$5 – $50

SHAWN WILLIAMS

18+

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Performers

Shawn Williams

Oryx & Crake, L. Marie, Alex Culbreth

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Music Room at Smith's Olde Bar

1578 Piedmont Avenue NE

Atlanta, GA 30324

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SHAWN WILLIAMS

Oryx & Crake / L. Marie / Alex Culbreth

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SHAWN WILLIAMS

New Orleans’ pioneering voice in “alt-rocka countrybilly serial killer blues,” Shawn Williams sounds like the result of a dirtier-minded Elvis deciding to get it on in the back of some roadhouse saloon with one of those sad-eyed cowboy types that would rather be drinking alone.

Her debut album Shadow (March 2017) is a skillfully-mastered collection of originals that moves seamlessly from old-school R&B-inflected rockers to softer, wistful numbers that evoke the broken-hearted melancholia of the desert. Idiosyncratic, catchy, and rich with local talent, the tracks showcase Williams’ impressive musicianship and unique capabilities as a songwriter. New Orleans' OffBeat Magazine says, "it's an impressively mature debut album".

Williams' sophomore release Motel Livin' (June 2018) "throbs with some of 2018's best-written songs," says Europe's Country Music People magazine.

On recording as in live performance, she conveys a sense of rawness, a depth of feeling, and a lack of pretension that set her apart from the rest of the city’s pool of talented up-and-coming musicians.

Shawn has opened for national touring artists such as the Queen of Rockabilly - Wanda Jackson, Corey Smith, Sarah Shook & the Disarmers, The Accidentals, Todd O'Neill, The Way Down Wanderers, and more.

Aside from her own music, she is also the founder of the all-female Elvis tribute band, Pelvis Breastlies.

ORYX & CRAKE

A commitment. An adventure. A journey. People use these words all the time in relation to marriage, in vows and explanations and elegies. So, too, do husband and wife Ryan Peoples and Rebekah Goode-Peoples of Atlanta’s Oryx & Crake. Though, chances are, they mean it in a totally different way.

“There’s a beast in me/and I know you know this,” Ryan sings on “Strange as You Are,” the opener of the band’s latest album, Marriage. But knowing and seeing are two different things entirely, and Oryx & Crake make hay of the tension that lies between the two, loading on Patterson Hood’s “duality of the Southern thing,” abandoned religion and nods to more than one of the great post-apocalyptic novels of our time for good measure. Ostensibly, Marriage is about commitment — in a broad sense, not just between romantic partners — but it’s even bigger than that. Marriage is also about ambivalence.

For an album to tackle such big and slippery themes, it almost has to be cinematic, and in that regard, Oryx & Crake do not disappoint. Marriage displays the grandeur of Arcade Fire’s finer moments with the lyrical and emotional heft of Sufjan Steven’s more personal cuts. Tracks like “The World Will Take Care of Me” show off the group’s range, beginning with nothing but a voice and a guitar and gradually sneaking in layer after layer of sound, creating a sense of something rich and organic, which permeates the album.

Crafted in the Goode-Peoples home over the course of four years (and blooming with little intimate Easter eggs, like a recording of their friends singing at a Christmas party, or the voices of their children), Marriage sounds much bigger than the rooms it was made in. This is thanks in large part to strings from Matt Jarrad (cello) and Karyn Lu (violin), as well as Ryan’s sound designer tinkerings with audio both “found” around the house and created.

Such big sounds, themes and richness of detail could have made the record sag under its own weight. But Rebekah — who did her masters work in epics — helped give it structure in the well-worn fashion of the classics. The songs, like the epics, move in cycles — from the first blush of a thrilling new thing to the “underworld moment” of “The Well”’s dirge-like crawl to the woozy singing saw and blistered toes of closer “The Road,” which tips its hat at — who else? — Cormac McCarthy.

The album art, by Bo Bartlett, is the perfect visual representation of the multi-layered themes on Marriage. On the front, in “Car Crash,” a couple embraces beside a crunched and overturned car, under an ochre sky. On the back is that painting’s equal and not-quite-opposite, “A Miraculous Outcome.” It’s exactly the same scene, only now the sky is blue and fairly clear. It’s “The Well” versus “The Road,” two sides of a coin that will be familiar to anyone who’s ever stuck it out – whatever “it” is.

It’s not the kind of journey that looks great on TV. But it’s an important one. Because it’s real.

L. MARIE

L. Marie

ALEX CULBRETH

Breaking strings and breaking hearts.

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Performers

Shawn Williams

Oryx & Crake, L. Marie, Alex Culbreth

Date and Time

Location

Music Room at Smith's Olde Bar

1578 Piedmont Avenue NE

Atlanta, GA 30324

View Map

Refund Policy

No Refunds

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