International Contemporary Art Dialogue
Tuesday, May 15, 2012 from 6:00 PM to 8:00 PM (PDT)
San Francisco, United States
International Contemporary Art Dialogue
Featuring Rotating Shanghai II - Works by Two Generations of Photography Artists in Shanghai, China, with the participation of Articulate Project Space in Sydney, Australia, and Sazmanab Project in Tehran, Iran.
Contact: Sabina Sule, Executive Director, Contemporary Dialogue Foundation firstname.lastname@example.org 415.359.5511
Leticia Javier, email@example.com, 323.608.3417
Farhad Bahram, firstname.lastname@example.org, 415.237.0077
Justine Wuebold,email@example.com, 510.896.5892
Date:Tuesday May 15, 2012
Time: 6 to 8 pm
Location:Chinese Culture Center of San Francisco
The panel discussion focuses on dialogue between Chinese, Australian and Iranian contemporary art, by viewing artworks from Shanghai photographers alongside that of other contemporary artists around the world. It will allow for the opportunity to meet with the artists and curator of the Rotating Shanghai II exhibition from China, and other participating art spaces/artists from Australia and Iran, through online video conference.
The discussion event is free and open to the public.
RSVP would be appreciated at http://cccartsdialogue.eventbrite.com
Farhad Bahram, Artist and intern at the Contemporary Dialogue Foundation.
Abby Chen, Curator and Deputy Director of the Chinese Culture Foundation of SF
Taraneh Hemami, Artist and Curator
Curator: Liu Congyun, Curator/Art Critic in Shanghai.
Artists: LU Yuanmin, WANG Yaodong, ZHOU Ming, CAO Youtao, DAI Mouyu, YAN Minglei, WANG Jianxin, CAI Hongsuo, YANG Yongliang, ZHU Feng, WANG Yanling, LIU Yue
William Seeto, an independent curator and a visual artist
Sue Callanan, an artist and board member of Articulate Project Space
Margaret Roberts, an artist and board member of Articulate Project Space
Dr. Behnam Kamrani, Artist, Curator and Critic
Dr. Mehdi Moghimnejad, Artist, Researcher and Critic
Haleh Anvari, Artist and Director of AKSBazi
Sohrab Kashani, Artist, Curator and Director of Sazmanab Project
About Rotating Shanghai II: Works by Two Generations of Photography Artists in Shanghai:
Presented by Projector, artists’ artwork is displayed as projected images in the form of a slide show. The exhibition features the work of Chinese artists spanning two generations and how their work has changed over the years, paralleling the changes in global and Chinese art as well as contemporary issues within the country.
Contemporary Dialogue Foundation (CDF) is a nonprofit 501(c)(3) art organization which fosters contemporary art dialogue in various spheres of human expression including art (visual art, music, films, writing, poetry, etc.), science, business, and social relations by implementing various educational projects and programs.CDF runs an alternative exhibition space called Projector. It is a non-traditional exhibition space where artists’ artwork (or documentation) is displayed as projected images in the form of a slide show. Projector's goal is to create discussion among international art spaces/artists by presenting innovative contemporary visual art exhibitions, followed by a discussion event that encourages contemporary art discourse in the world community as an ongoinginternational contemporary art cultural exchange.Projector Online is an extension of our exhibition space Projector providing the world community with a curated content for local projection events. Organizations or individuals can play the slide show of the exhibition images provided on this site at the any art or public spaces anywhere in the world.
About Participating Spaces:
Articulate Project Space (APS) is a not for profit Incorporated Association in Sydney Australia that supports an alternative project/ exhibition program that emphasizes spatial, critical and or cross-disciplinary practices. A key concern is the spatial relationship of artworks and their physical location. APS is comprised of a group of visual artists with similar ideas and other connections to the APS studios.APS coordinates a curated documentation program called the Project Space Project – its aim is to create interest in project spaces as an exhibition practice that focuses on the conceptual processes that go into art making, and the relationships formed between artworks and the places where they are made.
Sazmanab Project is a non-profit project space in Tehran initiated by artist/curator Sohrab Kashani. Sazmanab Project organizes exhibitions, events, talks and workshops, runs projects and makes collaborations on projects initiated by other project spaces and artist initiatives. Sazmanab Project is comprised of an exhibition space, a studio, a library and a cafe that hosts Sazmanab’s walk-by cinema, a unique platform that showcases videos and special programs. Sazmanab Project also offers artist-in-residence and curator-in-residence opportunities to international artists and curators.
Additional info on Panelists:
Farhad Bahram was born in Tehran in 1982. He began his photography practice as an undergraduate in 2002 at the Azad University of Tehran. He worked as a photojournalist for newspapers and magazines until the recent post presidential election riots in Iran, when a short-term arrest lead him to continue his studio practice. In 2009, he left studio and established the global art group GMOA (Global Mission of Art) with the help of sixteen artists from around the world. Bahram is currently working towards obtaining an MFA at the San Francisco Art Institute.
Abby Chen is the Curator and Deputy Director of the Chinese Culture Foundation of San Francisco, overseeing the Center's visual arts program including several projects that she initiated, XianRui. Fresh Sharp Artist Excellence Series, highlighting the work of exceptional Chinese and Chinese American contemporary artists, and Present Tense Biennial. Born in Shandong, China, and raised in Beijing and Shenzhen, Abby is trilingual in Mandarin, Cantonese, and English. Chen completed a MA in Visual Critical Study at the California College of the Arts in 2011, and is active as a curator and art administrator in Chinese and Asian American contemporary cultural fields. She was the Co-Founder and Director of the Chinese Artists Network, an organization dedicated to promoting Chinese contemporary media and visual artists. With CAN, she has curated exhibits for the San Francisco Arts Commission the Museum of Chinese in America in New York, the San Leandro History Museum and Art Gallery, and other institutions. She has recently worked to bring the Chinese Culture Foundation's contemporary visual arts programming to Mainland China, with several successful shows and workshops in Beijing and Shanghai.
Taraneh Hemami’s conceptually driven works shift in material and presentation: shimmering shattered glass prayer rugs; beaded curtains replicating governmental posters and postage stamps; a library of banned books. Examining the careful crafting of images as propagated for power and political gain, Taraneh’s recent handcrafted replications of historical archives serve as commemoratives to events, places and people, while commenting on tools of manipulation and persuasion used across nations and histories. Raised in Tehran, Iran, and living and working in San Francisco, Taraneh continues to explore themes of displacement, preservation and representation through her collective and curatorial projects, creating connections through experimental projects between artists, writers and scholars.
William Seeto is an independent curator and a visual artist based in Sydney. He has a creative practice of over thirty years and recently completed a Doctorate in Visual Arts at the University of Sydney – Sydney College of the Arts. He is experienced with artist-run initiatives and is currently associated with Articulate Project Space as a coordinating member. In July 2012, he curates exhibitions by three Norwegian artists and a German artist at the University of Sydney – Tin Sheds Gallery, and Articulate Project Space.
Sue Callanan is an installation artist who works in public space and lectures in Public Art in the Architecture, Design and Planning at Sydney University. She was awarded a Masters in Art in Public Space from Royal Melbourne Institute of Technology University, Melbourne in 2000. In 2010 she became a founding co-director of Articulate Project Space.
Margaret Roberts is an installation artist and art educator based in Sydney. She was awarded her PhD from Sydney University in 2009 for her thesis, Art and the Status of Place, and is currently a lecturer at the National Art School in Sydney. In 2010 she became a founding co-director of Articulate Project Space.
Behnam Kamrani received his BA in painting from the Faculty of Fine Arts, Tehran University, and an MA in painting and his PhD in art research from Art University, Tehran, where he is now teaching studio and art practice. Practicing with various fine art media, including painting and video, he has exhibited his works in 11 solo shows and more than 60 group exhibitions in Iran and elsewhere. His writings consisting of articles and reviews have published in professional art journals and many young emerging artists’ catalogues and books.
Mehdi Moghimnejad has been known mostly as a scholar, researcher and translator in recent years. But above all else he is an artist who has worked as a photographer for many years. While rarely exhibiting his works, he insists on the primacy of the morphological aspects of photography and also on the modernist discourses. Like scattered private notes, his photomontages portray the different dimensions of his life but, face to face with his work, we can hardly see any sign of the realm of his private life in them.
Born in Tehran and educated in Tehran, Isfahan and Somerset, Haleh Anvari worked for many years as a producer and journalist for foreign media in Iran. She is a self-taught photographer, writer, performance artist and the creator of AKSBazi.com. Anvari lives and works in Iran.
Sohrab Kashani is an interdisciplinary artist and independent curator based in Tehran. Kashani is the founding director and the curator of Sazmanab Project, a non-profit space in Tehran where he organizes exhibitions and events and hosts residencies. He currently works as a curator at Mohsen Gallery, Tehran. Kashani has been part of many panels and talks and has exhibited his own works all around the world.
LIU Congyun is an art critic and curator based in Shanghai. She started her continuous writing on contemporary Chinese art and culture tradition as a student in the Visual & Critical Studies Master Program at California College of the Arts from 2007-2009. After her return to China, she was selected as one of the three finalists for the Chinese Contemporary Art Critic Award founded by collector Uli Sigg in Beijing. In early 2010, she initiated an Artist-in-Residency program in Zendai Zhujiajiao, a branch space of the Himalayas Art Museum (Shanghai). Her past curatorial projects include “A (re)Turn to (re)Form: Chinese Classicism in New Media - Works by Wang Tiande, Hong Lei and Gao Yuan”, at Mark Wolfe Contemporary Art Gallery in San Francisco; “Unrealistic X (Stars + Scenes + Hills + Rivers) Photography Works by Zhu Feng, Dai Mouyu, Yan Minglei and Chen Nina”, at For Art Gallery, Shanghai M50; “Rotating Shanghai I: Video Works by Zhou Hongxiang, Lu Chunsheng, Tang maohong, Zhang Qing, Maleonn, and Zhou Ming”, San Pablo Arts District, San Francisco Bay Area. She has also been writing a year-long series of reviews on Chinese art for the Singtao Daily of San Francisco.
Born in 1950 in Shanghai, LU Yuanmin is the leading photographic artist of the generation in the wake of the so-called 1980s “enlightenment”. His most recent work displayed in the show parallels negative and positive images; a challenge to his previous practices. His works have been widely exhibited at Chicago Museum of Contemporary Art, USA; Dublin Modern Art Museum, Ireland; Bates College Museum of Art, Maine, USA; and Guangzhou Photo Biennale. He is also a recipient of Shafei Photo Award in China. He lives and works in Shanghai.
As a key member of the Beihemeng Group, a pioneer photography group, WANG Yaodong began his photography career in the ear1y 1980s. He is best known for his subjective absurdity in framing the city scenes to his camera. Wang has widely exhibited his work within China, such as Photography Exhibition of Beihemeng Group, 80 Square Meters Gallery, Beijing and Shanghai in 1986; Pingyao International Photography Festival; as well as Asia Photo Biennale in Seoul, Korea.
Within a decade, ZHOU Ming has been constantly working on his ambitious project, the Shanghai trilogy. Two of them, the Undisguised City and the Birdeye Shanghai, have been rotated in this show. Recent exhibitions include “the Beach” at Pingyao Intl. Photography Festival; “Expolarized” at 2011 Photo Biennale Alessandria, Italy. ZHOU Ming was born in 1960 in Xi’an city, and currently lives and works in Shanghai.
A photographer and a skillful dark room painter, CAO Youtao was first recognized for his urban photographs and recently shifted his concerns to staging photographs and dark room painting on film. Recent group shows include the 10th Shanghai International Photographic Art Exhibition at Shanghai Exhibition Center; Liu Haishu Art Museum, Shanghai.
Born in 1975 in Guangdong, DAI Mouyu graduated from the Guangzhou Academy of Fine Arts. His work has been showcased at Lyon Art Museum in France, Osage Gallery Shanghai, and the Shanghai Art Museum. DAI’s works present the artist’s extraordinary control in color and light; the basic language of the medium. He lives and works in Shanghai.
YAN Minglei has been working on three projects for years: the Shanghai Expo, the Rockery, and Under the Window. These projects will all be included at the CDF show. Best known for the Shanghai Expo. series, YAN has presented his work at The 10th Shanghai International Photographic Art Exhibition, and Pingyao PIP Festival. Born in 1975, he currently lives and works in Shanghai.
As a professional photojournalist working for the 21st Century Business Herald, one of the best publications in China, WANG Jianxin is an extremely productive photographer. The images of nature at Songhua River come from his hometown. His experiences in metropolises like those of Shanghai and Beijing shaped forms of the city represented in his images. His work has been exhibited at Lianzhou International Photography Festival and collected by The Archive of Modern Conflict in London. Born in the Heilongjiang Province and having earned his degree at Chinese Language and Literature major, WANG Jianxin currently lives and works in Shanghai and Beijing.
Born in 1979 in Hunan, CAI Hongshuo graduated from the China Academy of Fine Arts. He is known for an X-ray photography installation. CAI has presented his work at Nanjing Museum, Liu Haishu Museum Shanghai, and Moscow House of Photography.
Stylized by Chinese literati landscape painting, YANG Yongliang was known for his literati landscape images produced with the help of his mastery in computer graphics. His works were held at DuoLun Art museum Shanghai, and Nevada Art Museum. Public collections include The British Museum, National Gallery of Victoria (Melbourne, Australia), and The Saatchi Gallery (London, UK).
Winner of the Best Newcomer by Southern Pocket Film Festival, Guangdong, and the finalist of the Outstanding Sovereign Asian Art Prize, Hongkong, ZHU Feng is most widely known for his 10 year ongoing project - Shanghai Zero Degree. He has exhibited at the Museum of Contemporary Photography, Chicago, and Kansas City Art Institute, USA. Public collections include Bates College Museum of Art, and Guangdong Museum of Art.
WANG Yanlyn is a passionate experimenter to the language of photography, and the method of making an image. She is also interested in dealing with memories, such as the explorations in the Specimen series. WANG Yanlyn earned her MFA degree of Chinese Painting from the College of Fine Arts, University of Shanghai in 2007. She has been featured at MoCA Shanghai, DuoLun Museum of Art Shanghai, and Ofoto Gallery.
Born in 1981, Shanghai, LIU Yue graduated from the College of Fine Arts, and University of Shanghai; he majored in Oil Painting. His photographic work continues philosophical thoughts on perception and how we understand the world. Recent group exhibitions include Contemporary Photography in China 2011, India, Biennale of Alessandria 2011, Italy.
When & Where
The Chinese Culture Center of San Francisco is a major community-based, non-profit organization established in 1965 to foster the understanding and appreciation of Chinese and Chinese American art, history, and culture in the United States.
In its 45 years of work, CCC has played a pioneering role in introducing Chinese culture to the American public through exhibitions and public programming of a broad spectrum of Chinese traditional and contemporary artistic works in multiple disciplines: Visual Arts, Literature, Music and Theater.
750 Kearny Street, 3rd Floor, San Francisco, CA 94108