**LIVE CRUISE-IN SHOW** at the Orange County Speedway; 9740 NC-57, Rougemont, NC (25 miles NE of Chapel Hill, 20 miles NW of Durham and 45 miles NW of Raleigh!)

Select your reserved area on the Car Pass parking chart. **Oversized vehicles such as Winnebagos, campers, sprinters, etc are not permitted.**

*Tickets are available online only. Please purchase tickets online before checking in at the Gate/Box Office entrance.*

Gates open at 5:00PM

This is a park-n-pod event and the artist will appear live on stage. Each car pass allows for up to 2 passengers (additional passenger passes are available for purchase as an add-on). *6 passenger max for each reserved area*. Car Passes are non-transferable. Your reserved drive-in parking/tailgating area is approximately 18 feet wide x 20 feet deep. Alternating rows will be staggered for optimum viewing. Based on the latest guidelines and pending any changes from the state of North Carolina, attendees will be allowed to sit in the space next to their vehicles during the event. Music will be broadcast using a full PA from the stage. In case of inclement weather, FM broadcast to car stereos is available.

All sales are final. No refunds or exchanges. Ticket Valid for event day only.

Code of Conduct

All guests are expected to adhere to CDC and North Carolina guidelines in relation to social distancing while attending drive-in events. Refusal to respect the safety of other attendees by adhering to these guidelines is grounds for ejection from the event.

Rules/Notes

Attendees are only allowed to leave their 18x20 reserved area to visit porta-potties. Attendees must wear masks upon exiting and until they return to the reserved area. Porta-potties will be regularly cleaned and sanitized by a dedicated onsite cleaning crew.

Masks are recommended inside the reserved area unless the attendee is eating or drinking.

Masks will be available for purchase at each event.

Attendees who fail to follow safe distancing and mask protocols at the request of staff will be safely removed from the event. No refunds given.

We will allow a maximum of 6 attendees per vehicle.

The event is All Ages. Anyone under the age of 17 must be accompanied by a parent or legal guardian.

Promoter reserves the right to ask for proof of age.

The ticket purchaser will receive advance email from the promoter’s team detailing instructions for the event. Each ticket purchaser will be responsible for providing contact information (email) for each attendee in their vehicle to facilitate contact tracing and for distributing pre-emailed Covid disclaimers. Please help us by returning prior to the event to expedite entrance & parking.

Artist merchandise, food & drink (including alcohol) will be available on site and will be delivered to the attendee’s reserved area. All items will be available for pre-order using our app approximately one week prior to the event.

Outside food & drink (including alcohol) will not be permitted. Additionally, no grills, fireworks, umbrellas, tents, pets, drones, or glass will be allowed.

All attendees must turn off their engine once parked.

Please leave your reserved area as you found it. No trash should be left behind for any reason! Each reserved area will be provided with a trash bag, please use it! If you really want to help us, take it home and place in your receptacle. Otherwise, leave it beside your space marker and we’ll get it at the end of the night!

The promoter and venue assume no liability for any loss, theft, damage, or injury to property or persons, including death, whether arising in contract, negligence, equity, tort or otherwise.

Health and safety signage will be posted throughout the event, reminding attendees about the importance of hand hygiene, respiratory hygiene, and etiquette.

Visibly marked Security and Safety staff will be dispersed among parking lanes to answer questions regarding social distancing and recommend safe practices for attendees.

Overnight camping will not be available.

We look forward to having you at the event. #STAYHEALTHY #SAVEOURSTAGES

ALLMAN BETTS BAND

The Allman Betts Band includes Devon Allman & Duane Betts on guitars and vocals, Berry Oakley Jr. on bass, Johnny Stachela on slide guitar, John Ginty on Hammond B3 (Robert Randolph/Dixie Chicks) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum. The show features original music from their two recent BMG albums, songs from their solo projects as well as classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts.

Their sophomore album, Bless Your Heart, was released on August 28, 2020. Like their debut album, Bless Your Heart was recorded at the legendary Muscle Shoals Sound Studios and produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley).

"This is The Allman Betts Band's best offering yet, showcasing a band still tethered to their legacy but finding their own way with a sound that honors their roots without stepping all over them." - No Depression

JACKSON STOKES

For guitarist and singer-songwriter Jackson Stokes, great musicians make great neighbors. Even as a youth weaned on classic rock- his first concert was Lynyrd Skynyrd- Stokes was unaware that living across the street from his St. Louis home was guitarist and singer-songwriter Devon Allman. Allman’s family tree is impressive as the son of Gregg Allman and nephew of Duane Allman of Allman Brothers Band fame. Yet, Stokes knew little of the legendary group. Encouraged by his father, and holding his guitar, the 11-year-old Stokes knocked on Allman’s door.

Allman, two decades his elder, heard something special in the young Stokes and encouraged him to continue learning and growing as a musician. Stokes dutifully attended Allman’s Honeytribe rehearsals, sitting quietly in the corner while the group worked up its repertoire. At 14, Stokes had developed into a prodigious firebrand with a passion for the blues, teaming with another area wunderkind, Marquise Knox, and performing his first professional gigs.

By 18, his experience playing in high school garage bands, and with an All-State school jazz band, expanded his rock-and-roll palette. He attended Drury University in Springfield, earning a degree in music therapy, while maintaining a friendship with Allman, who encouraged Stokes to further sharpen his songwriting skill. In Memphis in 2012, Allman produced a five-song EP, Witness, from the Stokes-led band, Delta Sol Revival.

DSR toured regionally until 2016 when Stokes and Allman began discussing recording his solo debut. The pair returned to Memphis for the initial sessions, as Allman invited Stokes to join the Devon Allman Band for 2017, and subsequently the Devon Allman Project for a world tour in 2018. On days-off from the road, Stokes continued work on his album, organically building the full-length.

In May of 2019, Stokes put the finishing touches on a striking inaugural effort. Produced by Allman, it is a lean and focused set of rock-and-soul, including an ambitious Talking Heads cover, and a depth of original material ranging in style and subjects. From the Memphis stroll of the opening “Can’t Getcha Out,” through the reflective acoustic closer, “Take Me Home,” the debut encompasses Stokes’ wide swath of influences and tastes. There’s the ‘60s R&B update that morphs into modern rock on “Slave,” the staggering punches of overdriven guitar on “Time is Now,” and the midnight seduction of “Contents Under Pressure.” A flourish of pleading guitars finishes the slowly climbing blues-rock centerpiece, “You and Your Partner,” while David Byrne meets Southern funky on “Life in Wartime.” As well, Stokes welcomes the sunny-days slide guitar of The Allman Betts Band’s Johnny Stachela to brighten the Southern sway of “Sins Are Forgiven,” complementing that with the chunky Saturday night blues of “Whiskey.”

Naturally, the nine-song record offers plenty of the fiery guitar that has been the calling card of Stokes’ career for this first decade, showcasing the stellar reputation he’s earned sharing the stage with such icons as Robert Cray, The Wailers, and Robert Randolph, as well as Warren Haynes, Lukas Nelson, and Marcus King. Yet, it’s a conspicuous emphasis on Stokes’ escalating songcraft that also shines as brightly on this initial release.