On Digital Colonialism and 'Other' Futures with Morehshin Allahyari

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The UC Berkeley Art Museum and Pacific Film Archive

2155 Center Street

Berkeley, CA 94720

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This talk requires a (free) seat reservation. Reservations will be made available to book at 10am on 3/08. These tickets are first-come, first-served. Please note that this event is part of the Berkeley Center for New Media's Art, Technology, and Culture Colloquium, held in conjunction with Arts + Design Mondays @ BAMPFA. All lectures are held in BAMPFA’s Osher theater. Reservations are limited to the amount of seats available in the theater.

SEAT RESERVATIONS POLICY: You are only permitted to reserve one seat at a time (one name per reservation). If you are able to secure a seat reservation, please be aware that if you are not seated in the theater by 6:30pm, we will be opening up the theater to people waiting at the door. We will not be holding seats and will not allow anyone in the theater to save seats for late attendees. At 6:30pm, A+D staff will fill any remaining seats in the theater on a first come, first serve basis with people who have opted to stand in line at the door. Please know that if you choose to stand in line at the door without a reservation, we cannot promise that any seats will become available.



For her talk Morehshin Allahyari will discuss some of her previous projects focused on topics such as 3D fabrication, activism, digital colonialism, monstrosity and fabulation. She will use this talk as a platform to show the possibilities of art-making beyond aesthetics or visualization. She will posit and contextualize “a position outside” that asks difficult questions and suggests alternative methods.


Morehshin Allahyari (b. 1985 in Tehran, Iran) is a media artist, activist, educator, and curator who uses computer modeling, 3D scanning and digital fabrication techniques to explore the intersection of art and activism. Inspired by concepts of collective archiving, memory, and cultural contradiction, Allahyari’s 3D printed sculptures and videos challenge social and gender norms. “I want my work to respond to, resist and criticize the current political and cultural situation that we experience on a daily basis,” she explains.

She is developing a new body of work on digital colonialism and ‘re-figuring’ as a feminist and de-colonialist practice, titled She Who Sees the Unknown. Researching female monsters, jinn and dark goddesses of Middle-Eastern origin, Allahyari devises narratives through practices of magic and poetic-speculative storytelling, re-appropriation of traditional mythologies, collaging, meshing, scanning, and archiving. Continued development of the project is supported by a joint commission from The Whitney Museum of Art, Liverpool Biennale, and FACT, as well as a 2018 Rhizome Commission.

Allahyari is currently an artist in residence at Pioneer Works in New York. Recent accolades include a research residency at Eyebeam Art + Technology Center (2016-17), a sculpture award from the Institute of Digital Art (2016), and Foreign Policy Magazine named her a Leading Global Thinker of 2016. Other outlets featuring her work include Huffington Post, Wired, NPR, National Geographic, Rhizome, Hyperallergic and Dazed Digital. Her work has been part of numerous exhibitions, festivals, and workshops at venues throughout the world, including the Whitney Museum of American Art, New York; Centre Pompidou in Paris, France; Venice Biennale di Archittectura; Pori Museum, Finland and Museum für Angewandte Kunst, Germany. Allahyari received her MFA at the University of North Texas, MA at University of Denver and her BA at the University of Tehran, Iran. She is co-creator of the 3D Additivist Manifesto and subsequent 3D Additivist Cookbook.

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The UC Berkeley Art Museum and Pacific Film Archive

2155 Center Street

Berkeley, CA 94720

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