Green is Beautiful (Late Show)

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Cafe Bohemia

15 BARROW STREET

NEW YORK, NY 10014-6853

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Scott Sharrard and Friends play the music of Grant Green

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About Scott Sharrard

Scott Sharrard is an American musical artist widely known as the lead guitarist and musical director of the Gregg Allman Band. A prolific songwriter and talented singer, he has also released several soul-influenced albums of his own

Scott Sharrard started playing lead guitar and singing in the Gregg Allman Band in 2008 after auditioning by sitting in with the Allman Brothers Band at a show in Camden, New Jersey. Two of Scott's original songs have been performed by the Gregg Allman Band, "Endless Road" and "Love Like Kerosene". With Gregg Allman, in 2017 Sharrard co-wrote the song "My Only True Friend", the first track of Allman's last and posthumously issued studio album Southern Blood. It was also issued as a single. Sharrard wrote the song in the voice of Gregg's late brother, Duane Allman, as if speaking to him.

About Grant Green

Grant Green (June 6, 1935 – January 31, 1979)[1] was an American jazz guitarist and composer.

Recording prolifically and mainly for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist."[2] Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy".[3] He often performed in an organ trio, a small group with an organ and drummer.

Apart from guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians.The simplicity and immediacy of Green's playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although at his best he achieved a synthesis of this style with bop, he was essentially a blues guitarist and returned almost exclusively to this style in his later career.

Tony Mason Drums

Craig Dreyer Baritone Sax

Kenny Brooks Tenor Sax

Pat Bianchi B-3

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Cafe Bohemia

15 BARROW STREET

NEW YORK, NY 10014-6853

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No Refunds

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