Name: Sampadā: Traditional Treasures from Bharatanatyam & Mohiniyattam
Start: 2026-05-16T19:00:00-04:00
End: 2026-05-16T20:30:00-04:00
Location: The Dance Complex

Sampadā: Traditional Treasures from  Bharatanatyam & Mohiniyattam

Online ticket sales end 2 hours prior to the start of the event. Pre-registration is only available online via credit card payment. Tickets may still be purchased at the door using cash, check, or credit card.Late seating is at the discretion of the artist and The Dance Complex, and may not be available after the start time of a performance. In general, we advise arriving at least 15 minutes before the show start time. Doors open 30 minutes prior to show, at which time our bar is open in our lobby space. After the show has begun, entry is not guaranteed and refunds are not available. You may receive a refund through Eventbrite up until 24 hours prior to the event.Our ground-level lobby area and performance space is ADA compliant. Gender-neutral accessible bathrooms are located on both the ground and second-floor levels of the building. There is a motorized lift that can bring one person at a time from the ground floor to the second floor should a guest wish to use it. There is no elevator.If you have any further questions or concerns about refunds or ticketing, or if you have any questions or concerns regarding accessibility at The Dance Complex, please contact Barbie Cruz, Front of House Associate, at barbie@dancecomplex.org.

The Dance Complex

Delve into the rich poetics and vibrant narratives of two distinct movement traditions through a wealth of traditional choreographies.

About the performance:Sutikshna Veeravalli’s Bharatanatyam presentation is of a single, long-form piece that focuses on one heroine’s process of disillusionment. This composition, “E Mayaladira”, follows her as she gathers courage to ask her significant other about his suspected infidelity. She tentatively questions him, trying to make sense of what could have possibly drawn him away from her. As she reconciles what was, what could have been, and what now is, she arrives at an acidulous clarity. Whether or not this clarity is objectively true, perhaps this fundamentally human arc of sense-making is what allows us the freedom to move on.Sapna Govindan and Gayathri Thampatty will present selected choreographies from the Sougandhikam bani (tradition or style) of Mohiniyattam developed by the globally renowned dancer/choreographer Dr. Neena Prasad. The choreographies will illustrate both the abstract and interpretive elements of Mohiniyattam through poetic texts that delve into devotion, maternal affection, and romantic love (including a lover’s spat)- a whole gamut of human emotions! About the artists:Sutikshna Veeravalli is a Bharatanatyam dancer (disciple of Guru and mother Vanitha Veeravalli) and Carnatic Vocalist (disciple of Dr. R. Suryaprakash). She has performed in Chennai and North America, notably in Madras Music Academy’s Spirit of Youth and HCL Series. Her achievements have earned accolades like “Special Commendation Award” from Bharat Kalachar, “Promising Young Artiste” from Brahma Gana Sabha, and “Kala Ratna” from Cleveland Thyagaraja Festival. Sutikshna works full-time as a high school educator. An MIT Teacher Innovation Fellow, she works to integrate arts and education to build more accessible communities.Sapna Govindan is a dedicated practitioner and performer with extensive training in Mohiniyattam, a classical dance originating from Kerala in southwestern India. She began her training in the Kalamandalam tradition of Mohiniyattam under the guidance of esteemed gurus Kalamandalam Premalatha, Kalamandalam Sarojini, and Kalamandalam Vinodini, with partial support from a scholarship awarded by the Kerala Sangeetha Nataka Akademi. Currently, Sapna is furthering her advanced training with Dr. Neena Prasad, a globally recognized artist, choreographer, and educator in this dance form. Her performances in the United States have taken place at various venues, including the Dance Complex, Boston Center for the Arts, NACHMO, Andover Town House, Mayo Street Arts in Portland, Maine, Symphony Space in New York, Geeva Arts Festival in Louisville, Kentucky, Kalashraya Festival in Richmond, Virginia, and TriNethra – The Third Eye Festival of Dance in Lexington, among others. She has been described as a dancer “who seemed to have been marinating in the rhythms and juices of Kerala, the birthplace of Mohiniyattam, forever.”Sapna has taught visiting lessons and presented lecture demonstrations in Mohiniyattam at venues including Shadaj, DWC festival in Boston, Fessenden School in Newton, and East End Community School in Portland, Maine. Driven by her passion for dance, Sapna co-founded Rasik, an organization that curates and presents classical Indian dance to audiences in the Greater Boston Area. Sapna practices and performs Kathakali, a traditional theater genre from Kerala, and also receives training in Carnatic music, the classical music genre of South India.Gayathri Thampatty began her foundational training in Mohiniyattam under the guidance of Kalamandalam Sarojini and in Kathakali under Kalamandalam Krishnakumar. Currently, she is advancing her skills in Mohiniyattam under the guidance of globally acclaimed artist and educator Dr. Neena Prasad, whose mentorship is instrumental in enhancing her technique and artistic perspective. Her background training in a variety of art forms, including Mohiniyattam, Bharatanatyam, Kuchipudi, and Kathakali, has contributed to the versatility she brings to her performances. She has performed on numerous stages, ranging from classical venues in India to cultural events in New England. Most recently, she performed for the Soudandhikam Center of Mohiniyattam at the Tagore Theatre in India. In the United States, Gayathri has performed at the Bay Chamber Hammer Hall as an invited artist for the Midcoast Ballet in Camden, Maine, Nachmo Boston, and for organizations such as NEMA and AKMG. She continues to train in Kathakali, a traditional theater genre from Kerala, under the guidance of Kalamandalam Balasubramnian, a nationally recognized artist and educator of this genre. About the performance space:The Julie Ince Thompson Theatre (Studio 1) and pre/post-show reception space (Studio 7) are ADA compliant. There is a motorized lift that can bring one person at a time from the ground floor to the theater. There is no elevator. There are handicap accessible restrooms on both floors.

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Sampadā: Traditional Treasures from Bharatanatyam & Mohiniyattam

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Sampadā: Traditional Treasures from Bharatanatyam & Mohiniyattam

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