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IIFF's Film Financing Workshop (July 2010): "Getting the...

IIFF's Film Financing Workshop (July 2010): "Getting the Money: Film Business Plan Essentials" with Business Plan Guru Jeremy Juuso

Saturday, July 24, 2010 from 10:00 AM - 6:00 PM (PT)

Los Angeles, CA


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Ticket Information

Ticket Type Sales End Price Fee Quantity
IIFF Member   more info Ended $170.00 $5.24 N/A
Non-member   more info Ended $195.00 $5.87 N/A
IIFF Member: Last minute   more info Ended $190.00 $5.74 N/A
Non-member: Last minute   more info Ended $215.00 $6.37 N/A
IIFF Member: On-site   more info Ended $220.00 $6.49 N/A
Non-member: On-site   more info Ended $245.00 $7.12 N/A
LAFSC Student or Alumnus   more info Ended $50.00 $2.24 N/A
*** Associate Membership (1 yr) ***   more info Dec 31, 2010 $99.00 $3.46 N/A
*** Full Membership (1 yr) ***   more info Dec 31, 2010 $199.00 $5.97 N/A
Add: Attendee bio book for Members   more info Ended $10.00 $1.24 N/A
Add: Attendee bio book for Non-members   more info Ended $20.00 $1.49 N/A

Event Details

 
 
Visit IIFF at http://filmfinancing.org

IIFF/LA Film Financing Workshop With Business Plan Guru

Getting the Money:
Film Business Plan Essentials

Learn Business Plan Fundamentals That Will Attract Investors (and Not the Law)

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*** Fast-track your fundraising progress at IIFF's networking-oriented Film Financing Townhall on July 29 in Beverly Hills ***

 
 
 

Abstract

"A properly drafted business plan minimizes the filmmaker as the source of risk in a film investment. This seminar delivers comprehensive guidelines for drafting and using such a document, with a heavy focus on financials."Jeremy Juuso

The business plan is among the most important documents that filmmakers use to approach financiers. Too often, both sides are ill-prepared to turn this key document into a solid foundation for film financing success.

Our tour-de-force seminar distills the most essential elements of film business plan creation and use, with a heavy emphasis on the financial projections that underlie any sound business plan. The foremost objective is to help both new & seasoned producers avoid surprisingly widespread mistakes. These mistakes can lead to serious questions regarding the filmmakers' competence or, worse still, to legal costs from violations of the law. At the same time, we intend to empower investors to more easily spot red flags in the movie proposals they receive.

By the end of the day, Workshop attendees will have acquired the skills and knowledge necessary to confidently start on a film business plan that communicates passion, integrity & competence.

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Introduction

The Los Angeles chapter of the Institute for International Film Financing (IIFF) continues its acclaimed education & networking events at the junction of film & finance with a special Film Financing Workshop for Southern California's community of filmmakers, entrepreneurs and financiers. IIFF's friends at the L.A. Film Studies Center are making their centrally located facilities on the Miracle Mile available for our daylong seminar.

This intensive, hands-on learning experience forms an integral part of IIFF's unrivaled series of in-depth seminars with such iconic instructors as Hollywood film financing legend Lew Horwitz (April '08 San Francisco Workshop), IFP founder Sandra Schulberg (April '08 Los Angeles Workshop | February '08 San Francisco Workshop & February '08 Los Angeles Workshop | January '08 Los Angeles Workshop), and Silicon Valley venture capitalist Dr. Frank Greene (July '08 San Francisco Workshop | June '08 Los Angeles Workshop | June '08 Silicon Valley Workshop | May '08 Los Angeles Workshop | March '08 San Francisco Workshop & March '08 Los Angeles Workshop). The upcoming Workshop builds on the exceptional popularity of IIFF's monthly Townhall Meetings —originally launched in the S.F. Bay Area during the spring of 2005— and features a highly topical program taught by an in-the-trenches expert with a track record of success. Our goal with this and future events is not only to provide unbiased insight & education about the business of film but also to foster & inform productive relationships between attending professionals.

Over the past years, the landscape of film financing has changed considerably and continues to be in flux. The ongoing democratization of the means of film production has loosed an avalanche of competition in independent film, making it more difficult for even the most talented filmmakers to stand out. On the other hand, film is attracting a wider range of financing sources than ever, including a large and diverse group of private equity investors (e.g., so-called angels).

In this environment of change, many of the old rules no longer apply. While content remains king, it is more critical than ever that filmmakers take a proactive, methodical and business-savvy approach to getting their films funded – be they fictional narratives or nonfiction documentaries, features or shorts, or experimental work. To thrive on the challenges ahead, filmmakers need to transform themselves from creative masterminds and technical mavens into holistic film entrepreneurs who can navigate the waters of business, finance & law as competently and confidently as they tackle the creative and technical side of movie production. (After all, the complex and wonderful process of filmmaking starts and ends with the money.)

There is no better place to start than the film business plan, the film entrepreneur's systematic roadmap for success and the single most important document any serious film investor needs to see, evaluate and understand. Without a well thought-out business plan, even the most promising movie venture runs the risk of turning into a protracted odyssey and may be doomed to fail – or, at least, fail to live up to its full potential.

Key components of a business plan include:

  • Industry Overview & Market Analysis
  • Business & Product Description
  • Team Bios (Management, Cast & Crew)
  • Financing Strategy
  • Production Plan (Budget & Schedule)
  • Distribution Strategy
  • Marketing Plan
  • Financial Statements & Projections

Nontrivial considerations & implications permeate most, if not all, aspects of a film business plan and its practical, day-to-day implementation. Getting these issues right is not just a point of professional pride. The choices made (e.g., distribution strategy) have a profound and lasting impact on the financing, production & success of your movie.

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Seminar Description

Nearly all low-budget, English-language independent films that achieve a U.S. theatrical release open in 1,000 or fewer theaters. ("Low budget" meaning $10 million and below.) Of those that did in 2009, an estimated 74% had cash from individual investors or their representatives as the driving force in their financing (raw data listed here). The people providing this money seldom do so before reviewing documentation that highlights the pluses and minuses of investing in film.

One of the most commonly used documents for approaching film investors is the business plan. Unfortunately for most filmmakers as well as financiers, this document is often prepared in a hasty manner that leads to more questions than answers. False assumptions about the nature of the industry, incomplete descriptions concerning the return of revenues and a host of other issues point to the real risk in such an investment: an uninformed filmmaker. Even worse, the nature in which most business plans are handed out (as well as the content of the plans themselves) can leave the filmmaker open to serious legal action from investors and securities regulators.

This highly instructive Workshop condenses the core knowledge for writing a solid film business plan into six intensive hours (plus two hours total for breaks and networking). The daylong program begins with such issues as:

  • The unpredictable nature of box office revenues;
  • Securities law implications; and
  • When a business plan is not necessary.

It expands to cover financial topics including:

Our expert instructor will focus on business plans used to raise 100% of a budget from individual investors, since the underlying principles in this financing scenario can also be applied to more complex ones.

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Learning Outcomes

This course conveys valuable skills & knowledge that any film entrepreneur will find useful.

Skills

You will develop important hands-on skills such as:

  • Evaluating which income streams matter to independent films
  • Parsing box office & ancillary data
  • Creating a Comparable Films Table
  • Projecting revenues while acknowledging a zero-certainty environment
  • Assembling the necessary elements for cash flow projections
  • Communicating potential returns in a language familiar to investors
  • Conducting targeted research on relevant aspects of the movie industry
  • Presenting helpful summaries on independent film distribution & marketing

Knowledge

You will be exposed to many mission-critical topics including:

  • Implications of securities laws
  • Appropriate functions and uses of a business plan
  • Foreign distribution
  • Ramifications of assigning "points" (e.g., profit participation)
  • Reasonable assumptions for non-P&A related costs
  • ROI vs. IRR
  • What level of returns do investors expect?
  • Defining the marketplace for independent films

Be sure to review our detailed Workshop program for additional information! »

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Recommended Reading

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Featured Instructor

Jeremy JuusoThe Workshop will be taught by Jeremy Juuso (LinkedIn profile | bio | website), a leading expert on business plans & financing strategies for independent films.

Jeremy is a Harvard-educated author, researcher and consultant in the field of motion picture finance. He specializes in creating film business plans and advising both movie producers and investors on the financing of multi-million-dollar films as well as projects in the sub-million dollar budget range.

Jeremy authored the acclaimed book "Getting the Money: A Step-by-Step Guide for Writing Business Plans for Film," writes "The A.K.A. Report," the only regular analysis of specialty films and their funding traits, and blogs frequently on the topic of film finance.

He also serves as financial advisor to Fly High Films, an independent production company with seven feature films to its credit. Earlier in his career, Jeremy performed investor database construction and treasury analysis for MGM. »

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Attendees

Who should attend?

Established and aspiring filmmakers looking to raise capital for their independent films, production companies, movie slates, film funds or other film-related ventures are well advised to participate in this high-value yet low-cost learning experience.

Entrepreneurs, consultants, attorneys, bankers, investment managers, venture capitalists, angel investors and other professionals with an interest in the business of film will also find the Workshop useful & worthwhile.

Why attend?

Whether you are new to the subject of film finance, need to brush up your relevant skills or want to deepen and expand your topical knowledge, this seminar is right for you!

Don't miss the rare opportunity to gain crucial insights from a top expert in his field. Connect with like-minded peers and potential collaborators in the process.

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Workshop Venue

L.A. Film Studies Center

5455 Wilshire Boulevard
Suite 1615 – 16th floor
Los Angeles, CA 90036
(323) 965-2705

Map: Get a map of 5455 Wilshire Blvd from Ask, Bing, Google, MapQuest or Yahoo.

Directions: Find an overview of driving directions to 5455 Wilshire Blvd here.

Parking: $4 visitor parking (flat fee) is available in the building.

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Our Host

LAFSC logoThis Film Financing Workshop in Los Angeles is hosted by the L.A. Film Studies Center (LAFSC), an intensive semester program designed for final-semester seniors from colleges all over the U.S. who are completing film or communications degrees.

Special thanks go to Rebecca Ver Straten-McSparran, the Director of the L.A. Film Studies Center, for making this event possible!

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Schedule

From To What
10:00 AM 10:30 AM Registration, Welcome & Networking (30 mins)
10:30 AM 12:30 PM Workshop Session I with Jeremy Juuso (2 hrs)
12:30 PM   1:30 PM Lunch & Networking Break (60 mins)
  1:30 PM   3:30 PM Workshop Session II with Jeremy Juuso (2 hrs)
  3:30 PM   4:00 PM Networking Break (30 mins)
  4:00 PM   6:00 PM Workshop Session III with Jeremy Juuso (2 hrs)
  6:00+ PM Community Time at Nearby Restaurant

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Program Details

Session I 

(2 hours) with Jeremy Juuso
  1. Workshop Overview & Objectives
  2. Business Plan Basics
    1. What Is a Business Plan?
    2. Resources
    3. The Impossibility of Film Forecasting
    4. Securities Laws
    5. When Is a Business Plan Not Necessary?
    6. Your Investment Vehicle
  3. Movie Revenues to Model
    1. The Flow of Movie Revenues
    2. Theatrical, DVD, VOD/digital, Pay TV & Others
    3. Flowing Through a Producer's Rep
    4. Foreign Distribution

Session II 

(2 hours) with Jeremy Juuso
  1. Return of Monies to the Investment Vehicle
    1. Investor/Producer Split
    2. Promising People Points
  2. Financial Table #1: Comparable Films
    1. Utilizing Baseline Intelligence
    2. Calculating a Foreign Gross
  3. Financial Table #2: Income Projections
    1. Medium Success Scenario
    2. Low Success Scenario
    3. High Success Scenario
  4. Financial Table #3: Cash Flow Projections
    1. What Is a Cash Flow Projection?
    2. Timing Your Return of Revenues
    3. Assumptions & Other Considerations

Session III 

(2 hours) with Jeremy Juuso
  1. Financial Table #4: Investor Projections
    1. Return on Investment (ROI)
    2. Internal Rate of Return (IRR)
    3. ROI vs. IRR; ROI Multiples
    4. What Level of Return Attracts/Distracts Investors?
  2. Tips for Non-Financial Sections
    1. Market Analysis & Marketing Strategy
    2. Motion Picture Distribution
    3. Film Industry Overview
    4. Others
  3. Executive Summary
    1. Importance & Use
    2. Contents

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Speaker Bios

Jeremy Juuso

Jeremy JuusoJeremy Juuso is the author of the book "Getting the Money: A Step-by-Step Guide for Writing Business Plans for Film" (available nationwide) and writes "The A.K.A. Report," a quarterly analysis of the theatrical market for specialty/independent films and their financing sources. "The A.K.A. Report" is the first-ever ongoing survey of funding and release patterns, festival debuts, budgets, distributor performance, sales representation, etc. for films in the domestic independent market. 2009's data set (freely available to the public) encompasses over 420 films.

In addition to his work as an author and researcher, Jeremy creates extensive business plans for the financing of multi-million-dollar films. He also serves as financial advisor to Fly High Films, an independent production company with seven feature films to its credit, mostly in the sub-million dollar budget range. His responsibilities at Fly High range from distribution negotiations to the drafting of film business plans.

Jeremy further advises movie producers & investors through his consulting firm Jeremy Juuso Consulting; through his guest blogging for Baseline Intelligence, a division of The New York Times Company; and through articles written for The A.K.A. Indie Film Blog and Blogger News Network. Jeremy has provided advisory services to Executive MBA candidates at the UCLA Anderson School of Business; lectured at California Institute of the Arts (guest of Jon Reiss), Los Angeles Film School (guest of Gabrielle Kelly), the Havardwood Salon Series and WordFest-Houston; and appeared as a guest on "Connie Martinson Talks Books" (past guest Barack Obama) and Jen Grisanti's "Feature Film Financing Podcast."

Jeremy graduated cum laude in Economics from Harvard College. Upon graduation, he accepted a Harvard fellowship and taught economics at a prestigious British boarding school to students applying to Oxford and Cambridge. Since his return from England, Jeremy has worked at MGM's treasury & investor relations departments (performing investor database construction and treasury analysis), the financial markets research firm Bigdough.com (now part of Ipreo Holdings) and Fly High Films. »

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Registration

Filmmaker-friendly, affordable online registration is available at the top of this page.

Ticket type IIFF Member Non-member Registration deadline
Early bird $150 $175 3 weeks before event
Regular $170 $195 1 week before event
Last minute $190 $215 1 day before event
On-site (at the door) $220 $245 Day of event

Register now to secure the best available price!

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Need Help?

Direct all your questions and inquiries about this event to IIFF's online forum at http://forum.filmfinancing.org.

Having trouble with Eventbrite, PayPal or Google Checkout? Get help in IIFF's online forum. (You can also notify us by email well in advance of the event and register on-site.)

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The Buzz

These quotes are samples of what past attendees say about IIFF events:

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"Let me again say I think you did a great job putting yesterday's event together – great crowd, smart presentation, lots of enthusiasm." — David Rosen, Executive Producer/Convener, Digital Independence

"Wow! For such a moderate investment, so much information. So much good networking. I hope you are proud of the magic you've created with IIFF." — Kevin Morrison, Writer/Director/Producer of independent film & TV

"I just wanted to say thanks for another great and informative meeting. The speakers were impressive and I made some good contacts." — Jesse Ford, Founder & Executive Director, Group Hug Productions

"IIFF and FilmAngels has really impressed me so far with its focus on the independent film community. I've traveled and interacted with film organizations around the world […]." — Jin Woo Joo, Founder, Cinemasports

"Thanks so much for hosting such an interesting program last week. I am always inspired by the creativity, and most recently, by the commitment to 'a better world'. It keeps my cynic's heart at bay! [A]gain, my heartfelt thanks for your mission and execution. Well done!" — Teri Cundall, Founder & President, Propville.com

"The event was great, very helpful." — Marc Perez, Co-President & Founding Partner, Sirk Productions

"I greatly enjoyed attending last night's event and found it very informative - certainly something that's been missing in New York so far." — Michael Gunther, Director/Producer, Triboro Pictures

"Great presentation tonight. Lots of energetic discussions and questions." — Campbell Dalglish, Prof. of Screenwriting, MFA in Film & Video at CUNY

"Thanks so much for tonight's event. It was really inspiring and incredibly informative." — Elizabeth Foley, Founding Faculty Member, Producing Dep't at NYFA

"I enjoyed this evening's Townhall presentation and found it very informative." — William Doll, Writer/Director, World Stage Pictures

"Your Townhall mtg was stimulating. You managed to attract the right target audience, and I loved your choice of speakers." — Sandra Schulberg, Founder, Independent Feature Project (IFP)

"I attended the New York Townhall Meeting and just wanted to thank you for setting up such an informative colloquium. It was my first IIFF event and I look forward to attending more in the future." — Blythe Frank, Producer, "Kettle of Fish" (Michael Mailer Films)

"Thank you again for a wonderful event last night." — Morgan Pehme, Co-Founder & CEO, Merlion Entertainment

"I'm just writing […] pertaining to the IIFF meeting last night, which I found both entertaining and informative and also promising of great things to come from IIFF in the near future!" — Thomas Woodrow, Producer, Furnace Films

"I attended the IIFF Townhall last week in New York and came away impressed. Thank you for putting together such an excellent panel of speakers. I found [Thomas Trenker's] presentation especially useful. As a former quant at Putnam Investments, I tend to dig into the numbers and [Mr. Trenker's] analysis was illuminating." — Robert Milacci, Executive Producer, Sinestra Pictures

"I very much enjoyed the seminar last Saturday in Stowe, VT. It was a lot of driving in one day (3.25 hrs. each way…), but worth it. […] Thanks again for a very enlightening day." — Marjorie Short, Oscar-nominated Writer/Producer/Director, Short Productions

"Just a note to say Larry Meistrich had a good time last night and was impressed with the quality of the group." — Jeff Silverstein, President of NEHST Access + Learning, NEHST Studios

"As it turns out, my producing partner [producer/director Leszek Burzynski] attended your IIFF meeting in Santa Monica on July 16. He was quite impressed with the presentations." — Terrance Sweeney, Partner & Producer, Winning Team Studios

"I just wanted to say thanks again for putting on such a great forum last night. […] I really enjoyed the occasion and especially the presentations. They were extremely relevant and really strong, credible presenters." — Gordon Clark, CEO, The Movie Portfolio Fund

"First, I wanted to say how much I really enjoyed your premier IIFF/LA seminar…!" — Frank Sacks, Founder & Principal, The Frank Sacks Company

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"THANKS […] There are no organizations or groups that I have come across that are doing what you and FilmAngels are doing." — J. Martin, Co-Owner, 24 Bros Entertainment

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"Thanks for organizing a great event. I thought it was a very interesting group of speakers." — Tricia van Klaveren, Producer/Exec. Producer & Principal, Fully Loaded Pictures

"[T]hank you for a terrific meeting last night…" — Greg Lejnieks, Actor/Filmmaker, Art Dealer & fmr. Pro Soccer Player

"First of all, thank you for hosting the Film Financing seminar. Very, very informative. I hope you have another one very soon." — Richard Beaty, Writer/Producer/Director & Co-Owner, Cielo Azul Films

"Just wanted to say 'thank you' for last night's IIFF meeting. […] The slides look great […]. I look forward to the next meeting." — Robert Pratten, Founder & Writer/Director, Zen Films

"I'm a big fan of all you're doing with IIFF… very inspiring to filmmakers." — Thomas Mignone, Director/Writer, DOOM Incorporated

"Thank you for hosting the [Workshop] last week. It was very informative and [the instructor] was spectacular. I learned a lot and met several fantastic people." — Lisa McTigue, Producer/Director, Three Masked Peeps Productions

"Thank you for inviting us to present to your [FilmAngels] groups in both Palo Alto and San Francisco. The attendees were warm and educated investors. You've done a terrific job gathering people with a passion for film." — Julie Richardson, Producer, "Collateral" (Tom Cruise, Jamie Foxx)

"It was another great event and I appreciate all your work […]. Thank you." — Paul Oja, Writer/Director, "Bus Trip"

"I must thank you for sending [Workshop instructor] Dr. Patrick O'Heffernan down to Los Angeles last month. It was the best $200 I have ever spent on a seminar. [S]ince Patrick has both raised money and invested money, his perspective was simply invaluable!!!" — Rosser Goodman, Director, KGB Films

"You assembled an impressive group of speakers (and characters). […] I think we share a strong desire to help filmmakers." — Darren Ehlers, COO, Scenechronize

"First, I simply must say what an amazingly informative session it was and well carried out by [Workshop instructor] Tricia van Klaveren and her guest speakers. It packed a memorable punch. […] I had never heard of IIFF previously and now look forward to more of the same from you guys." — Teo, CEO, Cool Room Entertainment

"I really enjoyed [Kaiser Wahab's] class. A great value. Thank you for sharing your knowledge." — Bob Rudis, Director of Photography & President, Tubular, Inc.

Speak out, we want to hear from you! Send us your comments by email.

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  Workshop contents are Copyright © 2010 Jeremy Juuso & Thomas Trenker. All other content is Copyright © 2010 Institute for Int'l Film Financing (IIFF). All rights reserved.  
 

 

When

Saturday, July 24, 2010 from 10:00 AM - 6:00 PM (PT)

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Where

L.A. Film Studies Center
5455 Wilshire Boulevard
Suite 1615
Los Angeles, CA 90036




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Hosted By

IIFF Greater Los Angeles

The Institute for International Film Financing (IIFF) is an innovative, independent social-impact organization that endeavors to bridge the gap between the worlds of filmmaking and finance for the benefit of all stakeholders – including the public at large.

Founded by Thomas Trenker in 2003 and headquartered in San Francisco, IIFF has chapters in the Bay Area, New York City, New England, Florida, Los Angeles, Washington, DC, London, the Pacific Northwest and the Lower Midwest.

Help launch or run an IIFF chapter in your area! We make it easy and worthwhile. Email the chapter development team and tell us about yourself. Or join our online community at http://forum.filmfinancing.org to keep in touch with a growing number of filmmakers and financiers.

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