ROSENBERG APARTMENT STUDY DAY

03 FEBRUARY 2018 / 2:00 PM - 6:00 PM

Léonce Rosenberg was one of the most influential dealers of modern art in Paris during and after World War I. The eldest son of the art dealer Alexandre Rosenberg, he and his brother Paul inherited their father’s business and divided it between them, with Léonce starting his own business in 1910 focused on the haute époque(antiquities from the Far and Middle East, Old Masters). In 1918 Léonce established the Galerie L’Effort Moderne, which specialized exclusively in modern art (or Cubist art). It became during the 1920s a crucial hub of support for avant-garde artists such as Fernand Léger, Juan Gris, Gino Severini, Giorgio de Chirico, Francis Picabia, and many others. In 1928 he rented a new apartment on the rue de Longchamp and commissioned a number of the artists in his stable to realize decorative schemes for the various rooms—including both Giorgio de Chirico, subject of CIMA’s 2016-17 season, and Alberto Savinio, subject of CIMA’s current 2017-18 season.

With this program CIMA devotes an afternoon to exploring the history of this apartment and the artists who contributed artworks to it—including de Chirico, Savinio, Picabia, Léger, Herbin, Metzinger, Valmier, Severini, Ernst— looking in particular at how Rosenberg’s vision of the art dealer as a modern form of patron translated into the decoration. Beyond the still striking differences that characterize the artists involved and their practices, is it possible to identify any shared themes, visually or on the level of subject matter? “Modern antiquity” can be read as a common thread through most of the rooms, and there is also the idea of “transparency” and layered images in the works produced by Picabia, Savinio, and Ernst. What different history of Modernism can Rosenberg’s apartment tell?

This Study Day will offer a new perspective on an already fertile topic: that of Rosenberg’s influence. How can CIMA’s focus on the topic contribute to greater knowledge? How will this session shed new light on Roseberg’s influence on the reception of Italian modern art? Our planned program looks to explore a topic that has not previously been given much attention. In doing so, we hope to engender an illuminating conversation. The dialogue, hopefully, will contribute to the creation of new thought and exploration on the subject.

Speakers include: Matthew Affron, Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art; Giovanni Casini, 2017-18 Hilla Rebay Fellow, Guggenheim Foundation, and former 2016-17 CIMA Fellow; Alice Ensabella, 2017-18 CIMA Fellow; Anne Umland, Blanchette Hooker Rockefeller Curator of Painting and Sculpture at the Museum of Modern Art (MoMA).

1:30pm: Registration & Exhibition Viewing
2:00pm: Program begins
Coffee Break
6:00pm: Program concludes

Further program details and information will be posted.