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Frantz Fanon: Black Skin, White Mask w/ Isaac Julien & Mark Nash

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Red Bay Coffee Roastery & Coffee Bar (Headquarters)

3098 East 10th Street

Oakland, CA 94601

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MATATU & The Roxie invite you to two evenings with filmmakers Isaac Julien and Mark Nash. The filmmakers will be present for a screening at The Roxie (SF Mission) on Tuesday, May 7 and at Red Bay Coffee (OAK Fruitvale) on Thursday, May 23. The filmmakers will engage in a participatory conversation following both screenings. Capacity audiences anticipated both evenings. Early purchase suggested.

Frantz Fanon: Black Skin, White Mask explores for the first time on film the pre-eminent theorist of the anti-colonial movements of this century. Fanon's two major works, Black Skin, White Masks and The Wretched of the Earth, were pioneering studies of the psychological impact of racism on both colonized and colonizer. Jean-Paul Sartre recognized Fanon as the figure "through whose voice the Third World finds and speaks for itself." This innovative film biography restores Fanon to his rightful place at the center of contemporary discussions around post-colonial identity.

Isaac Julien, the celebrated black British director of such provocative films as Looking for Langston and Young Soul Rebels, integrates the facts of Fanon's brief but remarkably eventful life with his long and tortuous inner journey. Julien elegantly weaves together interviews with family members and friends, documentary footage, readings from Fanon's work and dramatizations of crucial moments in Fanon's life. Cultural critics Stuart Hall and Françoise Verges position Fanon's work in his own time and draw out its implications for our own.

Born in Martinique in 1925, Fanon received a conventional colonial education. When he went to France to fight in the Resistance and train as a psychiatrist, his assimilationist illusions were shattered by the gaze of metropolitan racism. Out of this experience came his first book Black Skin, White Masks (1952) originally titled "An Essay for the Disalienation of Blacks." Fanon here defined the colonial relationship as the psychological non-recognition of the subjectivity of the colonized.

Soon after taking a position at a psychiatric hospital in Algeria, Fanon became involved in the bitter Algerian civil war, eventually leaving his post to become a full-time militant in the Algerian National Liberation Front (FLN). Out of this struggle, Fanon wrote his most influential book, The Wretched of the Earth, which Stuart Hall describes as the "bible of the decolonization movement."

Fanon died of leukemia in 1961, just as Algeria was winning its independence. But his seminal texts continue to challenge us to liberate ourselves from all forms of psychological domination.
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Filmmaker and installation artist, Isaac Julien CBE RA, was born in 1960 in London, where he currently lives and works. His multi-screen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language. His 1989 documentary-drama exploring author Langston Hughes and the Harlem Renaissance titled Looking for Langston garnered Julien a cult following while his 1991 debut feature Young Soul Rebels won the Semaine de la Critique prize at the Cannes Film Festival.

Julien’s solo exhibitions and presentations include Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town (2017); Platform-L Contemporary Art Centre, Seoul (2017); The Royal Ontario Museum, Toronto (2017); Fondation Louis Vuitton, Paris (2016); MAC Niterói, Rio de Janeiro (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); De Pont Museum, Netherlands (2015); Museum of Modern Art, New York (2013); Art Institute of Chicago, Chicago (2013); The Bass Museum, Miami (2010); Museum Brandhorst, Munich (2009); Museum of Modern Art, Dublin (2005); Centre Pompidou, Paris (2005) and Moderna Museet, Stockholm (2005). His latest work, Stones Against Diamonds, was shown in 2015 as part of the Rolls-Royce Art Programme at the Venice Biennale, at Art Basel and Art Basel Miami Beach.
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Mark Nash is an independent curator and writer. His formation was in film theory and film culture, editing Screen between 1977 and 1981. He has worked with Isaac Julien on several projects such as the film Frantz Fanon: Black Skin White Masks (1996) and the exhibition Reimagining October at Calvert 22. He collaborated with Okwui Enwezor on The Short Century exhibition and Documenta11. Most recently he has curated One Sixth of the Earth at ZKM.

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Red Bay Coffee Roastery & Coffee Bar (Headquarters)

3098 East 10th Street

Oakland, CA 94601

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