Smartphone und mobile Daten Benötigt.

活動預告｜一個文學編輯的精神歷程：從王小波到當代文化批評

Good to know

Location

Blaues Haus Bibliothek 藍書屋圖書館

How do you want to get there?

More events from Blaues Haus Stiftung 藍書屋基金會

Discover more events from Blaues Haus Stiftung 藍書屋基金會, from Community to other experiences you might love.

Still looking for the right event?

Explore all events in Hannover and filter by date, category, and more to find the perfect fit.

活動預告｜一個文學編輯的精神歷程：從王小波到當代文化批評

Good to know

Location

Blaues Haus Bibliothek 藍書屋圖書館

How do you want to get there?

More events from Blaues Haus Stiftung 藍書屋基金會

Discover more events from Blaues Haus Stiftung 藍書屋基金會, from Community to other experiences you might love.

You might also like...

Browse more events with different dates, prices, and formats to find your next great experience.

Still looking for the right event?

Explore all events in Hannover and filter by date, category, and more to find the perfect fit.