No Budget Film School Presents "The Art & Science Of No-Budget Filmmaking"
Saturday & Sunday, May 11 & 12, 2013 • 9:30am - 6:00pm
Raleigh Studios • Chaplin Theater
5300 Melrose Avenue, Los Angeles, CA 90038
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"The No Budget Film School is designed for the moviemaker who possesses nothing but a dream and a drive. If you take the course and can't make some kind of film at the end of it, you'll have no one to blame but yourself. " - Peter MacNicol (Emmy Award Winning Actor: Allie McBeal, Numb3rs, Sophie's Choice)
"Your workshop was fantastic--well worth the money in my no budget filmmaking world. I'm a graduate of UCLA film school and two of my screenplays were considered by the Sundance Institute Screenwriters Lab. You and your guest speakers inspired my husband and I to move forward, honor our uniqueness, and trust our intuition instead of playing the approval game. You've liberated us! Thanks a million for sharing your experiences." - Chien-ei Yu
"I cannot say enough about the two-day class we just completed today...the course was fantastic!! I feel like I have learned in two days, what would've taken me several years of experience and experimentation to learn. Thanks for sharing your wealth of experience and knowledge with us." - Monica Vazquez
"The best filmmaking training money I ever spent." - Amir Masud, Writer/Director, Affliction
No Budget Film School presents it's famed "The Art & Science Of No-Budget Filmmaking" two-day seminar. No-budget first features launched the careers of filmmakers like Christopher Nolan (Inception, The Dark Knight), Joe Carnahan (The A-Team, Narc), Darren Aronofsky (Black Swan, The Wrestler), Marc Forster (Quantum of Solace, Finding Neverland), David Gordon Green (Your Highness, Pineapple Express), Justin Lin (Fast Five, Fast & Furious), and Craig Brewer (Footloose, Hustle & Flow). These first films all went through the offices of Next Wave Films, the former low-budget financing arm of IFC. Now producer Mark Stolaroff--a principal of Next Wave--is sharing what he's learned from years in the trenches of no-budget independent filmmaking in this in-depth, one-of-a-kind class.
Micro-budget (under $200,000) filmmaking is unique. The methods, models, and priorities are radically different from those of studio or even "low" budget $1 million films. In this class, students will learn the rules of micro-budget production critical to making this type of film successfully, whether the budget is $200,000 or $200. Attendees will walk away with powerful ideas that they can use immediately, saving them time and money, and preventing fatal mistakes that could doom otherwise worthy projects. Guest speakers provide an up-to-the-minute perspective on what works and what doesn't in the current no-budget landscape. These cutting-edge techniques can NOT be found in a book, at film school, or in other film classes. For filmmakers who are preparing to make their micro-budget features, this class is indispensable. The approaches taught will enable filmmakers to maximize very limited resources and minimize critical errors that can doom otherwise worth projects.
LEARN cutting edge techniques and how to choose the latest digital cameras and software
HEAR no-budget professionals offer first-hand knowledge of production, post production, marketing, and distribution
EXAMINE a budget line-by-line and discover where and how to spend money (and, more importantly, not spend money)--whether your budget is $200,000 or $200
SEE clips from micro-budget films illustrating the tricks-of-the-trade used by resourceful filmmakers
MEET other like-minded filmmakers and find teammates who will help you make your no-budget project a reality
If you're through talking about being a filmmaker and ready to become one, this will be the most practical filmmaking class you will ever take.
The classes will be held at Raleigh Studios' Chaplin Theater, from 9:30am to 6pm, on May 11th & 12th (though plan on staying until about 7pm on the 12th). Single day tickets are also available for each day. Tuition includes class materials, plus several special offers and giveaways!
CINEMA LANGUAGE DISCOUNT!
"The Art & Science of No-Budget Filmmaking" is being held alongside Tom Provost's essential "Cinema Language: The Art of Storytelling" class, which takes place the following weekend, May 18th & 19th. You can take each class separately, or together and save. For more information on "The Art & Science of No-Budget Filmmaking," see below. For more information on "Cinema Language," visit the Cinema Language Eventbrite page. The two-weekend, four-day package can be purchased on this page or on the Cinema Language page. **Attendees to both weekends will get a free 30 minute consultation from either Mark Stolaroff or Tom Provost, as well as a special "Gift Basket" of free goodies.
FREE PRODUCTION SOFTWARE!!!
No Budget Film School has partnered with Write Brothers and Showbiz Software to bring you an incredible offer: all registered attendees will receive Movie Magic Screenwriter and Showbiz Producer software absolutely FREE! (a $340 total value!). Attendees also receive big discounts on Budgeting and Scheduling software from Showbiz Software, on Quick Film Budget's innovative budget-making tool, and on Lightspeed's new cloud-based production management system. And we'll be raffling off some goodies, too. (see below for details)
"The Art & Science of No-Budget Filmmaking"
DAY ONE - SATURDAY, MAY 11, 2013
Course 101: "The Art of No-Budget Filmmaking"
"Tremendous stuff, all weekend long, and so professionally put together. The 'write to your definition of no-budget/write to your resources' philosophy at the center of your teaching really came through and rang true -- absolutely vital, and really sums it up." - Chris Soth, Screenwriting Instructor
This course gives filmmakers the tools and the confidence to make a feature right now, with the resources available to them, however limited those resources might be. The class offers a unique overview of Production, Post Production and Distribution from a no-budget perspective, encouraging filmmakers to throw out old templates of moviemaking. The approach guides filmmakers to examine their own specific circumstances--their limitations and their resources--and reinvent the moviemaking process to suit their unique situation. Learn:
HIGHLIGHTS FROM DAY ONE:
• Peter Broderick, considered the leading authority on alternative distribution strategy, will give an empowering presentation on maximizing distribution with new, innovative techniques; and will also discuss Crowdfunding, with platforms like Kickstarter and IndieGoGo. Broderick has been one of low-budget filmmaking's leading experts since the early 90's. He wrote a series of articles for Filmmaker Magazine back then that helped drive the micro-budget filmmaking movement. In 1997 he founded Next Wave Films, which helped launch the careers of filmmakers like Christopher Nolan, Joe Carnahan, Amir Bar-Lev and many others. Now, as the President of Paradigm Consulting, he is a sought-after consultant, speaker, and producers rep.
• Matt Radecki, co-director of TV Junkie (Sundance 2006) and producer of numerous award-winning features and documentaries, (including the feature documentary Marwencol, winner of over 15 awards), will discuss post production for no-budget features. Matt is the co-founder of Different by Design, a production company and post production facility that caters to independent filmmakers.
• Meera Menon & Laura Goode will discuss their recent Tribeca Film Festival hit film, Farah Goes Bang. With no money in the bank to make a film, Meera and Laura launched a Kickstarter campaign that raised over $80,000 (from over 760 backers). They shot the film last summer with the proceeds and premiered it a few weeks ago at Tribeca, where director Menon won the Nora Ephron Award.
(Guest speakers are subject to change based on schedule availability)
DAY TWO - SUNDAY, MAY 12, 2013
Course 201: "The Science of No-Budget Filmmaking"
"I can't tell you enough how helpful I found your No Budget Budgeting lecture. So many things you spoke about that day have come up for me. I'm very glad I took your class." - Pamela Pedder
A detailed line-by-line analysis of the production budget from a no-budget perspective. Topics include: Cast & Casting, Crew, Equipment, Insurance, Locations, Permits, Props/Set Dressing, Vehicles, Makeup/Wardrobe, Camera/Format, Sound, Legal, and Miscellaneous Budget Items. The class will dissect the production of the $50,000 feature True Love (a Sundance Screenwriters Lab Project), demonstrating the low-budget tricks used--and the mistakes made--showing clips from the film and valuable behind-the-scenes footage, in this comprehensive examination of a no-budget film. Learn:
HIGHLIGHTS FROM DAY TWO:
• Director Sean Baker will discuss the tricks and techniques used on all of his successful micro-budget features. The director of three Cassavetes Award nominated films, (given to the best film made for under $500k at the Spirit Awards), he had two films nominated in the same year! (Take Out and Prince Of Broadway). Prince won numerous awards in 2010, including Grand Jury Prizes at the Los Angeles Film Festival, Woodstock, Florida, Locarno and others. His most recent no-budget feature Starlet, starring rising star Dree Hemingway, premiered at SXSW and was released theatrically last November by Music Box Films. He is also the creator of the hit TV shows Greg The Bunny (for Fox and IFC) and MTV's Warren The Ape.
• Brothers Ken and Jim Cran will reveal all the secrets behind the making of their award-winning, no-budget monster movie The Millennium Bug. By designing their production around available resources, including their unique skills with models and puppets, the Crans were able to shoot a large-scale horror film on a pentance. Nearly the entire film was shot inside a 700 sq. ft. warehouse in N. Hollywood, and no CGI was used. Remarkable, especially when you see the final result.
• FSI: Film Scene Investigation - analyze scenes from an award-winning no-budget movie, from script to screen. Hear the scenes read, get the opportunity to identify and solve production problems, learn how those problems were solved in the movie, see behind-the-scenes footage of the scenes' set-up, then see the filmed scenes in their finished form.
• Filmmaker Tom Provost will give a preview of his Cinema Language class, taking place the following weekend, and will be on-hand throughout the two days as a resource. Writer/director/producer Provost's independently financed and produced feature The Presence, starring Oscar-winner Mira Sorvino, Golden Globe nominee Justin Kirk, and Shane West, has won numerous awards at festivals throughout the past year and was released by Lionsgate. He is also a graduate screenwriting professor at Pepperdine.
(Guest speakers subject to change based on schedule availability)
ABOUT THE INSTRUCTOR:
Mark Stolaroff is an independent producer and a founding partner of Antic Pictures, an LA-based production company producing a slate of low budget, high quality digital features. Stolaroff's recently completed micro-budget film Pig, the fourth feature from award-winning writer/director Henry Barrial (Some Body), has been an official selection at over 35 film festivals worldwide, and won 10 awards, including 7 Best Feature awards. With Ron Judkins, Stolaroff produced Barrial's third feature, True Love, which was developed in the Sundance Screenwriters Lab and was a success on the festival circuit. He is a co-producer on Barrial's new film The House That Jack Built, currently in post, and is the post production supervisor on Farah Goes Bang, which just premiered in April at the Tribeca Film Festival.
Stolaroff was formerly a principal of Next Wave Films, a company of The Independent Film Channel that provided finishing funds to exceptional, low budget films; and through its production arm Agenda 2000, financed and executive produced digital features. Included in Next Wave's 13 films are Christopher Nolan's (Inception, The Dark Knight, Batman Begins, Memento) first feature, Following; Joe Carnahan's (The A-Team, Narc) first feature, Blood, Guts, Bullets, & Octane; Amir Bar Lev's (The Tillman Story, My Kid Could Paint That) first feature Fighter; the Academy Award-nominated documentary Sound And Fury; and the Sundance Grand Jury Prize winning documentary Southern Comfort. He was the Associate Producer on a number of Next Wave projects, including Some Body and Manic (starring Don Cheadle, Joseph Gordon-Levitt & Zoey Deschanel), two digital features at the 2001 Sundance Film Festival, and the award-winning theatrical documentary Keep The River On Your Right: A Modern Cannibal Tale. In all Next Wave took seven films to Sundance and five to Toronto; nine were released theatrically in the U.S. and two premiered on HBO; nine were shot digitally and six of those were transferred to film.
Stolaroff has lectured on low budget and digital filmmaking throughout the world and at many of the major film festivals. He has taught film classes at UCLA Extension, the Maine Film Workshop, and The Learning Annex and has written for Scientific American, Filmmaker, Sight & Sound, Film Festival Reporter, and Film Arts Magazine. He has been on countless filmmaking panels over the last two decades and has sat on the juries of many film festivals. He was on the Advisory Board of HBO's US Comedy Arts Film Festival and he currently serves on the advisory board of Filmmakers Alliance.
Stolaroff has extensive production experience on several low budget features and shorts, including production managing the Academy Award winning short film My Mother Dreams The Satan's Disciples in New York. His background also includes two years in Investment Banking at Merrill Lynch Capital Markets, and five years as the Managing Director of Curtains Theater, an innovative legitimate theater he founded in Houston. A native Texan, Stolaroff received his BBA from the prestigious Business Honors Program at the University of Texas in Austin and minored in Film Production, directing several 16mm shorts.
ABOUT MOVIE MAGIC SCREENWRITER
Move Magic Screenwriter is the best screenplay formatting software, an industry standard, and the choice of Hollywood professionals. Screenwriter formats while you write so you can focus on what you're writing, not where it goes on the page. It also formats for television, stage, novels and comic book scripts so you've got it all in one package for any story you want to write. With a massive set of features designed to make the rewriting process fast and simple you can get from FADE IN: to FADE OUT effortlessly. Developed by writers for writers, Write Brothers is the first and ony creative team ever to receive a Technical Achievement Award from the Academy of Motion Picture Arts and Science for screenwriting software. All No Budget Film School attendees get this terrific product FREE just for registering.
ABOUT SHOWBIZ SOFTWARE'S PRODUCTS
Showbiz Software's Producer allows you to schedule your tasks, set priorities and manage your entire project from one piece of software. All No Budget Film School attendees get this program absolutely FREE, (a $90 value!). Showbiz Budgeting allows production accountants, production managers and independent producers to create all types of budgets for film, TV, commercials, music videos, web series and corporate videos. The program also actualizes, so you can see what you've spent and how it affects your overall budget. Showbiz Scheduling has become the go-to software for producers and production managers who want the most control over their shooting schedule, combined with the flexibility to change elements on the fly. The program comes with fully customizable reports, including call sheets, production reports, shooting schedules, Exhibit G's, and more. All No Budget Film School attendees will receive a generous discount on these two products: save $220 on Budgeting (that's 55% off the list price); save $150 on Scheduling (that's a 50% savings); and save $425 on the bundle, (60% off the list price!).
ABOUT QUICK FILM BUDGET
QuckFilmBudget.com is a revolutionary budgeting tool that helps independent filmmakers move toward production by automating the budget-making process and delivering a professional customized budget in minutes. Quick Film Budget can create budgets for Short Films, Micro-Budget Features, and Studio Films. You can select to have your budget delivered in a modifiable file format such as Showbiz Software (above), EP's Movie Magic, Excel, or Numbers. Everyone who attends No Budget Film School will receive a 20% discount on Quick Film Budget! QFB co-founder Nolan Lebovitz will give a brief introduction of the product on Sunday.
ABOUT LIGHTSPEED EPS
LightSPEED eps is a a web-based entertainment production management system designed specifically for the film and television industry. It centralizes your production information and provides secure access from your computer, cell phone, or wireless device. LightSPEED combines and integrates several production management functions, like scheduling, call sheet creation, contact list creation, and makes them available in the cloud for your whole production, safely, efficiently, and cost-effectively. All attendees receive a discount on the LightSPEED product.
REGISTER TODAY! TAKE ADVANTAGE OF THE PREPAID PRICES AND SAVE!
Prepaid discounts are available to attendees who pay before they get to the door. Further discounts are available to students, (both former No Budget Film School students and all other students with a valid Student I.D.). All tickets at the door for the 2-day class are $300 (single day = $175). To prepay with a check, please email us at email@example.com for instructions. Tuition includes complimentary refreshments and class materials.
You will be able to ask for a full refund up until 10 days before the first day of the class. No refunds will be given within 10 days of the class, but you will be able to apply the amount you paid toward a future class.
Can't make the class? For more information on future classes and to sign up for the No-Budget Newsletter, please visit:
NO BUDGET FILM SCHOOL is a unique series of classes specifically designed to help the NO-BUDGET filmmaker, whether he or she is working with a budget of $200,000 or $2,000. The lessons, tools, and techniques gained from these courses are intended to maximize very limited resources and minimize critical errors that can doom otherwise worthy projects.
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