Intermedia/Interarts Workshop 3. The Intermedial Body: Chinese Arts and Beyond
A two-day event that explores 'the intermedial body', including talks by artists and researchers and a free film screening.
Location
Birkbeck Cinema
43 Gordon Square London WC1H 0PD United KingdomAbout this event
Intermedia/Interarts Workshop 3
The Intermedial Body: Chinese Arts and Beyond
at Birkbeck Instittue for the Moving Image
43 Gordon Square, London, WC1H 0PD
General Coordination: Lúcia Nagib
Convenors: Mark Player, Hsin Hsieh
Organised by the University of Reading in collaboration with BIMI (Birkbeck Institute for the Moving Image)
Sponsored by the British Council under the aegis of the UK-China Humanities Alliance
Co-sponsored by Hangzhou Normal University
Screening of Silhouette/Shadow kindly supported by iPreciation
The workshop ‘The Intermedial Body: Chinese Arts and Beyond’ is a development of the cross-institutional project ‘(Re)connecting Research in China’, involving the University of Reading (the organiser of this event), the University of Exeter (the PI on the project), King’s College and the University of Manchester, and is funded by the British Council, within the remit of the UK-China Humanities Alliance.
The workshop focuses on the corporeal aspects of intermediality in Chinese arts and beyond, and considers how combining different media and their traces affects the human body. The body is a unique site for investigations of the intermedial because of its dual role of being the producer and subject of art. This event brings together researchers and artists to consider the presence of an ‘intermedial body’ and its ability to personify the different ways and reasons artists combine media in their pursuit of creative and transcultural expression.
The workshop will open, on 10th May, with an evening homage to Chinese Nobel prize winning author Gao Xingjian and a rare screening of his first film Silhouette/Shadow (2007), introduced by his celebrated translator, Mabel Lee. Gao’s transmedial profile cuts across literature, theatre, painting, photography and film. The workshop will proceed on 11th May with a full day of talks and videos.
This workshop is FREE to attend. Please select which day(s) you wish to attened when booking.
DAY 1 - Free Screening of Silhouette/Shadow followed by post-screening wine reception
DAY 2 - 'The Intermedial Body' workshop
See more information about each day's activities below.
DAY 1 (FRIDAY 10 MAY)
SCREENING AND WINE RECEPTION
18:00-18:30
Video Introduction
Autobiographical Dimensions of Gao Xingjian’s Film Silhouette/Shadow
Mabel Lee (University of Sydney/Hong Kong Metropolitan University)
18:30-20:00
Screening: Silhouette/Shadow (2007)
dir. Gao Xingjian (runtime: 85 minutes)
About the film: Described by its maker as a ‘cinepoem’, Silhouette/Shadow (2007), the first feature-length film of Nobel Prize-winning writer, dramaturg and artist Gao Xingjian, is part documentary, part dreamscape. Made in the shadow of near-death experience following hospitalisation and life-saving surgeries in 2002 and 2003, it ruminates on Gao’s mortality and his creative practice as he produces Chinese ink paintings and rehearses and stages theatre productions such as Snow in August in Taipei and, fittingly, The Man Who Questions Death in Marseille. In Gao’s ‘cinepoem’, reality is art and death is life.
20:00-21:00
Drinks reception
DAY 2 (SATURDAY 11 MAY)
THE INTERMEDIAL BODY WORKSHOP
09:00-09:45
Arrival/Registration
09:45-10:00
Workshop Welcome/Introduction
Matthew Barrington, Lúcia Nagib, Mark Player, Hsin Hsieh
10:00-11:00
Keynote Speech
My Dream: The Intermedial Turn in Contemporary Chinese Performing Arts
Haiping Yan (Tsinghua University) - presented virtually
11:00-11:15
Coffee break
11:15-13:00
Panel 1: The Artistic Body
Bodily Materiality and Consciousness in Gao Xingjian's Paintings and Films
Shuangyi Li (University of Bristol)
Transmedial Physical Aspect in Classical Chinese Poetics
Rong Ou (Hangzhou Normal University)
Embodied Performance of Classic Dubbed Foreign Films in China
Haina Jin (Communication University of China)
13:00:14:30
Lunch
14:30-16:15
Panel 2: The Cinematic Body
The Disposable Body: Dying for Art in Chinese Cinema
Lúcia Nagib (University of Reading)
Navigating The World: (Inter)Medial Spaces and the Body
Mark Player (University of Reading)
Tomorrow Cannot Be Waited: Intermedial Bodies in a Sinofuturistic World
Hsin Hsieh (University of Reading)
16:15-16:30
Tea break
16:30-17:30
Artist’s Talk
Embodying Hedda Gabler for Chinese Stage
Faye Chunfang Fei (East China Normal University)
17:30-19:15
Panel 3: The Intermedial Body Beyond Chinese Art
Re-enacting Silent Movie Prologues: Embodying Intermediality
Albert Elduque (Universitat Pompeu Fabra), John Gibbs and Lucy Tyler (University of Reading)