Kiln Casting Part 2 with Jessi Moore
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Kiln Casting Part 2 with Jessi Moore

Part 2 of a 2 part class, focused on learning the basics for casting an object in glass.

By UrbanGlass

Date and time

May 15 · 6pm - June 5 · 9pm EDT

Location

UrbanGlass

647 Fulton St Floor 3 (Enter on Rockwell Pl.) Brooklyn, NY 11217

Refund Policy

Refunds up to 14 days before event

About this event

  • Event lasts 21 days 3 hours

The focus of this class is to learn the basics for casting an object in glass. We will cover a range of topics, including simple mold recipes, wax-working techniques, kiln requirements, kiln-firing schedules, and techniques ranging from basic glass cutting to sand-blasting and cold-working. Part 1 will cover Open Casting and Part 2 will cover closed casting. Sign up for one or both!


Part 1 will be held on Thursdays, April 17th - May 8th, 6-9pm. This session will focus on Open Casting and making relief molds. Read more HERE.


Closed casting Part 2 Drinking cups

In Part Two (4 weeks) you will be learning the basics of closed casting of objects of small dimensions so that you can build on those skills and carry out further experimentation in the future. There will be an introduction to the lost wax and casting techniques, and we will be modeling a drinking cup within the restrictions (4 inches max of height) using existing plaster molds of cups. We will be making molds, steaming wax, and calculating the quantities of glass necessary to fill the mold. Second and Third classes are reserved for the making of 1 or 2 cups of your design within 4 inches. In the last class, we will learn cold-working techniques to give a finishing touch to your objects. Firing schedules and the use of different types of glass will also be discussed and there will be hand-outs for everything covered. No prior experience is required.


What to Expect: Participants can expect to leave with 6 finished objects plus sample tiles, this varies depending on the participant's choices and size of the piece. Read more about how to prepare for class on our Registration Info page.


Kilnforming work involves a mix of seated and standing activities, including preparing glass pieces for firing, and loading and unloading the kiln. A particulate respirator mask is required when working with fine glass powders or unloading kilns after firing and would be provided for you if needed. Handling glass and tools may require a certain level of dexterity. To learn more about accessibility the Accessibility page on our website.


Eligibility: No previous experience required. Open to ages 14 and up.


Pick-up: The glass needs to be fused in the kiln and cool down overnight, so the students will have to return to UrbanGlass once notified to pick up their work.


This is an in-person class taking place on-site at UrbanGlass.


We recommend registering for classes early to reserve your spot! We base materials, and teacher needs off of student enrollment. Early registration not only guarantees your spot in class, but also helps to ensure the class will run. Classes with low enrollment may be canceled within two weeks of the start date of class. Contact our Registrar of Education, Ari Eshoo, at arianna@urbanglass.org if you have questions about the class or would like to arrange a payment plan.


Part Two: 4 Sessions, Thursdays, May 15th - June 5th, 6-9pm

Instructor Jessi Moore

Organized by

UrbanGlass fosters experimentation and advances the use and critical understanding of glass as a creative medium. The organization provides access to and an education in glass for professional artists, seniors, students, and members of the public of all backgrounds and familiarity with the material. We offer year-round free and low-cost programming through our 17,000 square foot studios, robust class schedule, fellowship and scholarship opportunities, exhibition center, and in-house printed magazine.

Founded in 1977 by a group of dedicated artists, UrbanGlass sought to confront the many barriers limiting creative access to glass such as the high costs of real estate, equipment, and the scarcity of technical expertise. From the organization’s conception it served as it does today: As a creative hub and unparalleled resource center for artists, enabling this material to become available for experimentation beyond the confines of factories and universities in New York City for the first time. Today, glass is seen as an integral component of contemporary art’s complex landscape.

$505