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The Sea And Cake @ GAMH

Great American Music Hall

Tuesday, June 12, 2018 at 7:00 PM (PDT)

The Sea And Cake @ GAMH

Ticket Information

Ticket Type Sales End Price Fee Quantity
ADVANCE - show @ 8pm
General Admission. Limited seating, mostly standing.
NOTE: As long as the show has not sold out, tickets can be purchased directly from the Slim's or GAMH box offices with no service charge.
Jun 12, 2018 $18.00 $7.25
DOOR - show @ 8pm
Night of show ticket price. General Admission. Limited seating, mostly standing.
NOTE: Unless the show has sold out, tickets can be purchased without a service fee at the box office on the night of show. If the show sells out in advance, these tickets will not go on sale.
Not Started $20.00 $7.37
DINNER + ADMISSION - show @ 8pm
Reserved Section. Dinner ticket includes:
1.) Priority Admission [when doors open, dinners go in first]
2.) Seating in our reserved balcony section
3.) A 3-course, fixed price meal (start with salad, choose your entree, choose your dessert)
Dinners should arrive no later than 90 minutes after the Door time for the show.
Jun 12, 2018 $42.95 $8.77

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Event Details

Door 7 / Show 8

The Sea And Cake deliver a refreshingly intimate collection of elegantly arranged, singular pop songs. For over two decades and 11 albums, The Sea And Cake have honed a sound all their own, comprised of delicate, intertwining guitar patterns, syncopated rhythms, and airy melodies. Masters of subtlety, their compositions have continually evolved - through minute alterations in texture, unusual approaches to lyrics, and creative production choices. Any Day is testament to The Sea And Cake’s artistry, song craft, and utterly unique sound. The results are intimate songs that speak to the searcher in all of us. Through shifting instrumentation and sonic exploration, the band invites you into a world that is both familiar and unexpected.

Written and recorded following the departure of bassist Eric Claridge, Any Day is The Sea And Cake’s first album recorded as the trio of Sam Prekop, Archer Prewitt, and John McEntire. Since the release of their last album (2012's Runner), the band have, in addition to shows, been creatively very busy: Prekop focusing on solo modular synthesizer and soundtrack work, including an acclaimed collaboration with artist David Hart; McEntire’s recording and touring with Tortoise, and maintaining a busy schedule as a recording engineer and producer; and Prewitt’s work as a cartoonist and illustrator, in addition to duo performances with Prekop. The band, still actively performing with bassist Douglas McCombs (Tortoise, Brokeback), were inspired by the challenge of composing as a smaller unit. Once the songs began to take shape, says Prekop, “we got really excited about it almost immediately - as soon as we started playing together.”

The compositions throughout Any Day, while intricate as ever, rarely employ synthesizers; opting instead for the more organic sounds of stacked guitars and organs. The band were joined on the title track by Paul Von Mertens (a frequent collaborator with Brian Wilson) on flute and clarinet; and Nick Macri on double bass. Prekop delivers some of the most vocal-centric songs in the band’s catalogue. His words are chosen and placed for their sound and cumulative meaning. This poetic, painterly approach invites a myriad of lyrical interpretations. One can derive varied personal meanings from each song. This broad connection and truth may be the key to the bands remarkable currency with their fans for over 25 years. The heart of the album’s instrumentation is Prewitt’s intriguing choice of guitar effects, sparingly used to enhance his counter melodies. The combinations create a wealth of textures from surprisingly few instruments. From the distant coos of “Starling” to string like swells of “Into Rain,” Prewitt’s contributions are potent. John McEntire’s deft hands behind the drums, bass, and mixing board enliven the album’s minimal approach with a nimble shimmer just as exquisite as the more densely layered earlier albums.

Any Day captures The Sea And Cake’s distinctive aural alchemy, melding longing melancholy with hopeful excitement. In other hands the combination seems impossible, but for The Sea And Cake, it’s effortless.

TICKET INFORMATION 

• Great American Music Hall is an ALL AGES (6+) venue.
• No refunds or exchanges are permitted, except in the case of headliner cancellation or date change. Opening acts are subject to change.
• There is an 8 ticket limit per customer unless otherwise stated.
• NEVER buy third party tickets (Craigslist, StubHub, etc.) for over face value. Scalped tickets may not be honored.
• Once you purchase, you will receive an order confirmation email from Eventbrite on behalf of Slim’s Presents.
• IMPORTANT: If you do not see your order confirmation in your inbox, make sure to check your junk/spam folder. If you still do not see your order confirmation, click here to access the Eventbrite help center.
• If you are having any other technical ticketing-related issues with your order, click here to contact Eventbrite. For general show info, click here.

Have questions about The Sea And Cake @ GAMH? Contact Great American Music Hall

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When & Where


Great American Music Hall
859 O'Farrell Street
San Francisco, CA 94109

Tuesday, June 12, 2018 at 7:00 PM (PDT)


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Great American Music Hall

Great American Music Hall is ALL AGES (6+) - unless stated otherwise.

Voted #6 in the Best Clubs in America list by Rolling Stone magazine in 2013, San Francisco’s oldest and grandest nightclub, the Great American Music Hall carries guests back to an earlier, more elegant era, with its ornate balconies, soaring marble columns and elaborate ceiling frescoes. Long-time customers and newcomers alike feel at home in the 5,000-square-foot concert hall that symbolized renewal and optimism when it opened in 1907. Today, a professional sound and lighting system, two full bars, a modern kitchen and a spacious oak dance floor help to blend contemporary quality with turn-of-the-century graciousness.

The remarkable interior design came from an unlikely duo: a French architect who designed the building in 1907, and Chris Buckley, a political mover and shaker who wanted to erect a grand structure after the devastating 1906 earthquake. The result was Blanco’s, characterized as one of the most popular entertainment spots during San Francisco’s notorious Barbary Coast Era. The restaurant/bordello offered fine food, gambling and fast women right up until the dark days of the Great Depression in 1933.

Three years later, in 1936, the extravagant and elaborate fan dances of local favorite, Sally Rand, brought new life to the dark building. She called it the Music Box, and swanky city dwellers would dance the night away there for the next decade.

With the end of World War II, the Music Box turned out its lights. Blanco’s reopened in 1948 as a jazz club. In the 1950s, the premises were taken over by members of the Moose Lodge. The building went into an ignominious decline that hit bottom when the building was condemned by city building inspectors. A last-minute reprieve saved it from demolition, and the tarnished interior was revamped as a short-lived French restaurant named Charles (after the proprietor, Robert Charles). It was not until 1972, when the Great American Music Hall opened, that happy music lovers filled the hall once more.

Since then the Great American Music Hall has hosted artists ranging from Duke Ellington, Sarah Vaughan and Count Basie to Van Morrison, the Grateful Dead, Arcade Fire, Patti Smith and Godspeed You! Black Emperor.


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