Mapping with Richard Parrish

Mapping with Richard Parrish

Explore shape, texture, form and surface in glass casting!

By UrbanGlass

Date and time

June 24 · 10am - June 28 · 4pm EDT

Location

UrbanGlass

647 Fulton St Floor 3 (Enter on Rockwell Pl.) Brooklyn, NY 11217

Refund Policy

Refunds up to 14 days before event

About this event

  • Event lasts 4 days 6 hours

Students will explore the shape, texture, form, structure, and measurement of surface features, whether of person or place,in the shallow space of kilncast bas relief panels. The medium is kiln glass in open faced castings using ceramic fiber paper as molds. The class will be approximately 30% lectures and demonstrations with the remaining time used for projects. My earliest work in kilnformed glass involved the human body and maps. While the mapping aspect was rather obvious, the body imagery was hidden in most cases, echoing my personal struggle with who I was and who I am. 

What to Expect: Students will explore their ideas initially through drawing, paper maquettes, and models. These will be the basis for open faced casting of small-scale samples and test panels. Test pieces will lead to finished glass panels approximately 6"x 9"x .75". We will work primarily in black, gray and white colors.


Kilnforming work involves a mix of seated and standing activities, including preparing glass pieces for firing, and loading and unloading the kiln. A particulate respirator mask is required when working with fine glass powders or unloading kilns after firing and would be provided for you if needed. Handling glass and tools may require a certain level of dexterity. To learn more about accessibility the Accessibility page on our website.


Additional work time for intensive students: Students will also have access to additional hours in the studio, without instruction, on Wednesday - Saturday from 5 - 9pm. Students must be able to work safely in the studio, and be able to set up their area without needing instruction. Students participating in student hours will need to be approved by the instructor and TA’s.


Eligibility: Experience with casting or sculpture is helpful. Students should have a basic knowledge of fused glass and cold working glass. Students interested in this class without this knowledge should reach out to UrbanGlass to discuss further. Open to ages 14 and up. Read more about how to prepare for class on our Registration Info page. 

Pick-up: The glass needs to be fused in the kiln and cool down overnight, so the students will have to return to UrbanGlass once notified to pick up their work. 


This is an in-person class taking place on-site at UrbanGlass. 


We recommend registering for classes early to reserve your spot! We base materials, and teacher needs off of student enrollment. Early registration not only guarantees your spot in class, but also helps to ensure the class will run. Classes with low enrollment may be canceled within two weeks of the start date of class. Contact our Registrar of Education, Ari Eshoo, at arianna@urbanglass.org if you have questions about the class or would like to arrange a payment plan.


5 Sessions,Tuesday - Saturday, June 24th - June 28th, 10am-4pm each day
Instructor Richard Parrish

Organized by

UrbanGlass fosters experimentation and advances the use and critical understanding of glass as a creative medium. The organization provides access to and an education in glass for professional artists, seniors, students, and members of the public of all backgrounds and familiarity with the material. We offer year-round free and low-cost programming through our 17,000 square foot studios, robust class schedule, fellowship and scholarship opportunities, exhibition center, and in-house printed magazine.

Founded in 1977 by a group of dedicated artists, UrbanGlass sought to confront the many barriers limiting creative access to glass such as the high costs of real estate, equipment, and the scarcity of technical expertise. From the organization’s conception it served as it does today: As a creative hub and unparalleled resource center for artists, enabling this material to become available for experimentation beyond the confines of factories and universities in New York City for the first time. Today, glass is seen as an integral component of contemporary art’s complex landscape.

$1,050