Curated by Hesse McGraw and Aaron Spangler
Artists: Tanyth Berkeley, Ashley Bickerton, Club Paint, Liz Cohen, Wim Delvoye, Samara Golden, Trenton Doyle Hancock, Brad Kahlhamer, Nikki S. Lee, Jonathan Meese, Laurel Nakadate, Dana Schutz, Aaron Storck, Marianne Vitale, Kara Walker
Wrong’s What I Do Best takes its title from what was originally a George Jones anthem, and later a catchall for a generation of Hard Country performers. Jones and his outlaw brothers—Johnny Paycheck, David Allan Coe, Hank Williams—were known equally for their crafted stage personas and unhinged private lives. These sincerely deluded, tragicomic figures inhabited characters of their own making, to personal peril and kindling for public legend.
Wrong’s What I Do Best gathers the self-searing impulses of artists and musicians playing the role of one’s self as someone else. Working against both correctness and failure, Wrong’s What I Do Best revels in repeated derailments to present the work of artists who prod the edges of our world. Some unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Collectively, their low-irony tilt toward social, political, and personal fault lines might be characterized by illicit unrestraint, yet their lack of critical judgment occludes the artists’ true selves. In the torrid gap between the artist-person, and the artist-persona we are reminded that one shouldn’t let the truth get in the way of a good story.
When & Where
San Francisco Art Institute
Founded in 1871, San Francisco Art Institute is one of the nation’s oldest and most prestigious schools of higher education in contemporary art.