TAK ensemble performs a program of visual works by Christian Quiñones, Aliayta Foon-Dancoes, Jessie Marino, and Bethany Younge, with incidental music by Madison Greenstone, featuring an opening solo set by id m theft able.
ABOUT THE ARTISTS
Regarded as “one of the most prominent ensembles in the United States practicing truly experimental music” (I Care If You Listen), TAK ensemble delivers energetic performances "that combine crystalline clarity with the disorienting turbulence of a sonic vortex” (The WIRE), and “impresses with the organicity of their sound, their dynamism and virtuosity” (New Sounds, WQXR).
TAK is a mixed-quintet committed to musical exploration and experimentation and dedicated to commissioning new works and direct collaboration with composers and other artists. They have premiered hundreds of works to date since its founding in 2013. Recent collaborations include large-scale works by Eric Wubbels, Michelle Lou, Brandon López, Tyshawn Sorey, and Weston Olencki. The group has performed internationally at IntACT Festival (Thailand), Music Current Festival (Ireland), Cluster Festival (Canada), Harpa Concert Hall (Iceland), and the Delian Academy (Greece), among many others, and enjoys an active schedule of domestic touring in the U.S.
The quintet has released seven albums to critical acclaim; recent records have been described as “sublime art… a masterpiece,” (AnEarful), and “one of the most distinct and eclectic releases of the year” (I Care If You Listen). Their recorded output fosters a “deep sense of connection and communication” (Bandcamp Daily), and features collaborations with Mario Diaz de Leon, Taylor Brook, Erin Gee, Brandon López, Ann Cleare, Tyshawn Sorey, Seth Cluett, Natacha Diels, Scott L. Miller, David Bird, and Ashkan Behzadi. Their most recent release, Love, Crystal and Stone, brought together composer Ashkan Behzadi, scholar Saharnaz Samaienejad, painter Mehrdad Jafari, and design-house Sonnenzimmer to fuse poetry, visual art, original essays, and music into an experience-based hybrid publication. The ensemble’s 2019 album Oor launched their in-house media label, TAK editions, that aims to support recorded musical endeavors from across the experimental music communities, highlighting direct conversations with artists through the TAK editions Podcast. Recent TAK editions releases have included those of Ensemble Interactivo de La Habana, Ensemble Pamplemousse, Nina Dante + Bethany Younge, and several of TAK’s own recordings.
Deeply committed to educational collaborations, TAK has conducted residencies at dozens of higher educational institutions including Harvard, Stanford, Columbia, Princeton, Cornell, University of Chicago, and many others. The ensemble has also collaborated with younger musicians and composers at the Walden School, the New York Philharmonic’s Very Young Composers Program, and Juilliard’s Music Advancement Program. TAK served as the Long-term Visiting Ensemble in Residence at University of Pennsylvania from 2022-23.
TAK is: Laura Cocks, flute; Madison Greenstone, clarinet; Charlotte Mundy, voice; Marina Kifferstein, violin; Ellery Trafford, percussion.
id m theft able performs within and without the realms of noise, avant-improvisation, sound poetry, performance, etc. using voice, found objects, electronics, and whatever else is available. He has given hundreds of performances across four continents in various settings. http://kraag.org/
