Neko Case - Neon Grey Midnight Green Tour with Destroyer (Solo)

$1 from every ticket will go to Peer Solutions and support their positive youth leadership and development program designed to prevent harm before it begins and engage lifetime ambassadors of positive change (www.peersolutions.org).

Every handful of years, Neko Case resurfaces with a new album and reminds listeners that she is one of our greatest living songwriters — perpetually becoming more fearless and adventurous. “She has cultivated one of the most distinctive voices in American song,” Stereogum declared. “Her albums unravel like musical picaresque: restlessly digressive, bluntly funny, strange — but never in ways you’d anticipate.”    

The Grammy-nominated iconoclast’s ninth LP, Neon Grey Midnight Green, is her biggest-sounding and most intimate-feeling album yet. Released last fall to immediate critical acclaim and declared an essential album in her catalog, the album was laid down live with a full band. More “in the room” than any of her past work, even breaths and shirt-sleeve rustlings were kept in the final mix as a reminder that “humans were here.” 

“There are so few producers who are women, nonbinary, or trans,” says Case, who identifies as gender fluid and uses she/her pronouns. “People don’t think of us as an option. I’m proud to say I produced this record.” 

Today, she is announcing a new run of ‘Neon Grey Midnight Green’ tour dates that begin this fall on the East Coast and end with two shows in Case’s hometown of Tacoma, Washington.

Website: https://nekocase.com/

Instagram: https://www.instagram.com/nekocaseofficial

Spotify: https://open.spotify.com/artist/4Cedjq5BQL3MhapRvDpFED

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Centered on band founder Dan Bejar's rakish vocals and obtuse songwriting persona, Destroyer has been in a constant state of evolution since its start in 1995. Bejar split his time between Destroyer and other bands of note, like the New Pornographers and Swan Lake, among others. Still, Destroyer gradually grew from the Bowie-esque indie folk of their early recordings into far more ambitious experiments with arrangement, instrumentation, and delivery. Bejar's laid-back yet theatrical songwriting presence sits at the center of every phase Destroyer goes through, from the acoustic-leaning melodrama of 2004's Your Blues to the cinematic lounge pop of 2011's Kaputt to experiments with synthesizers and spoken word on albums like 2020's Have We Met and 2022's Labyrinthitis.

Spotify: https://open.spotify.com/artist/22ojy4H4ZVpowC4lRRC8In

Instagram: https://www.instagram.com/destroyer_band