$20 – $30

Dustbowl Revival and Lindi Ortega

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1245 Chicago Avenue

Evanston, IL 60202

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No Refunds

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DOORS: 6pm | SHOW: 7pm

To see a detailed seat map, please choose "Tickets" in the upper righthand corner, select your ticket choices & click "view on map."


ABOUT THE ARTISTS

Genre: Country/Folk

Dustbowl Revival

The Dustbowl Revival is an Americana Soul band with eight full-time members who mash the sounds of New Orleans funk, bluegrass, soul, pre-war blues, and roots music, into a genre-hopping, time-bending dance party that coaxes new fire out of familiar coal. Dustbowl is touring behind their self-titled, fourth studio album which spent three weeks on Billboard charts, hit #1 on Amazon Americana-Alt-Country, #2 on Amazon Folk, and has spent 13 weeks on the Americana radio chart peaking in the Top 20.

The band was founded in 2008 in the bohemian enclave of Venice Beach, California. Over the last five years Dustbowl has become known for their free-flowing and joyous live shows, combining their funk rhythm and brass section with a fast-picking string band section - opening for bands as diverse as Lake Street Dive, Trombone Shorty and The Preservation Hall Jazz Band, touring China as a guest of the state department and headlining festivals like Delfest, Floydfest, Hardly Strictly Bluegrass, and recently Bergenfest (Norway) and Tonder Festival (Denmark). The band received a big wave of attention with their music video that featured famous actor Dick Van Dyke for "Never Had to Go", which garnered over 10 million cumulative views. That video is now airing in an HBO Doc titled "If You're Not in the Obit, Eat Breakfast" starring Jerry Seinfeld, Mel Brooks, and Dick Van Dyke.

While the band has been known for their old-time and bluegrass roots, they have departed from those styles and evolved more into modern soul music. Now, with Producer Grammy Award-winning Ted Hutt (Old Crow Medicine Show, Gaslight Anthem, Dropkick Murphys) who collaborated on the recent album, Dustbowl Revival brings it on, in the good company of neo-Soul contemporaries such as Nathaniel Rateliff & The Night Sweats and St. Paul & The Broken Bones. The album delivers eleven hot tracks, dominated by love-triangle funk & soul, tenderized with a nod to the unlikely possibility of true love – i.e. "Honey I Love You", with Grammy Award-winning blues artist Keb’ Mo’ sitting in.

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Lindi Ortega

When Lindi Ortega went in search of some quiet last year, the award-winning artist was pleasantly surprised to find a voice she hadn’t heard in some time – her own. Amid sparse, atmospheric production, it’s precisely this voice – a combination of Ortega’s fatalistic perspective expressed with her evocative soprano – that grips your attention on a brand new EP, Til The Goin’ Gets Gone.

A dogged resilience permeates this unadorned collection – three originals and a cover of Townes Van Zandt’s “Waiting ‘Round To Die.” The songs are the hard-won spoils of an internal war with words that struck after an extended stretch of touring, addressed in the EP’s title track about the detours and ditches that a traveling musician faces.

“What A Girl’s Gotta Do,” a song that is the silver lining of an otherwise dreadful date, explores the gritty pragmatism of making ends meet. Alongside the title track, this song offers a second metaphor about artistic life that strengthens the EP’s overall sense of resolve. Ortega’s somber rendition of “Waiting ‘Round to Die,” acknowledges a personal debt – her recent discovery of the legendary songwriter’s music is what finally cured her writer’s block. The closer, “Final Bow,” came when Ortega assumed she only had one song left in her. “I thought I had to quit music but I wanted to leave gracefully,” she says. “But then I decided to get up and sing some more.” As a whole, this statement captures the essence of Ortega’s new EP – it’s about dusting off, gutting it out, stepping up for another round.

Ortega recorded Til The Goin’ Gets Gone in a converted East Nashville manor, where therapy horses linger on the property. Recording with her longtime guitarist James Robertson, Ortega co-produced the set with Jay Tooke and Jason “Rowdy” Cope. The small production team and minimalist instrumentation make an intimate, immediate setting for Ortega’s stark vision of the human condition. Although classic country is an indelible part of her musical history, the EP also sets the tone for the next chapter of her career: “I'll always love Loretta, Dolly and Patsy. But I just want more space. I want more ambience.”

Ortega’s guitar-playing chops and innate country music instincts put her in an elite group of artists;

she has earned an unusually inclusive type of success with both indie cred and mainstream country recognition. From supporting Carrie Underwood on the CMA Awards to her opening slot on Chris Stapleton’s recent Canadian arena tour, Ortega is a sought-after and unique personality in Nashville’s music community and beyond.

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FAQs

PLEASE CLICK HERE FOR A DETAILED FAQ.

Are there ID or minimum age requirements to enter the event? Unless otherwise indicated, all of our shows are all ages. Please bring a valid ID.

What are my transportation/parking options for getting to and from the event? Residential street parking is free after 6pm Monday through Saturday. Street parking is free on Sunday. Metered parking is free after 9pm. SPACE is located one block east of the Dempster Purple Line Stop.

What can I bring into the event? SPACE has a full bar with an exciting array of cocktails and an extensive beer list. While we do not serve food in our venue, customers are welcome to bring in pizza from Union, the restaurant up front. No outside food or beverages are allowed inside.

How can I contact the organizer with any questions? For questions regarding your order, please email boxoffice@evanstonspace.com or call 847.492.8860.

What's the refund policy? All tickets are non-refundable.

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Date and Time

Location

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1245 Chicago Avenue

Evanston, IL 60202

View Map

Refund Policy

No Refunds

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