Curator's Choice: Feather Embellishments in Mexican "Huipiles"

The Fowler Museum at UCLA explores global arts and cultures with an emphasis on Africa, Asia, the Pacific, and the Americas—past and present. The Fowler enhances understanding and appreciation of the diverse peoples, cultures, and religions of the world through dynamic exhibitions, publications, and public programs, informed by interdisciplinary approaches and the perspectives of the cultures represented. Also featured is the work of international contemporary artists presented within the complex frameworks of politics, culture and social action. The Fowler provides exciting, informative and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond.

Fowler Museum at UCLA

An online program that will briefly trace the history of the Mexican "huipil" and highlight some of its special features.

Link to join: <a href="https://ucla.zoom.us/j/91327478884" target="_blank" data-msys-clicktrack="0" rel="nofollow noopener noreferrer">https://ucla.zoom.us/j/91327478884</a> The huipil—a garment worn by women in Mexico from the time before the arrival of the Europeans until the present day—is a landmark in Mesoamerican attire. Generally formed of handwoven cloth panels that are folded and stitched into a rectangular garment, they feature a rich array of materials, colors, techniques, and designs, and constitute one of the essential and dynamic forms of cultural identity.Join the Fowler and Elena Phipps, scholar of textile traditions of the Americas, in welcoming Hector Meneses Lozano, director of the Museo Textil de Oaxaca. The program will briefly trace the history of the huipil and highlight some of its special features. Meneses Lozano will share some examples from the extensive collection of the Museo Textil de Oaxaca, alongside a few special pieces from the Fowler Museum. The discussion will then focus on a unique group of huipiles woven with spun downy bird feathers. We invite you to glimpse the subtle beauty of these sophisticated creations from the 16th to the 21st century.Hector M. Meneses Lozano has served as director of the Museo Textil de Oaxaca, Oaxaca, Mexico, since 2012. Previously, he was, for four years, the museum’s head of Conservation and Collections Management. He trained at the Escuela Nacional de Conservación, Restauración y Museografía “Manuel del Castillo Negrete” in Mexico City. Meneses Lozano has been a Board Member of the North American Textile Conservation Conference since 2008 and co-organizer of the Encuentro de Textiles Mesoamericanos, hosted in Oaxaca, since 2014.Elena Phipps holds a PhD in pre-Columbian Art History and Archaeology from Columbia University (1989) and teaches textile history, techniques, and cultures in the UCLA Department of World Arts and Cultures/Dance. During her time as senior textile conservator at the Metropolitan Museum of Art (1977-2010), she co-curated two major exhibitions: the award-winning Colonial Andes: Tapestries and Silverwork 1430-1830 (2004) and The Interwoven Globe: Worldwide Textile Trade (2013). Among her publications are Cochineal Red: The Art History of a Color (MMA, 2010), The Peruvian Four-Selvaged Cloth (Fowler Museum, 2013), and “Investigation of a Colonial Latin American Textile” (TSA Proceedings, 2007), which details her research on a special Mexican textile composed of spun feathers and rabbit hair.Curator’s Choice: Join curators for lively conversations about their passions and projects that inspire audiences to engage with different worldviews and find joy in the multiplicity of human experiences.Image: María Santiago González Pérez (Zinacantan, Chiapas, México), &quot;Huipil,&quot; 2016. Photo courtesy of Museo Textil de Oaxaca.

Curator's Choice: Feather Embellishments in Mexican "Huipiles"

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Curator's Choice: Feather Embellishments in Mexican "Huipiles"

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