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Dirty R&R presents MØAA (shoegaze from Seattle), Dark Black, Mutual
See MØAA, darkwave/goth/shoegaze band from Seattle, WA at Artifice Las Vegas.
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Artifice 1025 South 1st Street ##100 Las Vegas, NV 89101
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About this event
MØAA - darkwave goth shoegaze from Seattle
DARK BLACK - goth post punk
https://wearedarkblack.bandcamp.com/
MUTUAL - lo-fi shoegaze
https://www.facebook.com/mutualnv/
https://astr0mag.com/2021/03/19/an-interview-with-mutual/
JACOB SAVAGE (the Acid Sisters) to spin vinyl between bands
Sound by Glenn Dehmer of 8-Trax Sound
Wednesday, January 25th
8PM-12AM
Artifice
1025 S 1st St #100, Las Vegas, NV 89101
21+
$10 Advance / $15 Day of Show
***BAND BIOS***
Exploring dark memories and nostalgia, MØAA’s dream-drenched debut album “Euphoric Recall" pulls listeners through a brooding atmosphere with a thick driving rhythm. The solo project of Jancy Rae was first conceived while living near her hometown of Seattle, WA where she began writing and recording demos as an outlet to process a troubled past. More than halfway through writing the album she went across the world to Venice, Italy where the album was recorded, mixed, and produced by Andrea Volpato at Fox Studio Venice. Euphoric Recall was released on April 2nd 2021 via the American Italian label WWNBB (We Were Never Being Boring) and it's success brought the project on tour in multiple continents; in Europe sharing the stage with Yves Tumor at Arti Vive Festival in Modena, performances at Ypsigrock festival in Sicily and MIL festival in Lisbon (PT), and headlining dates in the UK, France and Italy. In the United States MØAA performed at SXSW 2022 as part of the official showcase which was followed by a headlining tour down the west coast from Seattle to LA.
*****
Mutual, led by multi-instrumentalist Cameron Beck, finds its sound at the intersection of warm and vibrant. Instrumentally dense and chorus-soaked, their live set toes a line between shoegaze and space rock, earning them opening slots for bands such as Duster and Black Marble. Beck’s vocals act as an embellishment rather than the forefront, drawing cues from the 90’s US slowcore scene.