"The Dark Database"–Dennis Delgado with CalvinJohn Smiley

The Hunter College Art Galleries, under the auspices of the Department of Art and Art History, have been a vital part of the New York cultural landscape since their inception over a quarter century ago.Located at the nexus of art and culture in New York City, the galleries provide a space for critical engagement with art and pedagogy, bringing together historical scholarship, contemporary artistic practice, social awareness, and experimental methodology. Since their inauguration in 1981, the Hunter College Art Galleries have presented more than 200 exhibitions. The galleries are committed to producing exhibitions, events, and scholarship in dialogue with the intellectual discourse generated by the faculty and students.Widely regarded as one of the leading art programs in the country, Hunter College’s Department of Art and Art History serves both undergraduate and graduate students, offering a Bachelor of Arts, a Bachelor of Fine Arts and Master of Fine Arts in studio art, and a Master of Arts in art history. In its 2012 rankings of “America’s Best Graduate Schools,”U.S. News & World Reportranked Hunter’s MFA program thirteenth and the painting and drawing program seventh in the nation.

Hunter College Art Galleries

The Dark Database: Facial Recognition and its "Failure" to Enroll–a conversation between artist Dennis Delgado and scholar CalvinJohn Smiley

Image caption: Dennis Delgado, Black Panther, 2020. Tagged image format file, 8.6 x 14.3 inches. Courtesy of the artist.Thursday, January 21, 2021: 3:15–4:30pm Pacific Time (6:15-7:30pm Eastern Time)Join Dennis Delgado, exhibiting artist in &quot;The Black Index&quot; and CalvinJohn Smiley, Assistant Professor at Hunter College for a discussion about Blackness, surveillance and Delgado&#x27;s series &quot;The Dark Database.&quot; This event is co-hosted with the University of California Irvine and is organized in conjunction with the touring exhibition The Black Index, curated by Bridget R. Cooks. The Black Index will be presented online at the University Art Galleries at University of California, Irvine — CAC Gallery from Jan 14, 2021 to Mar 20, 2021. The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that still serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification.For more information about The Black Index programming and exhibition tour visit: https://www.theblackindex.art/About the Speakers:Dennis Delgado was born in the South Bronx, and received an MFA from the City College of New York (CUNY). His work examines the ideologies of colonialism and their historical presence in the current moment. Whether working with video games, drone images, or looking at historical sites (like the Bronx Zoo), his practice reflects on the Eurocentric perspectives present in popular institutions and in American visual culture. His work has been exhibited at the Bronx Museum of the Arts, the Schomburg Center for Research in Black Culture, and at the Cooper Union. https://www.delgadostudio.net/CalvinJohn Smiley, Ph.D. is an Assistant Professor in the Sociology Department of Hunter College (CUNY). A critical sociologist and criminologist, his work focuses on issues related to race, inequality, and social justice. He has studied, extensively, mass incarceration and prisoner reentry, particularly for urban low-income inhabitants. Dr. Smiley has published in various academic peer-reviewed journals and book chapters on topics such as: race and law enforcement, prisoner reentry, popular culture and music, social media and virtual space, education, and critical animal studies. He is the co-editor of Prisoner Reentry in the 21st Century: Critical Perspectives of Coming Home (Routledge, 2020) with Keesha M. Middlemass. http://www.cjsmiley.com/Credit Line:Bridget R. Cooks, Ph.D. is exhibition curator and Associate Professor, Department of African American Studies and the Department of Art History, University of California, Irvine.Exhibition and tour organized by Sarah Watson, Chief Curator, Hunter College Art Galleries, New York in collaboration with the University Art Galleries at UC Irvine, Palo Alto Art Center, and Art Galleries at Black Studies, University of Texas at Austin.Lead support for The Black Index is provided by The Ford Foundation with additional support by UCI Confronting Extremism Program, Getty Research Institute, Fundación Almine y Bernard Ruiz-Picasso para el Arte, Carol and Arthur Goldberg, Anna-Maria and Stephen Kellen Foundation, Leubsdorf Fund at Hunter College, Joan Lazarus Fellowship program at Hunter College, Loren and Mike Gordon, Pamela and David Hornik, University of California Office of the President Multi-campus Research Programs and Initiative Funding, University of California Humanities Research Institute, Illuminations: The Chancellor’s Arts and Culture Initiative, UCI Humanities Center, Department of African American Studies, Department of Art History, The Reparations Project, and the UC Irvine Black Alumni Chapter. This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit calhum.org.

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"The Dark Database"–Dennis Delgado with CalvinJohn Smiley

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