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MM & Terasaki Center for Japanese Studies presents AN AUTUMN AFTERNOON

Melnitz Movies

Tuesday, February 4, 2014 from 7:30 PM to 9:30 PM (PST)

MM & Terasaki Center for Japanese Studies presents AN...

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Melnitz Movies & Terasaki Center for Japanese Studies presents 

AN AUTUMN AFTERNOON (Sanma no aji)  (1962)

Directed by Yasujiro Ozu
Featuring: Chishû Ryû, Shima Iwashita, and Keiji Sada

New Digital Restoration! Los Angeles Premiere!

Tuesday, February 4th at 7:30 PM at the James Bridges Theater  

      

Yasujiro Ozu's final film joins such ultimate movies as Robert Bresson's L'Argent and Carl Theodor Dreyer's Gertrud as a great but unintended testament. (At the time of his death, Ozu had another film in the works titled Radishes and Carrots.) "Waste not your thoughts on eternity," a sodden old teacher counsels a class reunion in An Autumn Afternoon, though it is hard to believe that in this sublime distillation of Ozu's central themes and formal means, the director did not have his sights set on the everlasting.

 

As great in its way as Tokyo Story or Early Summer, and featuring many of the director's favourite actors (including Chishu Ryu, notable as the aged patriarch in Tokyo Story), An Autumn Afternoon returns to a defining trope of Ozu's cinema — a widower's decision to marry off his only daughter, despite her protestations — and intensifies the visual formalism of his final colour works. (The film is keyed to a palette of crimson and blue-grey, the transition sequences alone offering a semiotic splendour of candy-cane smokestacks, blazing baseball-park spotlights, and stylized bar signs.)

 

Gently humorous in its observations about a Japan in which postwar deprivation has given way to consumerist abundance, An Autumn Afternoon registers the end of things not only in its autumnal title (the Japanese original translates as "The Taste of Mackerel," which the French render as "The Taste of Saké") but also in its many references to death, funerals, aging, and the passage of time (e.g., a clock that is about to stop). At film's end, the widower's son counsels him not to die just yet, though its final image portends more than one kind of passing. Ozu expired on his sixtieth birthday, leaving An Autumn Afternoon as both summa and culmination, one of the greatest last works in cinema. - JAMES QUANDT 

112 MIN / JAPAN / COLOR / JAPANESE WITH ENGLISH SUBTITLES / 1962 / DCP


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When & Where


James Bridges Theater
235 Charles E Young Dr
Los Angeles, California 90095

Tuesday, February 4, 2014 from 7:30 PM to 9:30 PM (PST)


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● A Graduate Student-run screening series of new sneak previews, LA premieres, and cult
or classic repertory films that runs twice weekly throughout the UCLA academic year. Films are frequently accompanied by special guests, cast or crew, Q&A sessions and more.

● Funded by the Graduate Students Association and ASUCLA Student Interaction Fund.

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