Re-Thinking Distribution: What the Direct-to-Fan Model Means for Indie Film

Re-Thinking Distribution: What the Direct-to-Fan Model Means for Indie Film

Naomi McDougall Jones shares foundational lessons she learned about how indie filmmakers should be thinking about distribution today.

By PANO Network

Date and time

Friday, February 28, 2020 · 7 - 9pm EST

Location

NYU Tisch School Of The Arts

721 Broadway Rm #006 (Basement Level) New York, NY 10003

Refund Policy

Contact the organizer to request a refund.
Eventbrite's fee is nonrefundable.

About this event

If you arrived here by our email invitation, please note this event takes place on Friday Feb 28th, not the 29th.

Doors open at 6:30 pm, the workshop will begin promptly at 7:00 pm. Filmmakers of all genders are welcome to attend.

This workshop is produced by NYC Women Filmmakers (NYCWF), a non-profit volunteer run organization that advocates for inclusion and amplification of underrepresented filmmakers of all trades, experience, and background.

Important Event Policies

***PLEASE NOTE*** By attending, you consent to being photographed and/or filmed at the event which could be used later to promote NYC Women Filmmakers and the presenter.

CANCELLATION POLICY FOR FREE TICKETS: If you RSVP and do not show up and do not cancel your ticket AT LEAST 24 hours in advance, you will be blacklisted from future events for 6 months. It takes a lot of work to put on these free workshops for our community and we are tired of no shows taking spots away from members who were waitlisted or unable to obtain a spot. Emailing us to cancel your RSVP hours before the event do not count. Again, we need AT LEAST 24 HRS notice and for you to properly cancel your ticket via Eventbrite (link to tutorial) so that spot opens up for another filmmaker. These rules will NOT apply to those who DONATE. We appreciate your donations which support programming for our growing community.

Accessibility: Please take the elevators to your LEFT when you first enter to the Basement level (B). Follow the signs to Room 006 which is accessible to persons with disabilities and persons who are wheelchair users. For more information and assistance, please email us directly at hello AT nycwomenfilmmakers DOT org.

Re-Thinking Distribution: What the Direct-to-Fan Model Means for Indie Film

In Summer 2019, writer/actress/producer Naomi McDougall Jones moved into an RV and embarked on a 3-month, 40-city, 51-screening Joyful Vampire Tour of America to release her second feature film Bite Me direct-to-fans and see whether she and her team could invent a new model for independent film distribution. On the road, they gained an up-close, nitty-gritty understanding of the current distribution landscape, including how to market to audiences today, the horror stories of other filmmakers who put their films through traditional distribution models, and how online sales (TVOD, SVOD, etc) interact with in-person screenings.

In this workshop, Naomi will pull the veil back fully on everything they did right, everything they did wrong, and, most importantly, the foundational lessons they learned about how indie filmmakers should be thinking about distribution today. She will also share how, following the tour, her team parlayed the success of their in-person screenings into six offers from traditional sales agents and distributors and ultimately landed a domestic and international sales deal. Naomi offers radical, out-of-the box thinking and invites filmmakers to reconsider continuing to pump their films into the current system of distribution that is rapidly vanishing under our feet. She will also speak about her newly-published debut book, The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood.

Copies of the book will be available to purchase at the event. Bring your own copy if you have it already and would like a chance to get it signed!

About the Presenter

Naomi McDougall Jones is an award-winning writer, actress, producer, and women in film activist based in New York City. Her second feature film, Bite Me, with producers Jack Lechner (The Fog of War, Blue Valentine) and Sarah Wharton (That’s Not Us), which she wrote and also starred in opposite Christian Coulson (Harry Potter, Love is Strange, The Hours), Annie Golden (Orange is the New Black), and Naomi Grossman (American Horror Story) premiered at the Cinequest Film Festival, followed by a 3 month, 51 screening, 40 city Joyful Vampire Tour of America that took the country by storm. Naomi’s first feature film, which she also wrote, produced, and starred in, was the 12-time award-winning Imagine I’m Beautiful. The film received a theatrical release and is now available on Amazon Prime (www.imagineimbeautiful.com). She is currently at work on her third feature film, a magical realism piece about a 7-month pregnant woman’s unexpected interaction with the brilliant, eccentric, and deceased inventor John Hays Hammond, Jr., and for which she received the honor of being the first artist in residence at the final home of Ernest Hemingway in Sun Valley, Idaho. Naomi is an advocate and thought leader for bringing gender parity to cinema. She gave a virally sensational TEDTalk, What it’s Like to Be a Woman in Hollywood, which has now been viewed over 1 million times and can be seen on TED.com. Naomi’s first book, The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood, published by Beacon Press, is now available as hardcover, e-book, and audiobook wherever books are sold.

About NYCWF

NYC Women Filmmakers (NYCWF) is a 501(c)(3) non-profit organization that advocates for inclusion and amplification of underrepresented filmmakers of all trades, experience, and background. NYCWF members meet in person and online to exchange knowledge, foster collaboration, share resources, and support each other's work.

Sign up for our mailing list and follow us on Facebook, Twitter & Instagram to be notified of future events: www.nycwomenfilmmakers.org

Organized by

PANO (formerly NYC Women Filmmakers) is a 501(c)(3) non-profit organization that champions inclusion in Film, TV, and Media by connecting underrepresented creators with influential networks, valuable resources, and career-changing opportunities to impact meaningful change in the industry. PANO members meet in person and online to exchange knowledge, foster collaboration, share resources, and support each other's work.

Founded by Cidney Hue in 2015

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