Shorts Collection and Round Table Discussion x McCord Museum

For our Short Films Collection, which features films from around the world, including narratives produced by Canadian, Asian-Canadian and Korean artists, are: (It’s) The Pits (2022) by Sal Eigh Blue Like a Gun Shot (2003) by Masoud Raouf Yikingying Spaces (2021) by Kimura Byol Lemoine; Industrious Spaces of a Forgotten Past (2014) by soJin CHUN; Fanning (2020) by JEON Yejin; Nipple War 3 (2021) by PAEK Siwon; Melody (2021) by KIM Younjeong. A KFFC staff member and emerging artist, Fanny Lord-Bourcier, has two rhythmical animations that will also be screened in the short section, including Jardin (2022) and The Midnight Shift (2022), which is co-directed with Maggie Zeng. Access to most of the shorts will be available for free on our website from May 29 to June 12 after the in-person festival is over.

After the screening of our Short Films Collection, we will have a round table discussion with five directors. The directors who will be joining us are Masoud Raouf (Blue Like a Gun Shot), Kimura Byol Lemoine (yikingying spaces), Sal Eigh ((It's) the Pits), Maggie Zeng (The Midnight Shift), and Fanny Lord-Bourcier (Jardins and The Midnight Shift).

Pour notre collection de courts métrages, qui présente des films du monde entier, y compris des récits produits par des artistes canadiens, asiatiques-canadiens et coréens, sont: (It's) The Pits (2022) de Sal Eigh Blue Like a Gun Shot (2003) de Masoud Raouf; Yikingying Spaces (2021) de Kimura Byol Lemoine ; Industrious Spaces of a Forgotten Past (2014) de soJin CHUN ; Fanning (2020) de JEON Yejin ; Nipple War 3 (2021) de PAEK Siwon ; Melody (2021) de KIM Younjeong. Un membre du personnel du FFCC et artiste émergente, Fanny Lord-Bourcier, a deux animations rythmées qui seront également projetées dans la section courts-métrages, notamment Jardins (2022) et The Midnight Shift (2022), qui est co-réalisé avec Maggie Zeng. L'accès à la plupart des courts métrages sera gratuit sur notre site web du 29 mai au 12 juin, une fois le festival en personne terminé.

Apres le projection de notre collection de courts métrages, on va avoir une table ronde avec des cinq réalisateurs. Les réalisateurs qui nous joindre sont Masoud Raouf (Blue Like a Gun Shot), Kimura Byol Lemoine (yikingying spaces), Sal Eigh ((It's) the Pits), Maggie Zeng (The Midnight Shift), and Fanny Lord-Bourcier (Jardins and The Midnight Shift).

캐나다인, 아시아계 캐나다인, 한국계 감독들이 만든 저희의 세계적인 단편 영화 컬렉션을 감상해보세요! : (It’s) The Pits (2022) by Sal Eigh, Blue Like a Gun Shot (2003) by Masoud Raouf, Yikingying Spaces (2021) by Kimura Byol Lemoine; Industrious Spaces of a Forgotten Past (2014) by soJin CHUN; Fanning (2020) by 전예진; 젖꼭지 3차 대전 (2021) by 백시원; 선율 (2021) by 김윤정. KFFC의 팀 멤버이자 신예 아티스트인 Fanny Lord-Bourcier의 리드미컬한 두 애니메이션 영화, Jardin(2022) 그리고 Maggie Zeng과 함께 제작한 The Midnight Shift(2022),도 단편 영화 섹션에서 감상 가능합니다. 또한, 대면 영화제가 끝난 후, 5월 29일부터 6월 12일까지 대부분의 단편 영화를 저희 웹사이트에서 무료로 감상할 수 있습니다.

단편 영화 컬렉션 스크리닝 후, 5명의 감독들과 함께 원탁 토론 시간을 가질 예정입니다. 참여하는 감독으로는 Masoud Raouf (Blue Like a Gun Shot), Kimura Byol Lemoine (yikingying spaces), Sal Eigh ((It's) the Pits), Maggie Zeng (The Midnight Shift), and Fanny Lord-Bourcier (Jardins and The Midnight Shift)가 있으니 놓치지 마세요