San Francisco, California
London, United Kingdom
There are many typefaces available to us today whose forms are inventive solutions to very specific problems of type manufacture, typesetting restrictions, or printing issues. As those designs become part of the overall typographic landscape, it's easy to forget how closely connected it is to the original problem, or how much potential there is try something new to solve a new problem. Looking at some now-classic typefaces, we'll see how they turned out the way they did, and hopefully encourage some fresh responses to newer challenges.