$15 – $25

An Evening with Thomas Dybdahl + Kenny White

Event Information

Share this event

Date and Time

Location

Location

Space

1245 Chicago Avenue

Evanston, IL 60202

View Map

Refund Policy

Refund Policy

No Refunds

Event description

Description

DOORS: 7:00pm | SHOW: 8:00pm

To see a detailed seat map, please choose "Tickets" in the upper righthand corner, select your ticket choices & click "view on map."


ABOUT THE ARTISTS

Genre: Indie-pop

THOMAS DYBDAHL

All These Years
When the 19-year-old Norwegian Thomas Dybdahl released his two first EPs “Bird” & “John Wayne” in 2000-2001 he appeared as nothing but a small blip on the musical radar in Norway. Interest was peaked somewhat by the single Love’s Lost, but it wasn’t until his debut album “…that great October sound” in 2002 that he got people’s attention for real. With a dogmatic one-microphone-only approach, a soulful tenor voice, an intimate acoustic sound and good songs he soon found his way onto the airwaves in Norway. What followed was a slew of great reviews, awards and eventually a growing fan base all over the world.

When his follow up “Stray Dogs” was released in 2003, fellow Norwegians started referring to him as one their most prized artist and singers. They have continued to do so even know 16 years after his debut and about to release his 8th solo album.

In addition to being a solo artist he has made a career composing for film and theatre. For his first score he received the Norwegian “Amanda” award, the highest honour for a film composer.
He has also worked as a producer, songwriter and as a front man in the band The National Bank, as well as guesting with other acts ranging from Morcheeba to French singer Melanie Pain all the way to folk icon Judy Collins.

Having the status as a musician’s musician, he was quickly discovered by other artist like Elvis Costello, Jamie Cullum and taste makers like LA’s indie radio station KCRW and
one of his early fans was Grammy award winning music producer Larry Klein (Joni Mitchell, Herbie Hancock, Tracy Chapman). The two worked together on Thomas’ 2013 album “What’s Left Is Forever”, which was nominated for a Grammy the following year and the two have now embarked on yet another collaboration.

All These Things
Thomas Dybdahl’s latest album “All These Things” was written and recorded in LA, June 2017.
“Larry and I had talked for a while about making an album again in a proper old school way. The best session musicians, the best live room, good songs and a super tight schedule so we would be pressed for time and have to trust our instincts without being able to redo too much. This album was therefore recorded in Sunset Sound in the course of 3 very busy days/nights and was a reaction to my previous album in many ways. My previous album was more focused on the production itself and on the sonic aspect. This one was all about raw energy and being able to capture the spirit of what was happening between the musicians. I’m very proud of the record and can’t wait to show it to the world!”

The album features a stellar cast of musicians with a discography long enough to fill an encyclopaedia, as Larry brought in the absolute best to fit theses 9 new songs. James Gadson (drums), Dean Parks (guitars), Patrick Warren (keys), Dan Lutz (bass), Brian MacLeod (drums) and David Baerwald (guitar) comprise the main band on the record.

“Not everyone has the privilege of going into the studio with legends like these and call it going to work. I had to pinch myself every now and then and tell myself to be in the moment and to enjoy”.
In addition to the main band, Thomas is also joined by one of the brightest new stars on the Americana/folk scene, Lera Lynn, for the duet “When I Go”.

“Ever since her enigmatic and super moody performances in the dive bar scenes in True Detective I have been a fan. Working with her was a treat, what a singer and songwriter she is!”

All These Things was released October 2018.

Website


KENNY WHITE

Astonished audiences often ask KENNY WHITE after a live performance, “How come I’ve never heard of you?” when in fact, the pianist, singer/songwriter, producer and arranger has been very well known in the NYC recording scene for decades. He comes to the world of the touring singer-songwriter following a long and successful musical journey. LONG LIST OF PRIORS, his aptly named new album, is the latest collection of original songs: indelible snapshots of the human condition, from heart-wrenching to hilarious and observed with the precision of a diamond cutter. As on his past recordings, Kenny White’s work in the studio enabled him to assemble a who’s who of musicians and guest artists, including David Crosby, Peter Wolf, Larry Campbell, Amy Helm and Catherine Russell, along with his regular band featuring the dexterous Duke Levine on guitar, shape-shifting Shawn Pelton (Saturday Night Live) on drums, and the masterful Marty Ballou on bass. Now add the horns, strings, and other surprising arrangements, and LONG LIST OF PRIORS is a refreshingly original and multi-layered singer-songwriter recording.

White spent five song-less years before catching the first spark that would soon lead to LONG LIST OF PRIORS. Kenny says, “As usual, this became a deeply personal record for me. A chronicle of how the heart copes with the passing years, these tumultuous times, and the struggle to find simplicity in a complex world. It took being able to tune out the noise and interference of that world before I could hear what was inside me. That’s the trick. I also wanted to make a pure ‘sounding’ record. Where you can lose yourself in the sonic landscape and feel like you are in the room with the musicians and singers.”

Born in New York City and raised across the river in Fort Lee, New Jersey, Kenny White began his career in the 1970s, touring exclusively as the keyboard player for Jonathan Edwards and Livingston Taylor, with whom he opened Linda Ronstadt’s legendary, “Living in the USA” tour. He then became a fixture in the NYC studio scene throughout the 1980s and 1990s, producing and arranging literally hundreds of commercials for TV and radio, beginning with “The Unsinkable Taste of Cheerios,” nearly seven years of Chevrolet’s “Heartbeat of America” campaign, and countless ads for the Coca Cola company. Commercial work enabled White to direct artists as renowned and varied as Gladys Knight, Ms.Ronstadt, Mavis Staples, Ricky Skaggs, and Aaron Neville. He even was tapped to conduct a portion of the London Symphony Orchestra for a series of commercials for Greyhound bus lines.

White worked on many film soundtracks as a contributing writer/musician including Message in a Bottle, Where the Heart Is and four films by Indie-director laureate, John Sayles. His piano solos set the scenes throughout the beloved A Walk on the Moon, which often gets a resurrection on the anniversary of the Woodstock Festival. Kenny also appears on dozens of recordings of other musicians, including Marc Cohn’s platinum debut album.

Whenever he could break free from the four walls of the recording studios, Kenny would often support other musicians in live concerts. After being hailed by reviewers from the New York Times to the San Francisco Chronicle for his “thrilling” and “unique” piano playing, White chose, in 2001, to devote himself to making his own album, one that not only showcased his talent as a musician, but also as a lyricist. Friends such as Cheryl Wheeler invited White to tour as an opening act on behalf of his first album, UNINVITED GUEST. Both the album and White’s skill on piano and guitar, coupled with his warm and charming on-stage personality were met with critical acclaim. An early copy of his follow-up record, SYMPHONY IN 16 BARS, landed in the hands of Judy Collins, who then signed him to her own Wildflower Records label, releasing the CD in 2005.She often invited White to open her concerts. The standing ovations he received in those large concert halls, encouraged White to follow up with the EP, NEVER LIKE THIS. His subsequent recording, COMFORT IN THE STATIC, was released in 2010 to wide-ranging praise, landing on many “Favorite Album of the Year” lists. The late Pete Fornatale declared on his WFUV-FM show, Mixed Bag, “I know by June what my favorite album of the year is. I cannot imagine hearing a more riveting or compelling recording between now and December. It’s all locked up.”

Kenny White’s record producing credits include Shawn Colvin’s Grammy-nominated song, “I Don’t Know Why,” as well as the last four solo CDs for Peter Wolf, formerly with the J. Geils Band: FOOL’S PARADE, SLEEPLESS (named one of Rolling Stone’s “500 Greatest Albums of All Time”), MIDNIGHT SOUVENIRS, which debuted at #45, and the 2016 release A CURE FOR LONELINESS, which reached #23 on the Americana chart in its first 6 weeks. Kenny often joins Wolf’s Midnight Ramblers band on tour, honing his celebrated rock & roll keyboard skills, and to play onstage alongside his own LONG LIST OF PRIOR musicians, Duke Levine and Marty Ballou.

The productions with Wolf afforded Kenny the opportunity to work with an array of guest artists including Mick Jagger, Merle Haggard, Shelby Lynne, Steve Earle, Neko Case, and to record a track side by side with Keith Richards.

White’s music has been discovered in the UK and Europe, and he recently traveled to Livorno, Italy, to accept the International Songwriting Award at the Annual Premio Ciampi music festival. He often attracts an intriguing patronage to his concerts. Robert Plant was recently sighted in rapt attention at one of White’s solo shows in the UK and Jackson Browne, the same, at one of Kenny’s L.A. shows.

He still, from time to time, tours with Judy Collins throughout North America and performs the duet “Veterans’ Day” on her recent BOHEMIAN CD. He often shares a stage with his good friend Cheryl Wheeler, appearing on her live recording, GREETINGS, which he also produced. And though he has all but given up his days as a sideman, in 2014, he accepted an offer by none other than Tom Jones to play in his ‘soul quartet’ for a sold-out, three week US tour.

Kenny is currently touring in support of LONG LIST OF PRIORS

Website


FAQs

Please click here for a detailed FAQ.

Are there ID or minimum age requirements to enter the event? Unless otherwise indicated, all of our shows are all ages. Please bring a valid ID.

What are my transportation/parking options for getting to and from the event? Street parking is free after 9pm Monday through Saturday. Street parking is free on Sunday. SPACE is located one block east of the Dempster Purple Line Stop.

What can I bring into the event? SPACE has a full bar with an exciting array of cocktails and an extensive beer list. While we do not serve food in our venue, customers are welcome to bring in pizza from Union, the restaurant up front. No outside food or beverages are allowed inside.

How can I contact the organizer with any questions? For questions regarding your order, please email boxoffice@evanstonspace.com or call 847.492.8860.

What's the refund policy? All tickets are non-refundable.

Share with friends

Date and Time

Location

Space

1245 Chicago Avenue

Evanston, IL 60202

View Map

Refund Policy

No Refunds

Save This Event

Event Saved