Traditional Tunes and Popular Airs: Transmission, Persistence and Transform...

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Humanities Research Institute (Gell Street entrance)

University of Sheffield


S3 7QY

United Kingdom

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Join us in Sheffield for the second

Traditional Tunes and Popular Airs conference

Saturday, 8 June 2019, 10:00 - 17:00 AND Sunday, 9 June 2019, 10:00 - 16:00

Humanities Research Institute (Gell Street Entrance), University of Sheffield

The conference focuses on the history and transmission of dance and song tunes which have persisted over time and in space. As well as a fascinating range of presentations, there will be a panel session introducing useful resources and tools for tunes research.

Provisional Programme (subject to change)

Saturday, 8 June 2019

9.45 Arrival, registration and refreshments

10.20 Welcome

10.30 Session 1: Tune and Country

Alice Little, John Malchair, John and William Crotch, and Eighteenth-Century ‘National Music’

Sylvie Noreau, Expression of Cultural Identity by Appropriation of the Music of the ‘Other’: Examples in Chante Jeunesse Songbook for School

Stephen Rees, ‘Welsh Songcraft’: The Songs of J. Glyn Davies (1870–1953) and the Welsh Folk Tradition

12.00 Session 2: Tune Manuscripts: Sources, Repertoire and Uses

Alison Macfarlane, The Dance Tune Manuscripts of Marianne Sherman: A Glimpse into Gentry Life in Early Nineteenth-Century Harpenden

Geoff Wolfe, The William Winter Manuscript: West Bagborough, Somerset (1848-1850)

1.00 Lunch

2.15 Session 3: Transmission and Transformation in Community Contexts

Elizabeth Sheppard, ‘That was Grandfather’s’: An Exploration of Song Transmission in the Crossman Family of Somerset

Ian Russell, Stability and Change in Vernacular Christmas Carolling Traditions near Sheffield

Irfan Rais, ‘That’s not how I would play it!’: Musical Dissemination in Contemporary Traditional Music along the Menai Strait

3.45 Refreshments

4.00 Session 4: Research Methods in the Study of Tunes

Cornelia Metzig, Feature Extraction and Automatic Classification of Folk Tunes

Chris Walshaw, Family Gathering: Visual Tools to Explore Tune Relationships in Traditional Music

Celia Pendlebury, How English is English? Some Pointers towards Research Material from the Continent

5.30 End of Day 1 presentations

7.30- Informal Music-making Session at University Arms, 197 Brook Hill, Sheffield S3 7HG

Everyone welcome!

Sunday, 9 June 2019

9.30 Session 5: Traditional Tunes and Popular Airs: Re-use, Re-claim and Recycle?

Jeremy Barlow, One Song to the Tune of Another: Associative Meanings in John Gay’s Airs from The Beggar’s Opera

John Cunningham, ‘Pompey’s Ghost’: From Playhouse to Pulpit?

Vic Gammon, Tyneside Songs and Yankee Tunes

11.00 Refreshments

11.15 Session 6: Re-mixing of Words and Tunes

Steve Gardham, Recycling: The Ballad Tunes

Fueanglada Prawang, Learning Thai Music and Thai Opera in Thailand

Julia Bishop, Villikins and the Plough: ‘Ubiquitous’ Tunes and Vernacular Songs

12.45 Lunch

2.00 Session 7: Sources and Tools for Tune Research (panel + plenary discussion)

Rebecca Dellow, Consistency in Contentious Categorising

Elaine Bradtke, The National Tune Index (EASMES) and the Vaughan Williams Memorial Library Archive Catalogue: How to Use Them Together

Erik Bell, The English Broadside Ballad Archive

3.30 Refreshments and end of conference

REGISTRATION IS FREE! But pre-registration is essential so we know numbers. We will provide tea, coffee and biscuits (for which we ask for a small donation on the day) but participants are responsible for their own meals and their own accommodation. We will provide pointers as to various places to eat or get a sandwich in the area.

Looking for accommodation? We have a limited number of rooms reserved for conference participants (night of 7 and/or 8 June) at the Endcliffe Student Village (about 2 miles from the Humanities Research Institute and on a direct bus route). These rooms are on a first-come, first-served basis up to 7 May (after which we have to release any unbooked rooms). Conference participants need to book these separately themselves - just follow the links and quote the relevant conference code below. There are also a number of student rooms which have to be booked through the university store - further details below. Again, these are only available up to 7 May.

Jonas Hotel single room with double bed, shower and TV @ £50 per bedroom, per night, including breakfast (also £40 room only) quoting the following 'group code' (for Jonas: kx67060GR (NB this number must be entered in the group code box, not in the promo code one)

Halifax Hall Hotel – double rooms and suites @ £65 (Double room single occupancy), £75 (Double room double occupancy), £75 (Suite single occupancy), £85 (Suite double occupancy), per night including breakfast quoting the following 'group code' for Halifax Hall: KX67060GR NB this number must be entered in the group code box, not in the promo code one)

Student single en-suite bedrooms - are now available @ £38 (including VAT) per bedroom (single bed only), per night, including breakfast. Click here to book via the University of Sheffield online store. Please note that these rooms are only available for booking until 6 May (11.59pm). From 7 May, any student rooms booked are non-refundable.


How can I contact the organizer with any questions?

If you have any queries, contact organisers

Julia Bishop (

Becky Dellow (

Do I have to bring my printed ticket to the event?


Is it ok if the name on my ticket or registration doesn't match the person who attends?


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Humanities Research Institute (Gell Street entrance)

University of Sheffield


S3 7QY

United Kingdom

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