Elizabeth Bishop moved through extraordinary mid-twentieth century worlds with relationships among an extensive international array of literati, visual artists, musicians, scholars, and politicians—along with a cosmopolitan gay underground that was then nearly invisible to the dominant culture.

Drawing on fresh interviews and newly discovered manuscript materials, Travisano illuminates that the "art of losing" that Bishop celebrated with such poignant irony in her poem, "One Art," perhaps her most famous, was linked in equal part to an "art of finding," that Bishop's art and life was devoted to the sort of encounters and epiphanies that so often appear in her work.

Thomas Travisano is the founding president of the Elizabeth Bishop Society and the author of Elizabeth Bishop: Her Artistic Development and Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman. He is the principal Editor of the acclaimed Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell and served as co-editor of Elizabeth Bishop in the 21st Century and the three-volume New Anthology of American Poetry. Travisano’s work on Love Unknown was supported by a Guggenheim Fellowship and awards from the National Endowment for the Humanities and the American Philosophical Society. He is Professor Emeritus of English at Hartwick College.