The Palette of Nature - SHNH International Summer Meeting

The Society for the History of Natural History is a diverse community of people united by an active interest in the study of natural history through time, believing that a greater awareness of how nature has been considered, documented, valued and exploited by societies and individuals worldwide leads to a deeper understanding and celebration of nature.

The Society is known for its friendliness and its meetings combine intellectual excellence with opportunities for an informal exchange of ideas. It is a focal point for the history of all aspects of natural history. This includes art, literature, biography and bibliography as well as investigative historical studies.

This two-day international meeting will explore the use and importance of colour within the history of natural history. For centuries, the colours of the natural world have enticed and enthralled observers and led them to develop various means by which to convey this aspect of nature. The aesthetic appeal of certain colours of gemstones or of particular dyes and pigments derived from plants and minerals is apparent in many cultures.

This production and use of colour has also been of crucial importance in how the natural world has been described and represented over time. From lavish illustrations in natural history texts to maps and the charts which accompany diagrams, from adjective-laden taxonomic descriptions to stuffed specimens in museums, colour is ever present in how we interact with and think about the natural world.

This conference aims to bring new perspectives to the history of natural history by considering the palette of nature, and the role of colour within its history.

Registration will close 6pm on 24th May 2023.

Programme

Day One

9:15 Arrival and Registration

Refreshments on arrival

9:30 Panel 1

Colour charts for naturalists – A brief history
Leslie K. Overstreet, Smithsonian Libraries and Archives

Recording colour in horticulture: The origin and development of the Royal Horticultural Society’s Colour Chart
John David, RHS Garden Wisley

“The tints of a geological map speak to the mind as well as to the eye”: Colour and the representation of empirical reality on the Geological Society’s early maps
Duncan Hawley, History of Geology Group

11:00 Break

11:30 Panel 2

Two approaches to ornithological illustration: George Edwards (1694-1773) and Francis Buchanan (1762-1829)
Arthur MacGregor

A Mystery in a Paintbox: Cracking Ferdinand Bauer's colour code for the Flora Graeca (1786-1794)
Jane Jelley

The transition from uncoloured to coloured engravings in early ichthyology books
Paul Martin, University of Bristol

1:00 Lunch

2:00 Panel 3

The palette of nature that made the seventeenth-century florilegia
Jessie Wei-Hsuan Chen, Vrije Universiteit Brussel

Illuminating labour: National pride and female agency in the colouring of the Flora Danica
Christoffer Basse Eriksen, Centre for Science Studies, Aarhus University

Feathered hordes and winged gems: Colour and vitalism in Jardine and Selby’s Illustrations of Ornithology (1827–1843)
Joyce Dixon, University of Edinburgh

3:30 Break

3:45 Panel 4

Colours of nature in South Asian art
Cam Sharp Jones, the British Library

Painting descriptions: Observing and authoring nature in Theodor Cantor’s Malayan Sketches, 1840s
Katherine Enright, Trinity College, University of Cambridge

4:45 End of Day 1

5:00 Museum closes

All attendees to have left the museum

6:30 Conference Dinner

Côte Cardiff Central

Day Two

9:00 Arrival

9:15 Panel 5

“A Matter of Extreme Difficulty:” Robert Ridgway and the classification of colour
Richard Gilreath, Smithsonian Libraries and Archives

Colour charts in 18th-century Europe: Natural, pigmentary, and trichromatic
Giulia Simonini, Technische Universität Berlin

How one illustration of a mountain zebra Equus zebra, living in 1761 at the menagerie of royal palace at Versailles, became emblematic of all black-and-white striped African equines
Graham Rowe, University of Derby

10:45 Break

11:00 Panel 6

Hand-coloured natural history illustrations for common readers: The publishing history of The Naturalist’s Library, 1833-1843
Sarah Finn, Milwaukee Public Library, Milwaukee, Wisconsin

Ferdinand Bauer’s (1760 – 1826) field drawings at The Natural History Museum Vienna, his “painting by numbers” method, and the importance of historical colour systems regarding standardisation useful for scientific purposes
Tanja M. Schuster, The Natural History Museum Vienna

Exploring the applications of line drawing in botanical illustration from the eighteenth century to the twenty first century
Heather Pardoe, Amgueddfa Cymru – Museum Wales.

12:30 Concluding remarks

12:45 End of conference

2pm – 4pm Tour of the museum collections (optional)

With object highlights from the museum collections linked to the conference papers.

For more information on the Society please see www.shnh.org.uk.