Made possible by the Millicent Greenwell Clapp Studio Art Series Fund, this series invites an artist each quarter for a two-day visit consisting of studio critiques with our MFA students and an evening public lecture. This series continues to provide a dynamic platform for artists to engage with the Stanford community, fostering critical dialogue and creative exploration.

Drawing on art historical, political, and personal references, Njideka Akunyili Crosby creates densely layered figurative compositions that, precise in style, nonetheless conjure the complexity of contemporary experience. Akunyili Crosby was born in Nigeria, where she lived until the age of sixteen. In 1999, she moved to the United States, where she has remained since that time. Her cultural identity combines strong attachments to the country of her birth and to her adopted home, a hybrid identity that is reflected in her work.

On initial impression, her work appears to focus on interiors or apparently everyday scenes and social gatherings. Many of Akunyili Crosby's images feature figures - images of family and friends - in scenarios derived from familiar domestic experiences: eating, drinking, watching TV. Rarely do they meet the viewer's gaze but seem bound up in moments of intimacy or reflection that are left open to interpretation. Ambiguities of narrative and gesture are underscored by a second wave of imagery, only truly discernible close-up. Vibrantly patterned photo-collage areas are created from images derived from Nigerian pop culture and politics, including pictures of pop stars, models, and celebrities, as well as lawyers in white wigs and military dictators. Some of these images are from the artist's archive of personal snapshots, magazines and advertisements, while others are sourced from the internet. These elements present a compelling visual metaphor for the layers of personal memory and cultural history that inform and heighten the experience of the present.

While the artist's formative years in Nigeria are a constant source of inspiration, Akunyili Crosby's grounding in Western art history adds further layers of reference. Religious art, the intimism of Edouard Vuillard's intoxicatingly patterned interiors, the academic tradition of portraiture and, in particular, still life painting become vehicles for delivering, Trojan horse-like, new possible meanings.

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BIO

Njideka Akunyili Crosby was born in Enugu, Nigeria in 1983 and currently lives and works in Los Angeles. She was a participant in La Biennale di Venezia, 58th International Art Exhibition, May You Live In Interesting Times, curated by Ralph Rugoff (11 May - 24 November 2019). She is the recipient of an Honorary Doctorate of Fine Arts Degree from University of the Arts (2020) and Otis College (2024), an Honorary Doctorate of Art from Swarthmore College (2019), a MacArthur Fellowship (2017), and a United States Artist Fellowship (2021). Akunyili Crosby’s work is held in significant museum collections throughout the world.

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VISITOR INFORMATION

This event is open to Stanford affiliates and the general public. Space for this program is limited; advance registration is recommended. Those who have registered will have priority for seating. Admission is free.

Oshman Hall is located within the McMurtry Building on Stanford campus at 355 Roth Way. Visitor parking is available in designated areas and is free after 4pm on weekdays. Alternatively, take the Caltrain to Palo Alto Transit Center and hop on the free Stanford Marguerite Shuttle. If you need a disability-related accommodation or wheelchair access information, please contact Julianne Garcia at juggarci@stanford.edu.

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Studio Lecture Series: Njideka Akunyili Crosby