San Francisco, California
London, United Kingdom
(Rest^vRant) is junkyard high art. A catapult that soaks in a wealth of contrasting influences and Pollacks back the mash obscuring any predictable template of genre. Electrocana, roots, punk, country and slide blues would seem to be rough acts to merger but through the mad science of front man Troy Murrah the formula hits the nail.
Murrah, a thirty something Los Angeles based
[...]Los Angeles-based roots rock and electro trash duo Restavrant have created a visionary and positively indiosyncratic sound which involves both sides of the musical coin, so to speak. With bluesy slide guitar and countrified pickin’, gritty megaphone vocal delivery, harmonica, the layers provided by loop station programming, the catchy electric vibe of a keyboard, and the clank, tap and stomp of a junkyard drum kit, these two churn out something that is equal parts organic and mechanical, and equal parts rustic and urban. In nearly every way this is a combo that should not work, but somehow it does. It works remarkably well, in fact; so much so that Restavrant are now preparing to release the follow-up to their well-received 2008 debut Returns to the Tomb of Guiliano Medidici, at last. The upcoming album is titled Yeah, I Carve Cheetahs, of all things, and it is slated for a January 10, 2012 release from Hillgrass Bluebilly Records.
[...] Though they are currently residing in Los Angeles, California, Troy Murrah (guitar, banjo, harp, vocals) and J State (junk kit, other percussion, microKorg, and back-up vocals) hail from Victoria, Texas. Both locales are represented in Restavrant’s music in all of their differing points, from the Crossroads country and blues of Victoria to the melting pot music of Los Angeles. They have also played a number of gigs in both cities, and their wild sets, invariably followed by vigorous applause, have been highly appreciated by both audiences. And their albums, the content of which being all too similar to their live material, have also been met with the same level of appreciation.
Restavrant’s Yeah, I Carve Cheetahsis one of those rare follow-up albums that I find better than the one that came before it. And I, as a big fan of this duo, can only hope that this trend continues for future releases.
Incidentally, the boys have a handful of upcoming shows in support of Cheetahs. Most of the shows, to the disappointment of those fans who reside here on the east coast, are in the west. At a couple of the January shows, Restavrant will be sharing the bill with the side project of J.D. Wilkes of Th’ Legendary Shack Shakers, The Dirt Daubers, and the Two Man Gentleman Band.
-James G Carlson – National Examiner
ABOUT 22 Kings
22 Kings is currently working on a new album, continuing to collaborate with Lost Ark Studio. On the horizon are more exciting collaborations with talented producers like Alex Wong who has been a true inspiration to 22 Kings since their formation. With all the progress and excitement 22 Kings is experiencing, they choose to stay grounded with a simple philosophy - Sing. Laugh. Love. Repeat