Experimental Arts Union of Florida presents,
PETER BRÖTZMANN / JOE MCPHEE
at Karpeles Manuscript Library Museum | Jacksonville
Organized by Tim Albro and Jamison Williams
Development: EAUF (Experimental Arts Union of Florida)
Peter Brötzmann (b. 1941)
Brötzmann is among the most important European free jazz musicians. His rough timbre is easily recognized on his many recordings.
Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. - while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof.
The thirty-plus years of playing and recording free jazz and improvised music have produced, even on just recorded evidence, a list of associates and one-off combinations that include just about all the major figures in this genre: Derek Bailey (including performances with Company (e.g. Incus 51), Cecil Taylor, Fred Hopkins, Rashied Ali, Evan Parker, Keiji Haino, Misha Mengelberg, Anthony Braxton, Marilyn Crispell, Andrew Cyrille, Phil Minton, Alfred 23 Harth, Tony Oxley. Always characterised as an energy player - and the power-rock setting of Last Exit with Ronald Shannon Jackson, Sonny Sharock and Bill Laswell, or his duo performances with his son, Casper, did little to disperse this conviction - his sound is one of the most distinctive, life-affirming and joyous in all music. But the variety of Brötzmann's playing and projects is less recognised: his range of solo performances; his medium-to-large groups and, in spite of much ad hoc work, a stability brought about from a corpus of like- minded musicians: the group Ruf der Heimat; pianist Borah Bergman; percussionist Hamid Drake; and Die like a dog, his continuing tribute to Albert Ayler, with Drake, William Parker and Toshinori Kondo. Peter Brötzmann continues a heavy touring schedule which, since 1996 has seen annual visits to Japan and semi-annual visits to the thriving Chicago scene where he has played in various combinations from solo through duo (including one, in 1997, with Mats Gustafsson) to large groups such as the Chicago Octet/Tentet, described below. He has also released a number of CDs on the Chicago-based Okka Disk label, including the excellent trio with Hamid Drake and the Moroccan Mahmoud Gania, at times sounding like some distant muezzin calling the faithful to become lost in the rhythm and power of the music.
Joe McPhee (b. 1939)
Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day.
McPhee was born in Miami, Florida. He began playing trumpet at age eight before learning other instruments. He played in various high school and then military bands before starting his recording career. His first recording came in 1967, when he appeared on the Clifford Thornton album titled Freedom and Unity. He taught himself saxophone at age 32 after experiencing the music of John Coltrane, Albert Ayler, and Ornette Coleman. During the late 1960s and early 1970s, McPhee lectured on jazz music at Vassar College.
In 1975, Werner Uehlinger started the Swiss label hat Hut Records with the specific intent of showcasing McPhee's music. In the 1980s, McPhee met Pauline Oliveros, began studying her musical theories, and worked with her Deep Listening Band. He has not yet signed with any major label in his native United States, and was possibly better known throughout Europe than his native country until the 1990s. Jazz musicians with whom McPhee has recorded or performed include Ken Vandermark, Peter Brötzmann, Evan Parker, Mats Gustafsson, Jeb Bishop, The Thing, Clifton Hyde, Jérôme Bourdellon, Raymond Boni, and Joe Giardullo. Since 1998, McPhee, Dominic Duval, and Jay Rosen have performed and recorded as Trio X. McPhee has also written reviews and commentary for Cadence.
In 2005, McPhee was awarded the Resounding Vision Award by Nameless Sound.
KARPELES MANUSCRIPT LIBRARY MUSEUM
101 W 1st St Jacksonville, FL 32206
Experimental Arts Union of Florida