PJ Morton, Live in Detroit
Friday, April 27, 2012 at 9:00 PM - Saturday, April 28, 2012 at 12:00 AM (EDT)
PJ Morton coined the phrase “soulful pop” to describe his approach to music years ago. His explanation was as complex as it was simple. The concept of soulfulness can seamlessly span genres, yet remains tangible. By the same token, “pop” music is not genre specific it simply engulfs whatever is popular with a majority at a particular time. PJ’s refusal to be defined by one dimension of sound resulted in musical ingenuity. Today the keyboardist/vocalist for superstar band Maroon 5 is simultaneously the newest solo act to join Young Money, PJ Morton found his balance, and the industry followed.
Born into the richly melodic soil of New Orleans, PJ recalls a musically inspired upbringing where his talents were eagerly nurtured. Though encompassed in gospel environment, he was also strongly influenced by pop icons the Beatles and James Taylor, but equally moved by soulful legends Stevie Wonder and Donny Hathaway. “The great thing about gospel is that it doesn’t sound like one thing. It crosses genres, it offered great training,” he acknowledges. These three diverse persuasions shaped PJ’s growth as a musician and propelled him to find his own artistry. Past influences are evident when he describes the dichotomy of his sound, “It’s sweet and sour. It’s chicken and waffles. It’s a hip hop bass line meshed with symphonies of stringed instruments, synthetic sounds intermingling with real instrumentation,” he explains. It’s nothing short of kismet years later PJ would find himself juxtaposed behind the keyboards of the group that many would classify as a new millennium version of the Beatles and the burgeoning new solo act on the hip hop imprint with a consecutive chokehold on the Billboard charts.
PJ’s first musical experiment was a band entitled Freestyle Nation. Ironically the band made its debut at the same time as Maroon 5. “In Maroon 5 I witnessed that blend of soulful music with a pop/rock vibe and I remember wanting my band to be signed to the same label because it was evident they understood the sound.” Freestyle Nation went on to achieve nominal success, but PJ would be validated by the industry as a highly-celebrated songwriter/producer. After nabbing a Grammy for his songwriting and production of India Arie’s “Interested,” PJ went on to win Dove and Stellar awards. His collaboration with gospel crooner DeWayne Woods resulted in a huge career high. The testimony PJ articulated in “Let Go, Let God,” catapulted up the charts for a record seventy weeks and garnering numerous awards and accolades, most importantly bringing PJ’s early influences full circle.
Synergy continues to connect PJ with key people that are able to offer even more diversity to his personal roster. The Grammy, Stellar and Dove Award-winning songwriter/producer caught the attention of internationally recognized, Oscar Award winning composer AR Rahman (Slumdog Millionaire). AR tapped PJ to contribute “Sajna” to the soundtrack and movie for the Vince Vaughn comedy Couples Retreat, further broadening PJ’s mainstream appeal.
PJ’s friendship with Adam Blackstone Maroon 5’s music director landed him an audition for a keyboardist/vocalist when the group was looking to expand their sound. PJ was the first to audition and left an indelible mark on the group. Days later he received word he was the newest member of the band. Another relationship that bore fruit was a childhood frond with Young Money President, Mack Maine. Maine became a champion of PJ’s music at Young Money playing several tracks for Baby and Slim who immediately saw PJ’s vision and insisted PJ’s version of soulful pop or ‘real music’ was a missing ingredient from the label. Months later, Young Money captain Lil Wayne’ heard PJ’s music and readily agreed. “I was excited from the start about the opportunity with Young Money, because they are about the only label that is about creativity and individuality. There have a star roster but every act is creatively unique. They are the only ones doing it like labels did it back in the old days when you had Marvin Gaye doing something worlds apart from Stevie Wonder, who was doing something worlds apart from Donny Hathaway, yet it was all celebrated; all successful.”
When & Where
We have produced shows for critical and emerging artists alike since 2001 and have been lauded for getting stellar right-up-in-yo face-talent in front of audiences locally in Detroit and in other locales nationally. Our intent is to underscore musicality in music; we are lovers of hip hop, soul, house, you name it.....Because music is the soundtrack to our lives, we believe it should be fresh and tasty. Our audience is a community discriminating music lovers. Built on passion and driven by a desire bring out good feeling vibes. In this way are we able to connect brands to people and people to brands.
Our stages have seen the likes of Eric Roberson, Leela James, Kem, Donnie, Omar, Julie Dexter, DJ Dez, Zo, Estelle, Jazmine Sullivan, The PJ Morton Band, Russell Taylor, Peter Hadar, L’Renee, Conya Doss, Dwele, Amp Fiddler, Slum Village, Black Bottom Collective, Ledisi, Van Hunt, Khary Turner, Rakim, One.Belo, Brother Ali, Monica Blaire, Tony Ozier, Allison Crockett, John Arnold, Amel Larrieux Marsha Carter, Jessica Care Moore, Jaguar Wright, Martin Luther, Ron Trent, DJ A-Track, Anthony David, Kid Capri, Vivian Green, Charity, Floetry, Suai, , Ayro, DJ Jazzy Jeff, Lyfe Jennings, DJ House Shoes, Gordon Chambers, KRS-One, Fertile Ground, Raheem Devaughn, Kindred, ?uestlove, Goapele, Carmen Rodgers, and many, many more...