Across a Crowded Room Fellowship New Musical Presentation: Face to Face

Across a Crowded Room Fellowship New Musical Presentation: Face to Face

Debut of new 90-minute musical, Face to Face, from Across a Crowded Room Fellows Emily Drossell, George Luton, and Cameron Reese.

By New York Public Library for the Performing Arts

Date and time

Saturday, June 7 · 2 - 4pm EDT

Location

New York Public Library for the Performing Arts -Bruno Walter Auditorium

Enter via 111 Amsterdam Ave. between West 64th and 65th Street New York, NY 10023-7498

Refund Policy

Refunds up to 7 days before event

About this event

  • Event lasts 2 hours

Be among the first to experience a new musical comedy, Face to Face. The show opens on Quinn, a young professional overwhelmed by the unceasing demands of her office job. Faced with a never-ending onslaught of meeting requests, Quinn decides to reject one quick post-mortem in the hopes she might be able to regain some semblance of her sanity. Little does she know, however, that this insignificant formality will become anything but, as Taylor, Quinn’s workaholic boss and orchestrator of said meeting, vows to have their “face to face,” no matter the cost. As a result of Taylor’s unyielding desire for order, the show embarks on an absurdist exploration of work, life, and human connection.

Face to Face came out of our Across a Crowded Room incubator program series. For more than a decade, the series at the Library for the Performing Arts has created a space for musical theater artists to meet, collaborate, and form connections. Since 2022, the Library for the Performing Arts has allowed program participants to apply for an Across a Crowded Room fellowship, which gives the artists money to develop their 20-minute musical works into 90-minute pieces. Please join us for a reading presentation of one such piece, Face to Face, by fellowship recipients Emily Drossell, George Luton, and Cameron Reese!


SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff.

STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs.

ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org.

BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue.

AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library.

PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.

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The New York Public Library for the Performing Arts houses one of the worlds most extensive combination of circulating, reference, and rare archival collections in its field. These materials are available free of charge, along with a wide range of special programs, including exhibitions, seminars, and performances. An essential resource for everyone with an interest in the arts — whether professional or amateur — the Library is known particularly for its prodigious collections of non-book materials such as historic recordings, videotapes, autograph manuscripts, correspondence, sheet music, stage designs, press clippings, programs, posters, and photographs.

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