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Red Hen Press Reading: Doug Manuel, Jane Mead and Safiya Sinclair
Tue, April 25, 2017, 6:30 PM – 8:00 PM PDT
Note: No need to print out your ticket, just mention your last name when checking in.
5:30-6:30pm: Docents from the Santa Monica Conservancy available at the Marion Davies Guest House to discuss the history of the Beach House site.
6:30-6:45pm: Music by Kaleidoscope, performing Julia Adolphe's Veil of Leaves
Red Hen Press is thrilled to kick off their summer series at the Annenberg Community Beach House with a reading weaving narrative, music, and place. Douglas Manuel uses hip-hop, blues, and jazz to form a bildungsroman on growing up black in the crack-laden Midwest of the 1980s. Jane Mead’s poems address the Western landscape and her family’s ancestry in California. Award-winning Jamaican poet Safiya Sinclair’s work uses the English of colonization to explore love, exile and identity. The reading will be preceded with a special musical performance by the Kaleidoscope Chamber Orchestra.
This event is supported in part by Poets & Writers through grants from The James Irvine Foundation and the Hearst Foundations.
Douglas Manuel was born in Anderson, Indiana. He received a BA in Creative Writing from Arizona State University and a MFA from Butler University where he was the Managing Editor of Booth: A Journal. He is currently a Middleton and Dornsife Fellow at the University of Southern California, where he is pursuing a PhD in Literature and Creative Writing. His first full length collection of poems, Testify (forthcoming from Red Hen Press, 2017), follows the maturation of a black man during the crack-laden 1980s.
Safiya Sinclair was born and raised in Montego Bay, Jamaica. Her first full-length collection, Cannibal (University of Nebraska Press, 2016), won the Prairie Schooner Book Prize in Poetry, was longlisted for the PEN Open Book Award, and is one of the American Library Association’s “Notable Books of the Year.” Sinclair is the recipient of a Whiting Writers’ Award, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, fellowships from Yaddo, the Bread Loaf Writers' Conference and the Fine Arts Work Center in Provincetown, the Amy Clampitt Residency Award, and the Glenna Luschei Award from Prairie Schooner. Her poems have appeared or are forthcoming in Poetry, Kenyon Review, Granta, The Nation, New England Review, Boston Review, Gulf Coast, The Gettysburg Review, TriQuarterly, Oxford American, and elsewhere. She received her MFA in poetry at the University of Virginia, and is currently a PhD candidate in literature and creative writing at the University of Southern California.
Jane Mead is the author of four full-length books of poetry, most recently MONEY MONEY MONEY / WATER WATER WATER (Alice James Books 2014). Her poems have been published widely in anthologies and journals, and she is the recipient of grants and awards from the Whiting, Guggenheim, and Lannan Foundations. She has taught at many colleges and universities including Colby College, The University of Iowa and Wake Forest University. She now manages the ranch her grandfather purchased in the early 1900s in Northern California, where she grows zinfandel and cabernet wine-grapes. She teaches in the Drew University low-residency MFA program in Poetry and Poetry in Translation.
Kaleidoscope is a conductorless chamber orchestra dedicated to enriching lives through exhilarating concert experiences, artistic excellence, musician leadership, and connecting with the diverse communities of Los Angeles. We envision a world where our commitment to a collaborative artistic process results in profound orchestral performances that inspire people to pursue cooperation and artistry in their own creative, professional, and personal lives. Members will be performing Veil of Leaves (2014) for string quartet by Julia Adolphe.
Veil of Leaves overlaps two mirroring processes: the diverging and merging of musical voices. At first, a single melody unwinds, drifting slowly apart as the music twists and turns. In the wake of this unfolding line remains a fading harmony; the string unisons diverge leaving a swirl of pitches. Like the veins of a leaf, the music branches outward, forming a web of interweaving voices. Two and four-part contrapuntal lines arise from the texture as the melody sounds vertically. In the second half, a veil-like counter-motif appears in the string harmonics, a gesture that is at once airy and transparent as well as highly rhythmic and articulate. To mirror the initial movement of a single pitch moving outward, this second melody descends and merges with a rocketing, energetic ascent in the cello. The low strings rise from the depths while the high violins float downwards. They unite near the opening unison pitch, evoking the color and sound world of the work’s beginning.
Red Hen Press is a place for writers’ work to be published and celebrated; a literary family for a diversity of voices that articulate the variety of human experience. The Press has been in partnership with Beach=Culture since the 2009 opening season. Past Beach House readers include Camille T. Dungy, Ilya Kaminsky, Susan Straight and Ron Carlson, recipient of a National Endowment for the Arts Fellowship in Fiction and a National Society of Arts and Letters Literature Award. redhen.org
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Stop by early to save your seat and check out the historic site. Picnickers welcome (no pets, alcohol or glass permitted onsite.)
Tickets are free but space is limited and reservations are required. Arrive by 15 min before start time to retain your reservation. Late seating, even for reservation-holders, is not guaranteed. To adjust or cancel your reservation for this event, email firstname.lastname@example.org. We appreciate your keeping in touch!
Getting Here: The Beach House is located at 415 Pacific Coast Highway, Santa Monica, CA 90402 on the west side of Pacific Coast Highway. Enter off PCH at the Beach House Way traffic light.
Parking: The parking rate is Apr - Oct: $12/day or $3/hour; Nov - Mar: $8/day or $3/hour, payable at the park and pay machines in three areas of the ACBH parking lot. Credit cards or exact change only. Handicapped placards and Senior Beach Permits are accepted. For other parking info and lot hours, please check the website for details.
Other events: To view & make reservations for future free Beach=Culture events, check annenbergbeachhouse.com/beachculture.
General Info: For hours, events and more, visit annenbergbeachhouse.com, or call (310) 458-4904. Back on the Beach Café hours are subject to change but are generally through 8pm in the summer and 3pm in the off season, call (310) 393-8282 to confirm.