“I really hope people don’t say that we are a math rock band!” doubleneck guitar/bass virtuoso Kristian Dunn exclaims while discussing his duo, El Ten Eleven’s, new album Transitions. Acoustic and electronic drummer Tim Fogarty adds, “We get labeled all kinds of things from post-rock to ambient to experimental... all of those make us cringe. So far my personal favorite label for the band has been 'Power Duo'... it's kind of ridiculous but I like it.” Despite the absence of lyrics, their latest release, their fifth studio full-length album, may be the most personal to date. “Tim and I have been through a lot in the past couple of years,” Dunn reflects. “We’ve both been divorced, moved to different cities, Tim went through some really dark times, I got remarried and had a kid … for a while things were uncertain and we threw ourselves into the new record and it called for more than just short pop structures.” Thus, the title track, “Transitions,” which clocks in at over ten minutes long, is a twisting journey of sublime unpredictability. But the band’s ability to write catchy, emotional hooks hasn’t been lost. ETE has been debuting some of these new songs at festivals all summer and in the fall will embark on a national, headlining, six-week tour. The growing popularity of the band will see them playing bigger venues than they have in the past. In some markets they are graduating from clubs to theaters. “More transitions!” laughs Dunn.
The lovechild of a studio experiment that was never meant to make it out into the wild, Los Angeles’ American Royalty constructs an unlikely yet glowingly functional blend of dark garage rock and poignant electronica. This creative soundscape is topped off by the two vocal leads of Marc Gilfry and Billy Scher, whose pipes both seem to fall somewhere in the realm of where eerie and soul meet back on the other side. The psychedelic blues-rock three piece has already begun making their mark on the road over the past year, turning heads in the touring circuit with their unorthodox stage set up, a penchant for sprinkling in reworked bits of both the classic and obscure, and an explosively energetic and entrancingly unique live performance.
Grand Stafford Theater is the premiere live music venue of the Brazos Valley. An all-ages, all-genres, 450-capacity, live music venue, with two full bars and a mezzanine the newly renovated and historic venue provides the best in talent & entertainment.
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